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Medium: LED Light
Transfigurateurs
Located in Montreal, Quebec
My works are part of a reflection at the crossroads of the scientific laboratory, the curiosity cabinet and the museum of natural history. It is from the transformation potential of ...
Category
2010s Abstract Art by Medium: LED Light
Materials
Metal
Aliens
By Alan Strack
Located in New York, NY
This unique art piece is made of the original 35mm film of the movie, framed in an oak wood frame and lit with lit with RGB color changing LED light that can be controlled and light changed with smartphone app CONTROLLER for iOS and Android system.
“I started by working with the idea of the large film...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Oak, Film, LED Light
Tejido Humano 1
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Katherine Jackson, Necropolis, 2020, Photographic print on aluminum
Located in Darien, CT
Katherine Jackson lives and works in Brooklyn.
Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category
2010s Conceptual Art by Medium: LED Light
Materials
LED Light, Pigment, Glass
Tejido Humano 6
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Tejido Humano 2
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Tejido Humano 5
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Tejido Humano 4
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Tejido Humano 7
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
Tejido Humano 3
Located in New York, NY
C Print on plexiglass and led
Edition 2/3 + 2 AP
Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered into complex...
Category
2010s Art by Medium: LED Light
Materials
Photogram, LED Light
WINNIE DENKER - Light Bow red Eiffel Tower
Located in PARIS, FR
LIMITED EDITION OF 30 ON LIGHT BOX.
The Eiffel Tower, one of the great symbols of France, is bathed in scarlet red lights for the first time in its history on January 24 evening and has only sparkled red for five days in honor of China.
About the artist :
Winnie is a fearless explorer. Her animated and judicious views reflect the essence of her subjects in monumental panoramic scenes.
Originally from Denmark, Winnie Denker...
Category
2010s Abstract Geometric Art by Medium: LED Light
Materials
LED Light, C Print
Batman in Gotham, 3D Backlit Digital Print by DJ Leon, 28 x 45 in
By DJ Leon
Located in White Plains, NY
'Batman in Gotham' by DJ Leon, 2015. The piece measures 28 x 45 inches, Ed. of 10. This 3D backlit print incorporates images and text found in batman comics. Embedded LEDs are place...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Digital, LED Light, Mixed Media
WINNIE DENKER - Light Box - Centre Georges Pompidou
Located in PARIS, FR
LIMITED EDITION OF 15 ON LIGHT BOX.
The Eiffel Tower, one of the great symbols of France, is bathed in scarlet red lights for the first time in its history on January 24 evening and has only sparkled red for five days in honor of China.
About the artist :
Winnie is a fearless explorer. Her animated and judicious views reflect the essence of her subjects in monumental panoramic scenes.
Originally from Denmark, Winnie Denker...
Category
2010s Abstract Geometric Art by Medium: LED Light
Materials
LED Light, C Print
Slick Rick, 2008, traditional stained glass, shadowbox frame, LED lighting, icon
By TF Dutchman
Located in Jersey City, NJ
Slick Rick, 2008, traditional stained glass, custom shadowbox frame, LED lighting, icon, purple, blue, yellow.
Category
Early 2000s Contemporary Art by Medium: LED Light
Materials
Glass, Wood, LED Light
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
Powerful Dolls
Located in PARIS, FR
2020, Unique Artwork
Mix Media wax and plexyglass with protective Cap Plexiglas with LED
28 × 11 × 7 9/10 in - 71 × 28 × 20 cm
The artwork is dated, numbered and signed on a metal la...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Plexiglass, Plastic, LED Light
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
Cloud
Located in New Orleans, LA
Hand-built clay sculpture with white glaze and internal blue LED light. This sculpture can be wall mounted or displayed on a pedestal or table top.
Category
2010s Abstract Art by Medium: LED Light
Materials
Ceramic, Glaze, LED Light
Light Box No. 2605 - electric light emanating wall or table sculpture
Located in Burlingame, CA
Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...
Category
2010s Abstract Art by Medium: LED Light
Materials
Metal
Nuit Blanche
Located in Montreal, Quebec
Text by Terence Sharpe
There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...
Category
2010s Contemporary Art by Medium: LED Light
Materials
LED Light, Plaster, Wood, Plexiglass
Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
À Perpétuité
Located in Montreal, Quebec
Karine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Mixed Media, Glass, Ink, LED Light, Acrylic
Jo Yarrington, Mute-Ability_Composition 6, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 5, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
Jo Yarrington, Mute-Ability_Composition 2, 2019_acrylic, steel, player piano rol
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Steel
Buku Rover (traffic sign)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Steel
Saint Aureola of Murgatroyd, Paul Thek, Pastor (lighted sign)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Sisters of Barbarity
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Daughters of Barbarity (lighted sign)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Church of the Eggshell Plaintiff
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Cecile Walker Cycles - miniature urban building sculpture- street art graffiti
By Joshua Smith
Located in New York, NY
Joshua Smith
Cecile Walker Cycles
Based on Cecile Walker Cycles, Melbourne
Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Wire, Aluminum
Jam Master Jay, 2009
By TF Dutchman
Located in Jersey City, NJ
Tiffany style stained glass memorial work in honor of DJ Jam Master Jay
Handcrafted by TF Dutchman, "Jam Master Jay" is part of series of works that are odes to the four elements of hiphop, with Jam Master Jay representing the DJ. This piece is a one of a kind original Tiffany style stained glass panel. A detailed portrait painted with vitreous paint memorializes the legendary hip hop artist DJ Jam Master Jay of RUN-D.M.C.
Brilliant greens, yellows, blues and reds are enhanced by kiln fired, painted symbolic motifs including a turntable, JMJ's signature gold chain and the textured blue-gray drapery glass of JMJ's signature Adidas robe. TF Dutchman uses traditional original Tiffany window...
Category
Early 2000s Contemporary Art by Medium: LED Light
Materials
Metal, Copper
Wahrheit, Schönheit, Güte (lighted signs)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Candy (lighted sign)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plaster, Wood, LED Light, Acrylic, Latex
"ALEXANDER McQUEEN L5" Original photography Edition 2/8 by Giuliano Bekor
Located in Culver City, CA
"ALEXANDER McQUEEN L5" Original photography Edition of 8 by Giuliano Bekor
This artwork printed on a highest resolution fine art Fujiflex Crystal ...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Plexiglass, Archival Pigment, LED Light
Carol Salmanson, Double Diamonds, 2018, LED, plexiglas, gels, irridescent paint
Located in Darien, CT
Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life.
Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject.
Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder.
Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow.
Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year.
Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...
Category
2010s Color-Field Art by Medium: LED Light
Materials
Plexiglass, Polyester, LED Light, Acrylic
She had nowhere to hide
Located in Montreal, Quebec
Place des Arts in Montreal is pleased to present Arnait by Karine Giboulo in its exhibition hall, a space for citizen reflection open to all. Central to her process is a friendship d...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Wood, LED Light, Clay, Acrylic
Country food diner à Verdun
Located in Montreal, Quebec
Place des Arts in Montreal is pleased to present Arnait by Karine Giboulo in its exhibition hall, a space for citizen reflection open to all. Central to her process is a friendship d...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Clay, Wood, LED Light, Acrylic
Illumination, Version II
Located in Montreal, Quebec
The term illumination can be defined as an observable property and effect of light, as well as the process by which human thought is transformed and expanded. Illumination in the phi...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Steel
Awaiting Knowledge
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Plaster, Plexiglass, Wood, Epoxy Glue, LED Light
Jo Yarrington, Lick, Dip, Paint, 2018, LED Light, Putty, Plastic
Located in Darien, CT
This installation imagines a dipping pot that the Radium Girls might have had at a work station. Lit by black light to highlight the neon glow, this object conveys a modern view on t...
Category
2010s Conceptual Art by Medium: LED Light
Materials
Putty, LED Light, Plastic
Rubbles
Located in Phoenix, AZ
acrylic, LED lamps, transformer, aluminum
edition 1 of 3
For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as ra...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Metal
The Arcs 2
Located in Montreal, Quebec
Patrick Beaulieu is a multidisciplinary artist. For the last ten years, his work has been built around the initiation of performative trajectories resulting in a corpus of visual art...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Metal, Enamel
Untitled (Double Tower)
By Erika Dueck
Located in Montreal, Quebec
In Erika Dueck’s optical machines, the viewer can peer through a small opening into a near-pathological state of anxious disorder; a state of things half-accomplished and naggingly r...
Category
2010s Contemporary Art by Medium: LED Light
Materials
LED Light, Mixed Media, Paper
Untitled
Located in Montreal, Quebec
Text by Terence Sharpe
There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Nylon, Glass, Wood, LED Light
The Ansonia
By Joseph Cavalieri
Located in New York, NY
A tribute to the Ansonia, a luxurious building on the Upper West Side of Manhattan (Broadway and 73-74th St., Erected between 1899 and 1904) First built as a hotel by William Earle D...
Category
Contemporary Art by Medium: LED Light
Materials
Enamel, Steel
Night Shift
Located in Montreal, Quebec
Text by Terence Sharpe
There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Nylon, Glass, Wood, LED Light, Acrylic
Untitled
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
LED Light, Mirror, Nylon, Glass, Wood
Fish Light #34
By Frank Hyder
Located in West Palm Beach, FL
Fish Light #34
48 x 22.5 x 3.5 D
Mixed media on Plexiglas with LEDs
When lit, the colors intensify and have a warm glow.
Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Plexiglass, LED Light, Mixed Media
Lost in reflexion
Located in Montreal, Quebec
Text by Terence Sharpe
There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Glass, Fiberglass, Foam, Wood, LED Light, Acrylic
Night shift II
Located in Montreal, Quebec
Text by Terence Sharpe
There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Nylon, Glass, LED Light, Acrylic
The Cell
Located in Montreal, Quebec
The Architecture of Knowledge in the work of Guillaume Lachapelle
L. Sasha Gora
Jorge Luis Borges imagined the universe as a library, one “composed of an indefinite and perhaps infinite number of hexagonal galleries.” The bookshelves in Guillaume Lachapelle’s rigorously detailed, architectural miniatures are similar imaginings of knowledge, infinity, and the meaning of books.
When Lachapelle predominantly sculpted with wood, the library was already present in his work. Take for instance the delicate shelves in Maneges (2004-2006). In 2009, he began to employ 3D printing and since, he has drafted bookshelves as white, intricately printed sculptures. Fissure, 2009, a bookshelf whose centre collapses, like quicksand, into a void; Le piège, 2009, an isolated balcony that protrudes from a bookshelf; Évasion 2, 2011, a fragile staircase that leads to a corridor library. Despite their sculptural form, these pieces never feel static. They suggest something beyond the shelves. Books are often described as gateways to other worlds and the artist Dominique Gonzalez-Foerster exemplifies this literally. In her 2013 La Bibliothèque clandestine at Palais de Tokyo what at first appears to be a bookshelf is actually a rotating door that opens into a secret gallery.
For Lachapelle’s sixth solo exhibition at Art Mûr, Vision, we encounter again the library. This time, he employs single-sided mirrors to exaggerate a sense of the infinite, getting closer to Borges’ indefinite library, such as in Awaiting Knowledge (2013). We confront the same architecture in Metro (2013) and Last Night (2013). A library, a subway car and a hallway from the Titanic, respectively, all melt into an intriguing yet alarmingly dark void. Where does the darkness at the end of hall lead to? Lachapelle’s miniatures act as a threshold between what is seen and not seen.
Although a good five centuries apart, the printing press and 3D printing both belong to the history of print. However, in Lachapelle’s miniatures, books are separated from their use. We cannot read them. They are rendered decorative, almost fetishized, and so instead we must mediate on their symbolism. This requires imagination. Lachapelle’s models are far too tiny for us to occupy physically, and so we must occupy them with our imagination, as when we occupy books, turning the words into the stories and images of people and places.
In Borges’ story, what began as extravagant happiness - the Library of Babel housing all books and holding all of the world’s answers – turned to depression: “The certitude that some shelf in some hexagon held precious books and that these precious books were inaccessible, seemed almost intolerable.” For Lachapelle, books represent a similar anxiety: as much as we know, there is always more that we don’t.
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Art by Medium: LED Light
Materials
LED Light, Plexiglass, Nylon
Nuit étoilée
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Contemporary Art by Medium: LED Light
Materials
Nylon, Glass, LED Light
Dreamcatcher Light Print Pink Blue V2
Located in Miami, FL
Italian artist Annalù Boretto's dreamy sculptures enchant onlookers with hyper-realistic water splashes and brilliant colors. Born in Venice in 1976, the artist worked for years to d...
Category
2010s Abstract Art by Medium: LED Light
Materials
Mixed Media, Resin, LED Light
Rest Easy, 2022
By Hunt Slonem
Located in Fort Lauderdale, FL
Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...
Category
2010s Contemporary Art by Medium: LED Light
Materials
Paint, LED Light
Lt Ed of 500 3-d Neon Fluorescent light Cow Wall Display Sign with wall plug COA
By Andy Warhol
Located in New York, NY
After Andy Warhol
Neon light Cow Wall Display Sign, 2022
Acrylic-printed cow lined with red neon LED artwork with energy-efficient tubing, full board backing
ACCOMPANIED BY A NUMBERE...
Category
2010s Pop Art Art by Medium: LED Light
Materials
Metal
Hommage à Vasarely by Bardula
Located in Miami, FL
Bardula
Hommage à Vasarely
Pigments on plexiglass, glass, LED lights, aluminum
85 x 85 x 12 cm
33.5 x 33.5 x 4.7 inches
Category
2010s Art by Medium: LED Light
Materials
Glass, Plexiglass, LED Light, Pigment
You are My Sun (Aurora Borealis)
Located in New Orleans, LA
Carmen Menza is an interdisciplinary artist creating fine art and technology-based installations utilizing light, painting, interactive software, music co...
Category
2010s Abstract Geometric Art by Medium: LED Light
Materials
Metal
Led Light art for sale on 1stDibs.
Find a wide variety of authentic LED Light art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Roger Ballen, Tom Price, Robert Montgomery, and Cari Cohen. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large LED Light art, so small editions measuring 29.93 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $15,500 and tops out at $60,000, while the average work can sell for $32,750.