Art by Medium: Film

Artist: Ugnė Pouwell Title: Fern no.3 Year: 2026 Medium: Black and white analogue photograph Sizes: 40 × 32 cm; 100 × 125 cm Editions: Limited edition of 20 at 40 × 32 cm; limited ed...

'Peony No.6’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle...

A solitary figure stands before a landscape alive with summer light. His face remains unseen, allowing him to become less a portrait than a presence, a quiet human form held between ...

Mathew , Platinum Palladium print on Arches Platine paper from Ian Sanderson, unframed. Edition 1 of 12 plus 2 AP ( small Size ) Portrait of a charismatic man, shirtless, pr...

The Lagisza Power Station print is one of those most iconic industrial photographs from the Silesia series. ‘These houses are dwarfed by the huge power station cooling towers. It’s ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

'Jardin Majorelle' 2022 The Majorelle Garden, located in Marrakech, Morocco, spans one hectare and serves as both a botanical garden and an artistic landscape. Conceived by the French Orientalist artist Jacques Majorelle...

From the series 'Bushes and Succulents' (2018), Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, you...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (00089-MA.K...

Hot fan - Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. This print that is be...

'Jumbo rocks California #2' 2023 Limited edition of 20 Photograph shot using mid-century large format film camera Linhof. Printed on archival Hahnemühle Photo Rag Baryta paper. Si...

'Gloriosa’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back an...

Lisa - Edition of 5 signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print; each is an edition of ...

Paris, Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was...

'Peony’ photographed in London, United Kingdom 2022. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. ...

'Kopa' 2021 Black and white film photograph of Blatic dunes in winter. Limited edition 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with ...

'Dahlia on Ink #3' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Lily in Charcoal no.2' 2023 From raw energy to sublime. 'Lily in Charcoal No.2' is an expression piece combining an abstract charcoal drawing with a...

'Lily in Charcoal no.3' 2023 From raw energy to sublime. 'Lily in Charcoal No.3' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash....

The key - Signed limited edition monochrome pigment print - Edition: 2 of 5 Brighton, UK, 2002 This image was captured on film. This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber based paper, Hahnemühle Photo Rag® Baryta 315 gsm which is a premium quality paper that is acid-free and lignin-free. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes: 52 x 31 cm / 20,74 x 12,20 in. - Edition of 5 75 x 45 cm / 29,53 x 17,72 in. - Edition of 5 117 x 70 cm / 46,06 x 27,56 in. - Edition of 5 Geoff Halpin...

Skydive (Vegas) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #541 Not mounted. Stefanie Schneider...

'3498' London, United Kingdom 2022 From limited edition of 20. The photograph is signed front bottom right corner and comes with a certificate of authenticity, signed date of prin...

Bounjour Cecille - 2019 Edition of 10 - 20 x 20 cm Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate. Bonjour Cecille- Shot 2019 on 600 film Bonjour Cecille is from a series of self-portraits shot on the French Riviera and influenced by the novels of F Scotts Fitzgerald, Francois Sagan...

'Three poppies’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and ba...

Iggy Pop - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979 Archival Pigment Print, Framed Image size 30 x 30 cm Frame: 55 x 45.5 cm © Brian Griffin "I remember this...

The Calling (Shot 2018 on SX-70 Film) Shot as part of The Visit series, the image was directly influenced by 1960s and 1970s science fiction cinema such as Close Encounters of the Th...

Rachael - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1983. The negative was scanned creating a digital file which was then...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Slagheaps at Czerwionak-Leszczyny, Silesia, Poland, 1978 by Michał Cała Vintage Silver Gelatin Print (Gloss), Signed, tiled and dated in pencil on verso This is rare vintage print fr...

Old couple, Paris - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1994. This print that is being...

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Aporia is a black and white fine art photograph exploring uncertainty, inner conflict and the space between knowing and not knowing. The title comes from the Greek term for a state o...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Orchids ‘ who was captured on film in ...

Aporia II is a black and white fine art photograph exploring uncertainty, inner conflict and the space between knowing and not knowing. The title comes from the Greek term for a stat...

Orchard - Limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Ha...

"Sister of Eclipse"; from the Ranunculus series. Limited edition flex chromogenic photograph, printed in 2016. Signed and inscribed "From the Ranunculus series / Edition 2", with title and date on verso. Dimensions: (Frame) H 31.5" x W 31.5" x D 2" ; (Photograph) H 30" x W 30" Condition: Presents beautifully overall. After studying photography at the renowned Rhode Island School of Design, Christopher Beane moved to NYC, where he currently resides. In the mid-1990s, Beane stumbled across and became seduced by the early morning alchemy of the 28th street flower market - he found his unforeseen muse. Imports of both local and foreign became the artist's subject matter for the next several decades. He began by first documenting. Then he slowly started to formulate his own unique fingerprint in the fine art world. Noted curator and art historian, Anthony F. Janson proclaims Beane to be "the love child...

Old couple , Paris - Signed limited edition archival pigment print Edition of 5 This image was captured on film in 1994. The negative was scanned c...

Ektachrome vintage . 1953 . 20x15cm Marilyn Monroe .

Photographer Herb Ritts was pivotal in launching the career of Danish model Helena Christensen in the early 1990s. Working together on the 1994 Pirelli Cal resulted in this beach por...

An original photograph printed from the original camera negative, shot by Bill Carroll in 1945, and printed in 2010. This image depicts a young Norma Jeane at the beginning of her ca...

Space "Rodeo" of American NASA astronaut Richard F. Gordon above the Atlantic Ocean in September 1966. This is an 8" x 10" vintage chromogenic print on fiber paper, numbered in red...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...

An enchanting depiction of a flower in focus where light and colour dance in vivid harmony... “Nature creates nothing without the purpose” - Aristotele Anthurium flower; still life,...

'Bianca and Mick Jagger,' 1976 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 inch photo on 17 x 22 inch on the finest satin photo paper, Ed. of 50...

This piece is a triptych of three original color photographs from the original negatives, shot by George Barris in 1962, and printed at a later date. These photographs of Marilyn Mon...

"Flowers of the Pandemic l", is a tintype still-life photograph by CA based artist, Allan Barnes, created using long exposure in a dark room. Born in Detroit, Michigan, Allan has alm...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

The iconic image appears in Leonard Freed's seminal book "Police Work," published in 1980. Handcuffed (or Arrested), New York City, 1978 by Leonard Fre...

Photograph of the iconic waterfall in the Houston Galleria area. This photograph showcases the Sabbttier process or the results of solarization. The photograph is not framed. Artist...

EKtachrome Vintage 1953 .20x15cm

Hug My Soul - 2019 Edition of 10 - 20x20 cm. Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare M...

Original large format photography capturing the iconic monumental architecture of the ancient Forum Romanum in Rome by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Trittico Forum (2011) three individually framed original archival photography prints, each with diasec (acrylic glass) face mount in contemporary light grey lacquered gallery frames 76.7 in x 61.25 in (194.8cm x 156cm) / each 4,6m / 183.75" / 15' 4" installation width limited edition of 6 + 2AP signed, titled and dated verso 'Roman Forum' was installed at the US Embassy in Rome, Italy, as part of 2014 'Art in Embassies' exhibition curated by Virginia Shore and Claire D...

This artwork blends light and movement in an electrifying display. An homage to travel and spirit of exploration. A luminous neon sign captures the thrill of freedom in a playful des...

'Amaryllis' An analogue black-and-white photograph produced as an archival pigment print on Hahnemühle Photo Rag Baryta. This work reflects Ugnė Pouwell’s commitment to tonal preci...

Pomegranate 1&2 (Abstract Painting) Acrylic on polyester film - Unframed This piece, part of a series, is the product of bringing together colors that Ramsay specifically mixed for other projects. The colors have one thing in common, they were all selected...