Art by Medium: Clay

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 27 in. x 27.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 5.5in. x 5.5in.

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 5.5 in. x 5.5 in.

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 8 in. x 8 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 8 in. x 8 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 5.5 in. x 5.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be se...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 5.5 in. x 5.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be se...

“Untitled” 2019 Porcelain Unfired Poplar Wood, Plex Size: 8 in. x 8 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2019 Porcelain Cone 5 (comes in a bag) Size: 10.5 in. x 12.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be se...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 3 in. x 35.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen,...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 10 in. x 10 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 16.5 in. x 16 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 10 in. x 10 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 10 in. x 23.5 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 16 in. x 35 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, ...

“Untitled” 2018-2019 Porcelain, Paper Clay Cone 6 Size: 27 in. x 7 in. Danielle Weigandt explores the construct of events in time and their role in our lives. Time cannot be seen, h...

Signed by the photographer

Signed "Gris Camacho" on Bottom This Mata Ortiz Black Pottery is a beautiful handmade jar created by Griselda & Juan Camacho. They are members of the Ca...

Sharon Naranjo Garcia (b. 1951) Santa Clara Pottery Red Earthenware Pot approx. 8 x 8 Signed on the Bottom Sharon Naranjo Garcia Santa Clara Peubl...

Impeccable Provenance! See attached pictures of Juan Tafoya holding this particular piece, as well as his business card and his original letter all include...

A rare opportunity to own handmade plates used in the #1 restaurant of the world- NOMA (Denmark). These have been imported from Copenhagen Denmark and are in Chicago USA. Set of 4 plates made by the Aage and Kasper Würtz, who are an internationally sought-after father and son team of studio ceramists. While their location is Horsens, Denmark, a provincial town on the Jutland mainland, they are becoming known far and wide for their hand-thrown, hand-glazed designs — most notably the crockery they produce for a growing number of New Nordic and other contemporary gourmet restaurants around the world — from Geranium, Noma and Amass in Copenhagen to Törst and Luksus in Brooklyn. Produced under the K.H. Würtz trademark, Würtz ceramics — typically made of stoneware, occasionally of porcelain — possess a leading-edge 21st century aesthetic, yet each piece is created completely by hand, using mostly ancient wheel-turning and glazing methods. Würtz tableware, in particular, exhibits certain signature characteristics, such as an assured inner-outer ratio, a subtle concavity even in the flattest dinner plates, unexpected rims, moody colorations, random flecked and mottled surface effects, and a robust heft that makes each piece a delight to hold in the hand. All in all, the Würtz style is simultaneously contemporary in design and archaic in the crafting. It’s been described as timeless but is also future-oriented in the way it supersedes both heavily floral traditional fine china dinner sets...