Griselda Camacho de Silveria Art

Sublime mirror by French ceramist Mithé Espelt measuring 26 x 21.5 x 1 cm

Decorative pottery, mimicking barnacles. Surface has a nice texture and color.

Decorative pottery, mimicking barnacles. Surface has a nice texture and color.

Brian Russell Jobe (American, b. 1981) is an artist and non-profit director based in Knoxville, Tennessee. Jobe's studio practice is focused on sculptur...

Pair of Maiolica Plates with Pagodas, Felice Clerici Manufacture, Milan, c. 1750-1770 Rare pair of 18th-century Milanese maiolica plates, attributable to the Felice Clerici manufact...

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This Earthenware Vessel is believed to be Tarahumara (from Northern Mexico). The artist and date of creation is unknown. It measures approximately 11.5 x 10 inches. Dried animal hide...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Dive into the whimsical realm of mystique with this utterly enchanting totem. Crafted with meticulous detail, this...

Title : Anthozoa Blanca Materials : Black Stoneware, Oil-Based Clay and Sand Date : 11-15-17 Dimensions : 5x5x5" Description : This little rendition of a coral reef is delightful and...

This Earthenware Vessel is believed to be Tarahumara (from Northern Mexico). The artist and date of creation is unknown. Dried animal hide (possibly deer skin) is wrapped around the ...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...