Art by Medium: LED Light

In Fivefold Robotcats: Spirits of the Neon Pantheon, Hiro Ando reinvents the mythic feline guardian as an emissary of the technological era, merging ancestral symbolism with contempo...

In Fivefold Sumowarriors: Spirits of the Ritual Pantheon, Hiro Ando unfolds a sculptural constellation where the sumotori figure becomes both chromatic symbol and spiritual archetype...

Sexy Robot Floating (Black), 2020 PVC, plated resin, alloy, and LED light 22 × 14 × 14 in 55.9 × 35.6 × 35.6 cm Edition of only 250.

Roger Ballen Hallucination, from the series 'The Theatre of Apparitions', 2010 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2...

Joshua Smith Cecile Walker Cycles Based on Cecile Walker Cycles, Melbourne Cardboard, MDF, plastic card, LED lighting, balsa wood, aluminum tubing, wire, recycled card, adhesive pape...

In Trilogy Samuraicat Blu, Sumocat Orange, Urbancat Pink: Feline Odyssey, Hiro Ando stages a vibrant chromatic dialogue between three emblematic guardians of his feline universe. Thi...

"M16 LED" Photography (FRAMED) 73" x 37" inch Edition 1/2 by Giuliano Bekor Print size 72x36 Inches trim bleed Artwork finished size 73x37 Inches Limited edition 1 of 2 Artist pr...

Tiffany style stained glass memorial work in honor of DJ Jam Master Jay Handcrafted by TF Dutchman, "Jam Master Jay" is part of series of works that are odes to the four elements of hiphop, with Jam Master Jay representing the DJ. This piece is a one of a kind original Tiffany style stained glass panel. A detailed portrait painted with vitreous paint memorializes the legendary hip hop artist DJ Jam Master Jay of RUN-D.M.C. Brilliant greens, yellows, blues and reds are enhanced by kiln fired, painted symbolic motifs including a turntable, JMJ's signature gold chain and the textured blue-gray drapery glass of JMJ's signature Adidas robe. TF Dutchman uses traditional original Tiffany window...

Information about the art: Neon colors may change. With the choice of LEDs, neons, optical fibers and mirrors as materials, his works are experienced live by the spectators. Playing with spaces between play of light and effects of infinity, Falcone places himself directly in the line of kinetic artists." Information about the artist: Falcone is a self-taught designer and artist whose roots are firmly anchored in the history of art. The art foundation of his grandfather, who was passionate about geometric and kinetic artworks, was his childhood playground. The unstructured paintings of Carmelo Arden...

Roger Ballen Stare, from the series 'The Theatre of Apparitions', 2008 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2 in.) E...

Jean-Michel Basquiat - PopBox The Crown Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 26.3 x 4 cm Cond...

Keith Haring - PopBox Barking Dog Date of creation: 2025 Medium: Stainless steel; low-energy LED system; UV-printed plexiglass panel. Edition: Open Size: 35 x 21.2 x 4 cm Condition:...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Synthesis V is a wall sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 28 × 145.6 × 84.2 cm (11 × 57.3 × 33.1 in)...

Banana YP x JM Basquiat Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 50 cm Condition: Brand new Je...

The sculpture was created by artist Pablo Maojo, one of Spain's most famous and renowned sculptors. It was created in 2025 and measures 100 x 180 x 3 cm. It is a truncated flute, a m...

**NEW YEAR FINAL 90 DAYS SUPER SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ This is the ultimate homage to QUEEN BE...

Slick Rick, 2008, traditional stained glass, custom shadowbox frame, LED lighting, icon, purple, blue, yellow.

Roger Ballen Nightwalker, from the series 'The Theatre of Apparitions', 2009 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2 ...

The majesty of woodland animals is celebrated in these striking metal sculptures by the Six Nations Mohawk artist Adam Monture. Monture’s beautiful paintings of woodland animals—bears, deer, wolves, turtles, loons and herons were re-imagined as 3-dimensional sculptures hand forged from aluminum. Each animal and bird appears as a ‘double’—one image mirrors the other; the exterior sculpture...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Poly-Mer is a light sculpture art piece which repurposes the plastic trays that contact lenses are packaged in, and layers them into a shingled translucent surface. The material surf...

In INNER LIGHT, Eduardo Rezende transforms the silhouette into a threshold — a boundary between the visible self and the hidden territories that dwell inside each person. Photographe...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Electric, remote controlled wall or table sculpture created with mixed media: LED's, Mi-Ttentes paper & plexiglass from abstract light installation and mixed media artist Sophia Dixo...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

Memory is at its most magical when it conjures up not the event, but its surrounding perceptual and emotional space. Flashes of reflected light, movement seen out of the corner of eye, bits of sound or feeling – these are what ignite memory, giving it form and bringing it to life. Light both beams into and envelops you. Carol Salmanson started working with it in 2003 after painting for many years because of these singular spatial qualities. They enable herto build whole worlds with color and shape, ones that resonate with memory and experience. Painters have often talked about depicting light. Today’s technology allows me to use light as medium as well as subject. Double Diamond is made with layers of light that beam onto reflective material; its two different configurations of diamonds are mounted on a strip that also layers light. The location in the beams creates a glowing frieze that radiates outwards, giving the viewer a first a sense of surprise, and then wonder. Carol Salmanson is an artist working with light and reflective materials to create installations, sculptures, and wall pieces. She received a B.S. in Biological Psychology from Carnegie-Mellon University and an M.B.A. from the University of Chicago. She attended the Arts Students League, the School of Visual Arts as a Public Art Resident, and the National Academy of Fine Arts as an Abbey Mural Workshop Fellow. Public art projects include Water Bubbles, an installation in twenty windows of the abandoned landmark Constructivist White Tower in Yekaterinburg, Russia. Other window installations include the venues Station Independent Projects, Time Equities’ Art-in-Buildings program, OK Harris Works of Art, 254 Park Avenue South, and Mixed Greens Gallery, all in New York. Her outdoor sculptures include Tri-Quadular Cone in Summit, NJ, and Lot’s Ex-Wife in Brooklyn. She will have an installation, Crown Colony, in the window at 266 W. 37th St, in September of this year. Solo and two-person exhibition venues include SL Gallery (NY), Slag Contemporary (Brooklyn), Station Independent Projects (NY), Brian Morris...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Wood, mirrors, wire, plastic, LED lights. Artist statement: "Behind the doors of this cabinet/tower is an infinity mirror and a DNA double helix branded with the word “trauma.” The...

Astian Rey "ADAM AND EVE"

Contemporary Chinese papercut of a still life of rocks and grass that is back lit with an LED video loop of a dancing female figure in red. There is a button at the bottom of the piece that can be pressed to activate the video. Once pressed, the woman begins to dance up from the lower right corner until she is fully standing and then she continues to dance back down until she is out of view. About the Artist: Liu Dao...

The Luminous Schoolgirls Quartet : Scarlet Elegy of the Tragical Island stands as a major work by Hiro Ando within the series Illuminated Schoolgirls Odyssey : The Silent Saga of Lig...

Wealthy Trio is a luminous artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist stages a dense accumulation of U.S...

Artist Commentary: This is a translucent backlit painting, with LED lights behind it, that changes from daytime to sunset as you watch it. It describe...

Powerful Dolls is a luminous artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist presents a dense accumulation of...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

In Samuraicat Prowess: Luminous Blade Sketch, Hiro Ando reactivates the mythic presence of his iconic Samuraicat through a luminous sculptural drawing suspended between tradition and...

Artist Commentary: Limited edition lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and colour palettes. ...

The Luminous Schoolgirls Quartet : Onyx Elegy of the Tragical Island marks a striking evolution within Hiro Ando’s series Illuminated Schoolgirls Odyssey : The Silent Saga of Light a...

Well worth the hype (Abstract painting) Mixed media collage with LED lights on canvas - Unframed Artwork exclusive to IdeelArt. Knaut builds her compositions slowly over time, ad...

Whispers of the Deep: Intertwined Desires stands among Hiro Ando’s most daring sculptural explorations, where Japanese heritage encounters the contemporary sensibility of the Nippon ...

Well worth the hype (Abstract painting) Mixed media collage with LED lights on canvas - Unframed Artwork exclusive to IdeelArt. Knaut builds her compositions slowly over time, ad...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

Elegy in Plastic is a striking illuminated artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist stages a dense acc...

Barbie’s Fortune Fountain is a wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist stages a visual dialogue between a Barbi...

Metropolis Mirage is a circular wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist constructs a dense three-dimensional co...

Dreamland Dollhouse is a wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist assembles dollar bills and fragmented Barbie h...

Ephemeral Earnings is a wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist positions a Barbie figure against a dense backg...

Neon Capital is a striking wall-mounted sculpture by Kumikaho Oshima from the series Dollar Dreams in Neon Barbie World, where the artist orchestrates a dense visual composition of l...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Fish Light #34 48 x 22.5 x 3.5 D Mixed media on Plexiglas with LEDs When lit, the colors intensify and have a warm glow. Frank Hyder has participated in more than 150 group shows and has had over 80 solo exhibitions throughout North, South and Central America, including 10 individual exhibitions in New York City. He has been one of the few North Americans to have solo museum exhibitions in Venezuela at the Museo de Arte Contemporaneo de Caracas Sofia Imber (MACCSI), and Museo Universidad de Los Andes . Other solo museum exhibitions include the Pennsylvania Academy of Fine Art’s Museum of American Art, the Carnegie Museum in California, the La Salle Museum of Art in Philadelphia, and the National Museum of Catholic Art...

Punk Me Tender Fantasy, Moon, & the Galaxy, 2025 Acrylic, LED Neon, Epoxy Resin on Wood Panel 72 x 48 in (182.88 x 121.92 cm)

Juan Garaizabal is a Spanish conceptual artist born in Madrid, 1971. He has accrued international recognition for his monumental public sculptures. His illuminated Urban Memories str...

SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...