Jules Pierre van Biesbroeck Art

Albert Sheldon Pennoyer was born in Oakland, California in 1888. He was the son of a prosperous merchant who owned a store known as Taft And Pennoyer. At a young age, the family mov...

This post-impressionist painting is signed, titled and dated 1955 by the artist, but the signature is difficult to decipher. It is oil on masonite board and is titled “Les Coquelico...

Fauvist Spanish Wildflower Landscape in Jaén, Mediterranean Oil Painting Artist: Rafael Duran Benet (Spanish, 1931–2015) Title: Campos de Jaén Medium: Oil on canvas board Dimensions...

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

Artist: Mishurovski V.V. Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2010 Title: Summer Size: 35.5" x 18" x 0....

About the Artist: Samantha Buller currently lives in Sonoma County after painting and teaching in Kansas for the past two years. She received her BFA in Painting from the Academy of ...

Otto Lindberg (1880-1955) 'The Moonlit Boathouse' ‍ Oil on canvas 60 x 95 cm, 73.5 x 108 cm framed Signed and dated 1940 There is something mesmerising about the way the moonlight...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

Mediterranean Harbor Scene with Boats and Figures, Spanish Oil Painting Artist: Juan Casellas Martínez Title: Mediterranean harbor scene with boats and figures Technique: Oil on can...

Surrealist Mineral Still Life with Dalinian Organic Forms and Textured Surface Artist: Antoni Pitxot Soler (Figueres, 1934 – Barcelona, 2015) Title: Surrealist Mineral Still Life wi...

Devin Michael Roberts' (US based) "Twilight Over a Mountain Lake" is a beautiful original oil painting on panel, depicting a deep and saturated red sunset, close to dusk. Artist bio...

Mediterranean Harbor View of Port de la Selva, Catalan Coastal Landscape Artist: Josep Moscardó (Spanish, b. 1953) Title: Port de la Selva Medium: Oil on canvas Dimensions: 23.62 x ...

Houses in Torcello, Venice, Colorful Italian Post-Impressionist Landscape Artist: Rafael Durán Benet (1931–2015) Original title: Casas de Torcello, Venecia Date: 1985 Medium: Oil on canvas board Dimensions: 13 × 16.1 in. 33x41 cm. Signature: Signed lower right Inscription: Titled and dated on the reverse Condition: Good vintage condition, with minor age-related wear consistent with a work from 1985 Frame: Unframed Period: 1980s Style: Post-Impressionist / Modern Mediterranean Description A vibrant 1985 view of Torcello, Venice, by Catalan painter Rafael Durán Benet, depicting the quiet architecture and lush vegetation of one of the most evocative islands of the Venetian Lagoon. Rather than portraying the monumental Venice of canals and palazzi, Durán Benet turns his attention to the more intimate atmosphere of Torcello. Red and ochre houses emerge between tall cypress trees and dense Mediterranean vegetation, while a broad foreground of luminous greens leads the eye toward the architecture. The painting is particularly striking for its color. Intense Venetian reds, coral, ochre, olive green and deep emerald are set against a large expanse of atmospheric blue sky. Durán Benet builds the landscape with broad, confident brushstrokes, allowing individual marks and areas of impasto to remain clearly visible. Architecture and vegetation are deliberately simplified into blocks of color and vertical rhythms. The result places the work within the European Post-Impressionist tradition while also revealing affinities with the expressive color of Fauvism and twentieth-century Mediterranean modernism. Painted in 1985, the work belongs to the mature period of Durán Benet's career. The original title, Casas de Torcello, Venecia, and the date are inscribed on the reverse. Its Venetian subject, compact dimensions and unusually rich palette make this an especially attractive example of Durán Benet's landscape painting. About Rafael Durán Benet Rafael Durán Benet (Terrassa, 1931 – Barcelona, 2015) was a Catalan painter particularly known for his landscapes, coastal scenes, urban views and still lifes. He was the nephew of painter, critic and art historian Rafael Benet i Vancells and began painting at an early age. During the 1950s he became closely associated with Cadaqués, whose intense Mediterranean light and artistic environment had an important influence on the development of his painting. Durán Benet held his first solo exhibition at Barcelona's Sala Vayreda in 1958 and subsequently developed a long exhibition career, including an important association with Barcelona's historic Sala Parés. His mature work is characterized by vigorous brushwork, simplified forms and a powerful chromatic language. Landscapes are frequently constructed through broad areas of saturated color rather than meticulous description, connecting his work to the traditions of Post-Impressionism, Fauvism and Mediterranean modernism. In 1980 he received the Henri Forman Prize from the Société Nationale des Beaux-Arts in Paris. In 2011 his native Terrassa honored him with a retrospective exhibition at the Sala Muncunill. Artistic context The painting will appeal particularly to collectors interested in: European Post-Impressionism Spanish and Catalan Modern Art Venice and Venetian Lagoon paintings Italian landscapes Mediterranean Modernism Fauvist-influenced color 20th-century European landscape painting Its chromatic intensity and simplified construction can be placed in dialogue with the broader Mediterranean landscape tradition associated with artists such as Raoul Dufy, André Derain, Maurice de Vlaminck and Joaquín Sorolla, while retaining Durán Benet's distinctly personal painterly language. Rafael Duran Benet, Venice Painting, Torcello Painting, Venetian Lagoon, Italian Landscape, Venice Landscape, Venetian Landscape, Post Impressionist Painting, Post Impressionism, Mediterranean Painting, Mediterranean Landscape, European Landscape Painting, Catalan Artist, Spanish Modern Art, Spanish Painting, Modern European Painting, Colorful Landscape, Fauvist Landscape, Fauvism, Italian Architecture Painting...