Art by Medium: Film

Original black and white photography by artist Jack Ludlam. Framed. Edition 1/3.

Kabool, 'Avenue of Trees’, 2001 by John Reardon Edition of 2/10 Silver Gelatin Print, The framed print has been sold so we are happy to offer now unframed print for the suggested pri...

Office Party, New York City, 1966 by Leonard Freed is a gelatin silver photograph, 16 x 20in, signed verso (on back) by the photographer. Photographer F...

Original large format photography capturing the iconic monumental architecture of the ancient Forum Romanum in Rome by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Trittico Forum (2011) three individually framed original archival photography prints, each with diasec (acrylic glass) face mount in contemporary light grey lacquered gallery frames 76.7 in x 61.25 in (194.8cm x 156cm) / each 4,6m / 183.75" / 15' 4" installation width limited edition of 6 + 2AP signed, titled and dated verso 'Roman Forum' was installed at the US Embassy in Rome, Italy, as part of 2014 'Art in Embassies' exhibition curated by Virginia Shore and Claire D...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse.Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse. Holy Bull was ran...

Gabriela Sütori ist eine renommierte Kunstberaterin und Fotografin, die in Spanien ihr Zuhause gefunden hat, obwohl sie in Ungarn geboren wurde. Mit einem beeindruckenden Hintergrund...

This artwork is part of a series of creative collaborations between painter John-Herbert Wright & photographer John Mazlish.

Liminal lingers in the in-between, where a form is neither fully opening nor fully fading, but suspended at the threshold. A single bloom becomes a small theatre of transformation: r...

Original Polaroid of The City a Contemporary Landscape Photography by Pia Clodi. Pia Clodi’s works encompass moments and mementos from her countless walks through cities as well as...

This chromogenic chemical photograph of the sun is mounted onto plexiglass with hanging mechanism on the back. Artist Betsy Kenyon traveled to different parts of the US, using a pinh...

Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...

In orbit above the Gulf of Mexico in June 1965, NASA Gemini 4 American Astronaut Ed White is the first to spacewalk (tethered by a 25 foot cord) outside...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Chateau Entrance - 21st Century Contemporary Color Photograph by Pia Clodi This photographic print, demonstrates Clodi's zest for life, and ability to notic...

Dubawi, 'Stripped’, 2001 by John Reardon Edition of 15 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piec...

In this image, Jessie Spiess applies the multiple-exposure technique to the downtown of the City of Milwaukee as seen from the Milwaukee River. She often turns her camera to views of...

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

*temporary listing price reduction due to currency exchange rate large format photograph by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Pan di Zucchero...

Black and White painted photographic print of New York City by signed by artist Gottfried Salzmann. This is a rare Artist's Proof, marked "EA" (Epreuve d'Artiste). Offered framed. ...

New York Minute - Black and White Original Polaroid Photograph On a trip to New York, Pia Clodi did what she does best, she stopped, paused for a moment to take in the sights and mo...

Jumbo Rocks, California No.2 2023 100 × 125 cm Limited edition of 10 Jumbo Rocks, California No.2 is a black and white large-format photograph exploring scale, mass, and geologica...

King's Best, ‘Neck’, 2001 by John Reardon Edition of 7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of : (after) Whist...

An 11 x 14 black and white photograph of Buzz Aldrin from the original negative before Nasa added “more” space on the top of the image, which is a more common version of Visor. The...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Nu Provencal, Gordes, 1949 by French photographer Willy Ronis is an Iconic contemporary black and white nude photograph. A gelatin silver print, measuring 12" x 9" (image and sheet ...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Singspiel, Stallion Portrait 2001 by John Reardon 76 x 51 cm Edition of 5 only Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...

Nathalie - Platinum Palladium print over 24 carat Gold leaf on vellum paper , Unframed Edition 1 of 8 plus 2 AP ( Medium Size ) Woman in a wet silk bathrobe...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

Robert Kennedy (RFK) and his wife Ethel Kennedy, campaigning in a small town in Indiana USA in 1968 is a color photograph, 16” x 24,” an archival pigment...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

3 Trees - Signed limited edition archival pigment print, France, 1996 - Edition of 5 This image was captured on film in 1996. The negative was scanned creating a digital file w...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

For country music fans a lot of (3) - 10" x 8" black and white photographs of one of Country Music's best-loved singer and performers Willy Nelson, at age...

Multilayer 285 unique abstract photo paper collage (1 of 1) signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, German...

Artist: Salvador Dali Title: Passiflora laurigera (Le vine, Passionflower) Portfolio: 1968 Flora Dalinae Medium: Photolithograph, etching, and pochoir in colors on BFK Rives Date: 19...

NASA, Gemini 4 View of Earth, 1960s, A Vintage Color Photograph C-Print on Kodak Paper. This is an 8" x 10" vintage chromogenic print on fiber paper, numbered in red type on recto: ...

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the architectural elements of the Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. Fundamentals (2022) Kings Road: A Rudolph Schindler House 45" x 60" / 114cm x 152cm / edition of 3 30" x 40" / 76cm x 102cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...

This chromogenic chemical photograph of the sun is mounted onto plexiglass with hanging mechanism on the back. Artist Betsy Kenyon traveled to different parts of the US, using a pinh...

Studio 54 Logo/Crowds, 1978 by famed American photographer, Allan Tannenbaum. Archival pigment print. 10 x 15 inch photo on 17 x 22 inch on the finest satin photo paper, Ed. of 50. T...

Anonymous WILLIAM JENNINGS BRYAN. ELECTION POSTER. Lithograph, 1900 . Poster for Bryan's candidacy for President in 1900. He ran, with Adlai E. Stevenson as Vice President, against W...

American photographer Leonard Freed's photographic career was punctuated by epic documentary photo essays with many works shot in New York City, Wall Street, is one of the photograph...

'Peony No.8’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle...

With Lou Reed Written on box in Andy Warhol’s hand: Louis – 2 copies Written on box: Tri-X Rev. 2 copies. 1+ Written on back in Andy Warhol’s...

A black and white photograph from 1994 that captures Alain Bernardin and chorus girls at The Crazy Horse Saloon in Paris, France. Bernardin founder and a f...

A gelatin silver print, 16" x 20", signed (verso) by the photographer, School Bus, New York City, 1954 is a black-and-white photograph, capturing Jewish chi...

Black and white interior photograph developed using the Sabattier process. The photograph is not framed. Artist Biography: Pat Truax is a Texas based fine art photograph best known ...

Photograph of the iconic waterfall in the Houston Galleria area. This photograph showcases the Sabbttier process or the results of solarization. The photograph is not framed. Artist...