Art by Medium: Film
92
to
493
1,750
1,395
444
352
1,146
1,121
886
925
749
387
356
776
Overall Height
to
Overall Width
to
2,188
230
99
46
40
37
24
12
9
8
1
1
1,090
805
707
531
407
346
323
313
299
292
236
234
232
206
195
194
148
148
140
135
2
7
672
2,509
2
3
57
152
66
188
174
1
596
263
147
127
115
3,197
178,664
92,344
80,021
77,085
Medium: Film
Hug My Soul - Contemporary, Polaroid, Photograph, Figurative
Located in Morongo Valley, CA
Hug My Soul - 2019
Edition of 10 - 20x20 cm.
Archival C-Print based on the Polaroid, not mounted.
Signed on back and certificate.
Clare Marie Bailey
Works and Lives: UK
Clare M...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
San Gimignano, Historic Centre, Tuscany, black and white landscape photography
Located in Vienna, Vienna
Black and white fine art cityscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Digital Pigment, Archival Ink, Archival Paper, Black ...
Look both Ways - Contemporary, Polaroid, Woman, 21st Century, Psychiatry
Located in Morongo Valley, CA
Evangelines Dream (Shot 2018 on 600 film)
Influenced by the phenomena of out-of-body experiences. The protagonist views herself from a world outside of her body after an unexplained...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Athena and Henry (Stay) - starring Ryan Gosling and Elizabeth Reaser - Polaroid
Located in Morongo Valley, CA
Athena and Henry (Stay) - starring Ryan Gosling and Elizabeth Reaser - 2006
20x25cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and...
Category
Early 2000s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Dahlia on Ink #2 - floral film photography, Limited edition of 20
Located in London, GB
'Dahlia on Ink #2' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
P...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Film
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Last Day of Summer - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Last Day of Summer (2019)
Edition of 10 - 40 x 40 cm.
Archive C-Print based on the Polaroid.
Signed on back and certificate.
Not mounted.
Clare Marie Bailey
Works and Lives: U...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Pair of 'Lily in charcoal' and 'Lily in charcoal No.2' abstract still life 8x10
Located in London, GB
Pair of 'Lily in charcoal' and 'Lily in charcoal No.2'
Each print 8x10" from limitd edition of 30.
Photographed in London, United Kingdom 2023.
It ...
Category
21st Century and Contemporary Naturalistic Art by Medium: Film
Materials
Film, Photographic Film, Archival Paper, Giclée
Pair of 'Peony' and 'Peony No.2' black and white floral photography 8x10
Located in London, GB
Pair of 'Peony' and 'Peony No.2'
Each print 8x10" from limitd edition of 30.
Photographed in London, United Kingdom 2023.
It is a still life black and white film...
Category
21st Century and Contemporary Naturalistic Art by Medium: Film
Materials
Photographic Film, Giclée, Archival Paper, Film
Caffe Florian San Marco Venice black and white fine art cityscape photography
Located in Vienna, Vienna
Black and white fine art cityscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Digital Pigment, Archival Pigment, Giclée, Digital, B...
"Mystic Sunset" Explosion of Shapes & Colors, Mixed Media Photography
Located in Detroit, MI
"Mystic Sunset" belies the title of sunset, which usually conjures images of the quiet settling of the day. This abstract explodes with action and flashing colors of white and yello...
Category
Late 20th Century Abstract Expressionist Art by Medium: Film
Materials
Mixed Media, Photographic Film
Platinum Palladium print over silver, Limited Edition, Still-life - Brighton 27
Located in Barcelona, Barcelona
Brighton 27 - Platinum Palladium print over silver on vellum paper - Edition 1 of 8 , plus 2 AP ( size 1 )
An old Harley Davidson motorcycle in front of a gas station garage in Br...
Category
1980s Contemporary Art by Medium: Film
Materials
Silver, Platinum
Dreams at Dawn - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Dreams at Dawn (2019)
Edition of 10 - 20 x 20 cm.
Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate.
Dreams at Dawn- Shot 2019 on 600 film
Influ...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
White Light - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
White Light (2019)
Edition 10 - 40 x 40 cm
Archival C-Print based on the Polaroid.
Signed on back and certificate.
Not mounted.
Clare Marie Bailey
Works and Lives: UK
Clare Ma...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
24 hr Psychic Desert Hotline - Contemporary, Polaroid, Photograph, Figurative
Located in Morongo Valley, CA
24 hr Psychic Desert Hotline - 2018
Edition of 10 - 40 x 40 cm
Archival C-Print, based on a Polaroid.
Signed on back and certificate.
Not Mounted.
about: 24hr Psychic Desert Hotl...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
A Surreal Watercolor and Cyanotype, "Saltwater Gradient, var 6"
Located in San Diego, CA
A one of a kind 5x7 Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided u...
Category
2010s Abstract Art by Medium: Film
Materials
Photographic Paper, Photographic Film
England- Signed limited edition landscape art print, Contemporary black white
By Sam Thomas
Located in Barcelona, Barcelona
England - Limited edition pigment print - Limited Editions of 5
Pebble beach in England with a single summer visitor under his umbrella, 2005
This is an Archival Pigment print on...
Category
Early 2000s Modern Art by Medium: Film
Materials
Photographic Film, Archival Paper, Photographic Paper, Black and White, ...
Pair of 'Lily No.2' and 'Lily No.3' black and white floral photography 8x10
Located in London, GB
Pair of 'Lily No.2' and 'Lily No.3'
Each print 8x10" from limitd edition of 30.
Photographed in London, United Kingdom 2023.
It is a still life black and white film photograph, ma...
Category
21st Century and Contemporary Naturalistic Art by Medium: Film
Materials
Film, Photographic Film, Archival Paper, Giclée
Madrugada - Contemporary, Polaroid, Figurative, Woman, 21st Century, Psychiatry
Located in Morongo Valley, CA
Madrugada
Shot 2019 on 600 film
Is about the time and hours between Midnight and Sunrise. It is the companion piece to the Red Room.
Edition of 10 - 40 x 40 cm - Archival C-Print ...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Abana by Barbara Arcuschin
Located in MADRID, ES
Abana by Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
A Pink Afternoon - Contemporary, Polaroid, Woman, 21st Century, Psychiatry
Located in Morongo Valley, CA
A Pink Afternoon (Shot 2019 on 600 film)
Shot in the dusty dunes in mid-summer it evokes a feminine ritual where the spectral orbs come out to play and hover round the edges
Editio...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Tokyo by Barbara Arcuschin
Located in MADRID, ES
Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
Elizabeth Taylor, B & W Photograph of Glam Hollywood Star on the Beach 1950s
By Burt Glinn
Located in New york, NY
Elizabeth Taylor, 1959 by Burt Glinn is a black-and-white photograph shot on film a portrait of Elizabeth Taylor on the beach during the filming of the adaptation of Tennessee Willia...
Category
1950s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, Silver Gelatin
Water Reflection of Fish Under Water, Pool Monotype Cyanotype in Blue Tones
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Abstract Impressionist Art by Medium: Film
Materials
Photographic Film, Emulsion, Printer's Ink, Watercolor, Photographic Pap...
Window - Polaroid colour photography of window in London, Limited edition of 20
Located in London, GB
'Window'
Detail of Christ Church by architect John Peter Darvall.
2023
Printed on 30 x 30cm Hahnemühle Photo Rag fine art paper.
Photograph is signed front and back and comes wi...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Film
Materials
Film, Photographic Film, Color, Giclée, Polaroid
Bounjour Cecille - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Bounjour Cecille - 2019
Edition of 10 - 20 x 20 cm
Archival C-Print based on the Polaroid, not mounted.
Signed on back and certificate.
Bonjour Cecille- Shot 2019 on 600 film
Bon...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Pair of 'Poeny No.3' and 'Poeny No.4' floral photography 8x10
Located in London, GB
Pair of 'Poeny No.3' and 'Poeny No.4'
Each print 8x10" from limitd edition of 30.
Photographed in London, United Kingdom 2023.
It is a still life black and white film photograph, ...
Category
21st Century and Contemporary Naturalistic Art by Medium: Film
Materials
Photographic Film, Giclée, Archival Paper, Film
About a child by Barbara Arcuschin
Located in MADRID, ES
About a child by Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
Londoner by Barbara Arcuschin
Located in MADRID, ES
Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
LA Sun by Barbara Arcuschin
Located in MADRID, ES
LA Sun by Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
Reflex by Barbara Arcuschin
Located in MADRID, ES
Reflex by Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
The lovers by Barbara Arcuschin
Located in MADRID, ES
Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
Signed limited edition nude fine art print, Woman Model, Intimate - Caroline
Located in Barcelona, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Caroline ‘
Signed by Ian Sanderson lo...
Category
1980s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, Photographic Paper, Black and White, ...
Offline, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity.
The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us.
The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology.
"Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Art by Medium: Film
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Platinum Palladium print over Gold, Limited Edition, Figurative - Elsa Poppin
Located in Barcelona, Barcelona
Elsa Poppin - Platinum Palladium print over 24 carat Gold leaf on vellum paper
Edition 1 of 8 , plus 2 AP ( Large size, size 2 )
Still life scene of the regulars at a vintage bar...
Category
1990s Contemporary Art by Medium: Film
Materials
Gold, Platinum, Gold Leaf
Poker Face by Barbara Arcuschin
Located in MADRID, ES
Barbara Arcuschin
Category
21st Century and Contemporary Art by Medium: Film
Materials
Photographic Film
Coupled Poppies - analogue black and white floral photography, Ltd. 15
Located in London, GB
'Coupled Poppies’ photographed in London, United Kingdom 2023.
It is a still life black and white film photograph, made with a large format 4x5 Linhof camera.
Limited edition of 15...
Category
21st Century and Contemporary Contemporary Art by Medium: Film
Materials
Film, Photographic Film, Archival Paper, Giclée
Amour is Pink, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
"Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace.
The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents.
Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves.
"Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Art by Medium: Film
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Chrysantemum on ink -floral film photography in composition with ink abstraction
Located in London, GB
'Chrysantemum on ink' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Film
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Sphere - Black and white still life film photography, Limited edition of 20
Located in London, GB
'Sphere' 2023
It is a black and white film photograph, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in the studio.
From a limited ...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Film
Materials
Film, Photographic Film, Photographic Paper, Giclée
The Pool (40x40cm) - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
The Pool - (2019)
Edition of 10 - 40 x 40 cm
Archival C-Print based on the Polaroid, not mounted.
Signed on back and certificate.
Clare Marie Bailey
Works and Lives: UK
Clare M...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Astrantia - analogue black and white floral photography, limited edition of 20
Located in London, GB
'Astrantia’ photographed in London, United Kingdom 2022.
It is a still life black and white film photograph, made with a large format 4x5 Linhof camera.
Giclée print on Hahnemühle ...
Category
2010s Minimalist Art by Medium: Film
Materials
Photographic Film, Archival Paper, Photographic Paper, Giclée
Signed limited edition nude fine art print, Contemporary black white - Sandrine
Located in Barcelona, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sandrine ‘ who was captured on film in...
Category
1980s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, Photographic Paper, Black and White, ...
Carcavelos Pier Paddle (framed) - large scale photograph of summer beach scene
Located in San Francisco, CA
large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure
Carcavelos Pier Paddle (2016)
61.25” x 81.68” / 155.60 cm x 207.46 cm
limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity)
original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame
Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility
Disclaimer of authenticity:
although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio.
About the artist:
Massimo Vitali was born in Como, Italy, in 1944.
He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path.
Vitali worked in cinematography for film and television before beginning a fine art practice in 1995.
Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy.
Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization.
Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World.
Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato.
Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany).
__________________________
SOLO EXHIBITIONS
2021
'PienoVuoto'
Forte di Belvedere, Florence
2020
'Human Constellations'
Museo Ettore Fico, Turin
2019
Massimo Vitali: Short Stories'
Mazzoleni, London
2018
'Coastal Colonies'
Spiral, Tokyo
2017
‘Disturbed Coastal Systems’
Benrubi Gallery (New York, USA)
2016
‘Landscapes with Figures’
Guido & Schoen Arte Contemponania (Genoa, Italy)
2016
‘Massimo Vitali’
Crown Gallery (Knokke-Zoute, Belgium)
2016
‘Massimo Vitali’
Ronchini Gallery (London, UK)
2015
‘New Prints’
Hilger Next (Vienna, Austria)
2014
‘Massimo Vitali’
Studio La Citta (Verona, Italy)
2014
‘Into The White’
Erich Lindenberg Art Foundation (Porza, Switzerland)
2014
‘Sempre più pallide. Towards Achrome’
Palazzo Tadea (Spilimbergo, Italy)
2013
‘Between Normalities’
Bonni Benrubi...
Category
21st Century and Contemporary Contemporary Art by Medium: Film
Materials
Wood, Plexiglass, Photographic Film, Archival Paper, Photographic Paper
Pair of 'Coupled Poppies' and 'Poppy No.3' floral photography 8x10
Located in London, GB
'Coupled Poppies’ and Poppy No.3 two prints
Each print 8x10" from limitd edition of 30.
Photographed in London, United Kingdom 2023.
It is a still life black and white film...
Category
21st Century and Contemporary Naturalistic Art by Medium: Film
Materials
Film, Photographic Film, Archival Paper, Giclée
Sam (Stay) - starring Ewan McGregor
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
This Piece:
Sam (Stay) - starring Ewan McGregor, 2006,
49x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, matte surface, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 5026.
Not mounted.
-----
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Athena and Henry (Stay) - featuring Ryan Gosling and Elizabeth Reaser
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
Athena and Henry (Stay), from Ryan Gosling's memory sequence, - 2006,
56x55cm,
Edition 1/5.
Analog C-Print, printed by the artist on Fuji Archive Crystal Paper, matte surface, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2428.01.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Through the Veil - Contemporary, Polaroid, Woman, 21st Century
Located in Morongo Valley, CA
Through the Veil - 2020
Edition of 10 - 40 x 40 cm
Archival C-Print based on the Polaroid, not mounted.
Signed on back and certificate.
Clare Marie Bailey is a UK-based photogra...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
'Baltic freeze #2' - black and white analogue landscape photography 42 x 27 cm
Located in London, GB
'Baltic freeze #2' 2022
A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white.
Printed on the finest archival paper, these limited...
Category
21st Century and Contemporary Contemporary Art by Medium: Film
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
No Wifi, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood.
The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement.
This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment.
Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Art by Medium: Film
Materials
Acrylic Polymer, Archival Pigment, Photographic Film, Neon Light, Archiv...
Get Free - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Get Free (2019)
Edition of 10 - 40 x 40 cm
Archival C-Print based on the Polaroid,
Signed on back and certificate.
Not mounted.
Clare Marie Bailey
Works and Lives in the UK
Cla...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Poppy on ink #2 - floral film photography in composition with ink abstraction
Located in London, GB
'Poppy on Ink #2' 2023
Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist.
Pr...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Film
Materials
Photographic Film, Ink, Archival Ink, Photographic Paper, Giclée
Zarina -Signed limited edition nude print, Black white photo, Woman portrait
Located in Barcelona, Barcelona
Zarina - Limited edition archival pigment print, 1987 - Edition 2 of 5
Provenance : Ian Sanderson’s Estate
This image was captured on film.
The negative was scanned creat...
Category
1980s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
Marcel Proust
By Andy Warhol
Located in New York, NY
Andy Warhol
Marcel Proust, ca. 1976
Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s.
Accompanied by Letter of Provenance from the representative of Chromacomp, Andy Warhol's printer
Frame included:
Elegantly framed in a museum quality white wood frame with UV plexiglass.
Measurements:
Frame:
17.75 x 14.75 x 1.5 inches
Photograph:
10.75 x 7.75 inches
This unique photographic positive acetate is of the 19th and early 20th century French novelist Marcel Proust, who's chef d'oeuvre A la recherche du temps perdu inspired some Warhol titles.
Warhol would transfer the acetate to a transparency, allowing an image to be magnified and projected onto a screen. Warhol created a silkscreen painting of Marcel Proust and sent this acetate to his printer, Chromacomp, Inc. for consideration as a silkscreen multiple, which was never made.
This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp,Inc. a fine art printing studio in New York City. During the 1970s and 1980s, it was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically.
Warhol had considered creating limited edition prints with Chromacomp of his famous portrait of Proust based upon this photographic image. The original painting was commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's original four acrylic and silkscreen ink on linen works were based on a famous 1895 photograph of the French novelist captured by Otto Wegener.
Marcel Proust, the distinguished French novelist, literary critic, and essayist, achieved renowned for his monumental 1908 seven-volume novel In Search of Lost Time. The literary masterpiece delved into the intricacies of memory, time and the profound complexity of the human experience. Proust's literary genius revolutionized the landscape of literature, leaving an enduring impact on the Parisian cultural scene at the turn of the century. About 50 years later, Andy Warhol emerged as a visionary artist who challenged artistic conventions, exploring themes that resonated with Proust's own ideas. Warhol, a trailblazer in his own right, delved into philosophical reflections on consumerism, mass production and the nature of fame. His artistic endeavors mirrored Proust's explorations, albeit through a contemporary lens, as he sought to redefine the boundaries of art and popular culture.
About Andy Warhol:
Isn’t life a series of images that change as they repeat themselves?
—Andy Warhol
Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources.
Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time.
The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee...
Category
1970s Pop Art Art by Medium: Film
Materials
Photographic Film
Sunflower No.2 - Polaroid black and white floral photography, Limited edition 20
Located in London, GB
'Sunflower No.2'
Sunflower was photographed using a black and white Polaroid.
From Limited edition of 20.
Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front ...
Category
21st Century and Contemporary Contemporary Art by Medium: Film
Materials
Film, Photographic Film, Black and White, Giclée, Polaroid
Early Morning - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Early Morning (Shot 2018 on SX70 Film)
Shot as part of The Visit series, the image was directly influenced by 1960s and 1970s science fiction cinema such as Close Encounters of the ...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Signed limited edition sexy fine art print, Figurative, Contemporary- Emily
Located in Barcelona, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Emily ‘ who was captured on film in 19...
Category
1990s Contemporary Art by Medium: Film
Materials
Photographic Film, Archival Paper, Photographic Paper, Black and White, ...
After Hours - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
After Hours (Shot 2019 on 600 film)
Influenced by American Neo Noir and films such as The Long Goodbye, Point Blank, and LA Confidential where suburbia is not what it seems.
20x20c...
Category
2010s Contemporary Art by Medium: Film
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Endless Desert Stone, The Dream Art Project
Located in New York, NY
The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall.
Anne Valverde's photograph "Endless" captures the essence of an infinite desert landscape, stretching far beyond the bounds of the frame. The scene is one of stark, natural beauty, dominated by the sweeping dunes and scattered stones that pepper the sand. The neon text 'endless' is inscribed onto the barren desert floor, resonating with the boundless view.
The composition of this image is striking in its simplicity and scale, with the gradation of light hinting at the vast expanse of space and time encapsulated within the desert's embrace. The text itself, a human-made construct, contrasts with the timeless and untouched environment, yet it seems to belong there, highlighting the desert's relentless continuum.
The photograph, with its subdued tones and soft light, evokes a sense of solitude and introspection. It encourages the viewer to ponder on the concept of eternity and our place within it. The desert is a metaphor for the endless possibilities and the enduring passage of time, a place where one can lose themselves in the horizon that stretches into infinity.
"Endless" is not just a visual representation of a desert; it is a reflection on the vastness of nature and the human spirit. Valverde's work prompts a contemplative state, a meditation on the unending cycle of life, and the awe-inspiring scale of the natural world. It is an invitation to explore the depths of our own thoughts and the ceaseless nature of our existence.
Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT
Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography.
Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words.
Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world.
Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...
Category
2010s Conceptual Art by Medium: Film
Materials
Photographic Film, Archival Pigment, Acrylic Polymer, Neon Light, Archiv...
Film art for sale on 1stDibs.
Find a wide variety of authentic Film art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Gerald Berghammer, Ian Sanderson, Clare Marie Bailey, and Jack Robinson. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Film art, so small editions measuring 15.75 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $494 and tops out at $4,854, while the average work can sell for $1,942.