20th Century Portrait Drawings and Watercolors

Jean Cocteau ( 1889 -1963 ) " Ma main de malade " & " la mère de Rollo " double face drawing on paper . framed with museum glass : 51 x 44 cm work : 31,8 x 24 cm . this a very rar...

Study of a woman in profile by San Francisco artist William Kirchner (20th Century). Signed and dated "W. Kirchner 67" in the lower right corner. Presented in a new charcoal grey mat with foam core backing. Paper size: 18"H x 12"W. Exhibitions, San Francisco 28th Annual Arts Festival 1974, Capricorn Asunder Gallery 1974, Nevada City...

JOHN DA COSTA (1867-1931) Lillie, the Artist’s Wife Signed l.l. Coloured chalks on tinted paper Framed 61 by 48.5 cm., 24 by 19 in. (frame size 80 by 69 cm., 31 ½ by 27 ¼ in.) Jo...

No Access! is an original charcoal and watercolor drawing on laid and ivory-colored paper, realized around the Seventies by the great Italian artist and journalist, Mino Maccari (Sie...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Red chalk on paper 11 x 14 3/4 in. Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

The Face is an original drawing in China ink on cardboard realized by Sergio Barletta in 1958. Applied on passepartout: 65 x 50 cm. Hand-signed and dated on the lower left. In ver...

Portrait of Man is an original drawing in Cina ink realized by Umberto Casotti in 1947. signed on lower . sheet dimension: 30 x 22 cm. The state of preservation is good except for...

A delightful gouache study depicting a stylish woman in 1920's attire walking her lurcher. The woman holds a small posy of flowers, seemingly picked from the wild meadows that surrou...

A dramatic head and shoulders portrait of a lady in coloured chalks attributed to noted British artist Edward Bainbridge Copnall. This is just a stunning artwork which dates to circa 1940. Signed Bainbridge Copnall. Provenance. Midlands collection. Condition. Coloured chalks on paper, 16 inches by 13 inches and in good colour and condition. Some staining to edges. Housed in its original gallery frame 21 by 18 inches. In excellent condition. Edward Bainbridge Copnall MBE ( 1903-1973) was a British sculptor and painter. He was best known for his architectural and decorative sculptures featuring allegorical and religious subjects. He was the President of the Royal Society of Sculptors from 1961 - 1966. Edward Bainbridge Copnall was born in Cape Town, South Africa in 1903 and moved to Horsham, West Sussex in England as a young child after the death of his mother. His father, photographer Edward White Copnall (born 1878, Isle of Wight), lived and worked in Horsham from 1915-1962. His uncle was Liverpool-based portrait painter Frank Thomas Copnall...

Harry B. Marland. Fine early 20th century watercolour. A portrait of a lady peeling carrots in an interior. The women can be seen seated on a wooden chair, peeling away with a sharp ...

Watercolor portrait of a young Mexican girl by Joseph Yeager (American, 20th Century). Signed "Joe Yeager" in the lower right corner. This piece is on hea...

Painted by Norha Beltran (Bolivian-American, 20th century). Accompanied by old label from Hourian Gallery, San Francisco and with comprehensive artist bi...

"Marc Chagall" Original Drawing Illustration Caricature William Saroyan book This drawing was published in the 1976 edition of William Saroyan's SONS ...

Jean-Gabriel Domergue (1889-1962) Paris, Les Bouquinistes sur les quais, (The booksellers on the banks) Signed and titled lower right Pencil on paper 17 x 27 cm In good condition, ...

Artist: Raul Anguiano, Mexican (1919 - 2006) Title: Portrait of a Woman Year: 1964 Medium: Pastel on Paper, signed and dated l.r. Size: 31 x 22 inches Frame Size: 39 x 30 inches

Ganesh Pyne - Untitled - 8.25 x 11 inches (unframed size) Pen & Ink on Paper Inclusive of shipment in roll form. Style : Initially, Pyne painted watercolo...

Portrait of a Mexican girl in church by Joseph Yeager (early-mid 20th Century) on heavy bond watercolor paper with ragged edges. Signed "Joe Yeager" in th...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick Law Olmsted...

Work on paper

Pastel on paper on canvas, initialled lower left "ND" Image size: 13 ¾ x 22 ½ inches (35 x 57 cm) Gilt frame This fine Art Nouveau picture executed around 1900, depicts an auburn ha...

HANNA BAKUŁA (born in 1950) Polish painter, stage designer and writer. Bakuła graduated with honors from the Academy of Fine Arts in Warsaw, where she studied under such polish maste...

Study of Young Girl, Ink and Crayon Painting by Jacob Kramer Additional information: Medium: Ink, pencil and crayon 20.3 x 17.8 cm 8 x 7 in Signed Provenance Private Collection, UK.

Graphite on paper, initialled and dated 1960 Image size: 8 x 6 inches (20 x 15 cm) Handmade frame

Art Deco Girl with Car Mid-20th Century American Modernism Pin-Up Illustration Arthur Rosenman Ross (1913 - 1981) Deco Girl with Car, 1936 30 x 20 inches Oil on Canvas Board Signed Arthur ‘36 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Ink on paper 11 x 14 3/4 in. (each panel) Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern sculptors...

A charming watercolour study after Allan Ramsey. The portrait depicts Ramsay's first wife Margaret Lindsay Ramsay. She was a member of the Scottish Clan Murray and the eldest daughte...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Untitled (Woman by the Windows) Unsigned. Pastel on board, c. 1915 Created while the artist was in Giverny, France Provenance: Gift of the artist to his wife, Mary Hess Buehr by Desc...

Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...

Late Mid Century French feutre drawing on paper of a Provençal lady sitting in her kitchen by Jean Arène. Signed and dated bottom left. This artwork is a striking pen-and-ink drawing that vividly captures a cluttered interior scene filled with an assortment of teapots and household objects. The central figure, an elderly lady with an expressive face, sits at a table surrounded by an overwhelming array of details. The artist uses bold, dynamic lines to convey a sense of chaos and charm, creating an atmosphere of cozy clutter. The composition’s intricacy draws the viewer's eye around the room, showcasing...

original drawing by Jean Cocteau from Edouard DERMIT collection . signed and dated 1957 . framed .

Work on paper

A charming portrait of a young girl with short cropped hair seated in a red chair. The artist captures her features and ruffled dress in expressive pastel markings, bringing vibrancy...

A charming portrait of a woman in profile. The artist captures her in watercolour and pastel. Signed to the lower right. Presented in a slim wooden frame. Titled and dated verso. On ...

The present work by pioneering female artist Helen Dryden was most likely a cover assignment for Vogue Magazine. It is deftly rendered in a tight linear art nouveau style with flat c...

Portrait. Watercolor on paper, 42x37 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 194...

Presented in an ornate gilt-effect frame with stylized rails and bead course. The artist's signature and seal can be seen to the lower left. On paper.

Original Magazine Illustration for a magazine like Harper's, Vanity Fair, Life, Look, and Judge Shinn was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," Work is framed in an attractive gilt frame Morris Weiss collection...

14x11.5 image size , 22.5x17.5 backing size The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was ac...

Ray Swanson (1937-2004) "Native American" Original Pen & Ink c.1960s Fine portrait of a Native American Indian by listed Western artist Ray Swanson. Dime...

A pretty portrait of a young woman on a rocky beach. She wears a simple linen dress and pink hat. Presented in a gilt effect frame. Signed with initials. On watercolour paper.

A very finely painted watercolour study of the New Zealand equestrian Blyth Tait. Ready Teddy was an eventing horse competitively ridden by Blyth. Together the pair competed in three...

A delightful oil study of four men loitering by the harbourside. They appear to be engaged in conversation whilst one is off to the side smoking a cigarette. In the background we can...

A very fine early 20th Century portrait in delicate pastel, showing a refined older woman in elegant black dress with a white lace cap. She holds her knitting in her lap as she gazes...

Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, Spain Death place: New York, NY Addresses: NYC (immigrated 1921; citizen, 1943) Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGA Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

Sterner, Albert (American. 1863-1946). PORTRAIT OF HAROLD STERNER. Charcoal and pastel on paper, not dated, but 1912, as the subject is stated to be aged 17. Signed, lower right. 16 1/2 x 11 1/4 inches, framed to 26 1/8 x 20 1/8 inches. In very good condition. Albert Sterner was born in England, and studied in Paris. He worked as a magazine illustrator, but is best known for his paintings and prints. Harold Sterner (American, 1895-1976). Architect, painter; New York, N.Y. Born 1895, died 1976...

This compelling portrait depicts an Edwardian girl against a blue background. The artist captures her soft facial features and long brown hair in fine detail. Her white ruffle dress...

C. 20th Century Justin Faivre " Young Beautiful Woman " Done in Watercolor

A charming pastel portrait of a woman in thought. Indistinctly signed. Well presented in a gilded and molded frame with glazing and a white mount-board On wove.

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art...

A fine watercolour from listed artist Minnie Asprey depicting a house maid dressed in 17th/18th century attire. Well presented in an ornate gilt frame with ...

This accomplished watercolours portrait depicts a girl with a chain of daisies in her blonde hair. The daisy motif is repeated in the collar of her blue dress. The artist captures th...

Native American Pop Art "Snake Priest - Hopi" Original Watercolor by D. Collins C.1971 Outstanding original Pop Art style watercolor by D. Collins...

Peter Driben, best known as an American pin-up artist, was perhaps one of the most productive pin-up artists of the 1940s and 1950s. Driben's pinups delighted the American public from the beginning of World War II until the great baby boom of the 1950s. This portrait of a woman...

Jean Launois (1898-1942) Opium smokers, Indochina Stamp of the artit's estate on the lower right Black ink on paper 22.5 x 30.5 cm Framed : 38 x 46 cm This beautiful drawing, a fine example of Jean Launois' particular art, dates from the artist's stay in Indochina, from which he brought a group of works. An exhibition devoted to this Indochinese period of the artist's production was held at the Musée de l'Abbaye Sainte-Croix, Sables d'Olonne in 1998. About the artist : Of Vendée origin, Jean Launois very quickly showed a sure talent for drawing and was encouraged in this by his parents. He trained with his fellow Vendeans Charles Milcendeau and Auguste Lepère and then entered the Académie Jullian in Paris. Enrolled in the First World War in 1916, he continued to draw at the front, and produced numerous portraits of soldiers...

Fine Graphite Portrait of Beautiful Young Woman by R.G. Smith Portrait dimensions 15.5" x 19.5". The frame measures 17.5" x 21.5". Signed in the lower right corner. The portrait ...

Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...