Baroque Drawings and Watercolor Paintings

Old Master, French School red chalk drawing on paper is not signed . Done in Sanguine on paper the nude appear like Hercule . The feel and look of the works while academic studies a...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

Italian artist (18th-19th century) - Study for a writer. 17 x 25.5 cm, with passe-partout. Pencil drawing on paper, without frame. - Work signed indistinctly lower left (under pas...

Italian School, 18th Century, Circle of Grassi, This old master drawing is drawn in the late-Baroque or Rococo style. It depicts a woman worshipping Venus/ preparing a sacrifice for ...

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

Italian artist (18th-19th century) - Study for a St. Sebastian. 28 x 22 cm. 50 x 35 cm with passepartout. Ink and pencil drawing on paper, without frame (not signed). Condition re...

The Galli Bibiena Dynasty and European Courts. The Galli Bibiena family, renowned Italian artists and scenographers, served the most distinguished European courts, including those ...

Sorber Halle Watercolor Size: 7.0 × 9.9 on 7.6 × 10.3 inches COA provided Ref.: 924802-786

A pair of oval drawings for Ovid, Metamophoses Left: The Triumph of Amphitrite (Book I) Right: Diana and Actaeon (Book III) From: Ovid, Metamophoses These mythological studies are after paintings by Simon Vouet (1590-1649) that decorated the Chateau de Chilly. They were commissioned by the Marquis D'Effiat in 1630-31. The scholarly record documenting the commission are a series of engravings by Michel...

Capriccio painting in a greek or Italian style with women around a river. Capriccio is a fanciful architectural landscape painting. It was popular in Italy in the 18th Century. Most ...

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

Though he is most celebrated today for his extraordinary work as an artist of ornithological and zoological subject matters, Schouman was also a prolific documenter of landscape in his native Holland. The present drawing, which depicts a view of the Castel of Vianen, fits securely into a corpus of drawings Schouman produced on the same scale and in the same distinctive combination of media, examples of which are today housed in the collection of the Koninklijk Zeeuwsch Genootschap der Wetenschappen, Middelburg. Castle Batestein (also called Batenstein ) is a castle disappeared from the Netherlands . It was built on the banks of the Lek in the small town of Vianen, then in the province of South Holland (now in the province of Utrecht ). The castle was burned down in 1696 and then demolished. Remains only the Hofpoort (or castle gate...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a design for a painting or architecture Pen-and-ink drawing in black on brownish paper, black wash Plain gold moulding with UV glass Allegory of Victory, 18th Century, Old Master Drawing, By De Wit, Figurative Jacob de Wit...

Watermark: the arms of Amsterdam Provenance: Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by: Private Collection, New York Literature: Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17. Matías Díaz Padrón, Jacob Jordaens...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Jean-Baptiste LE PAON Paris, 1738 – Paris, 1785 Military scene near a castle Wash and ink on paper 25 x 31 cm (38 x 44 cm with frame) Signed and dated lower right: “Le Paon / 1785” C...

Johan Jacob HOCH Mainz, 1750 - Mainz, 1829 Pencil drawing on paper 34 x 22 cm (50 x 41 cm with frame) Signed and dated lower left "Johann Jacob Hoch / July 1778" Pitch pine frame wit...

Due Angeli is an original artwork realized by Andrea Brustolon. Mixed media, ink and watercolor. The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...

The Infant Jupiter Nursing from the She-Goat Amaltheia (The Birth of Jupiter) Red chalk and wash on off-white paper, c. 1700 Unsigned Attribuuted to Quaini by Dwight Miller, the sch...

French (?) school circa 1770 Portrait of a Lady in a Tondo, red chalk on paper 20 x 29 cm Numbered 25 on the upper left Little holes in the bottom (intended for binding) Not framed ...

Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...

Italian School 18th Century An Ancient soldier in profile, red chalk on paper 35 x 23.5 cm in good condition, traces of folds in the lower right corner Framed : 46.5 x 35.5 cm This...

Marine Dutch School, 18th Century Coastal Scene with ships in a storm Gouache on prepared paper

Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos The drawing is on paper.

Ink, litho crayon & collage on paper

The drawing, pencil on laid paper 29 x 27 cm, represents a moment of rest during the Flight to Egypt. It's a study on an etching ispired by a Guido Reni's painting, made by him durin...