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Medium: Rice Paper
"Early Summer Horse Fair" from 53 Stations of the Tokaido
Located in Soquel, CA
"Early Summer Horse Fair" from 53 Stations of the Tokaido
Woodblock print of a group of horses, originally by Hiroshige (Ando) Utagawa (Japanese, 1797 - 1858). Several groups of hor...
Category
1830s Edo Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
Located in Soquel, CA
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting a group of children and a samurai watching a "duel" with cherry blossoms. Th...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
Located in Soquel, CA
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Located in Soquel, CA
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print
"The Courtesan Kashiwagi and...
Category
1820s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
"Early Summer Horse Fair" from 53 Stations of the Tokaido
Located in Soquel, CA
"Early Summer Horse Fair" from 53 Stations of the Tokaido
Woodblock print of a group of horses, originally by Hiroshige (Ando) Utagawa (Japanese, 1797 - 1858). Several groups of hor...
Category
1830s Edo Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Sean Scully, Standing 2, colored woodcut on handmade paper, signed #14/35 Framed
By Sean Scully
Located in New York, NY
Sean Scully
Standing 2, 1986
Color Woodcut on handmade Okawara paper
Signed, inscribed with title and numbered from the limited edition of only 35 in graphite on the front. Matted an...
Category
1980s Abstract Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
Located in Soquel, CA
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting a group of children and a samurai watching a "duel" with cherry blossoms. Th...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
"Les Mexicaines" / "Mexicans"
Located in Berlin, MD
Bernard Cathelin (French 1919-2004) "Les Mexicaines" Colored Lithograph on Rice Paper.
A peaceful impressionistic scene of three Mexican women in the street.
Red. Orange. Black. W...
Category
Late 20th Century Abstract Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple.
Mat size: 16"H x 20"W
Paper size: 14.75"H x 9.88"W
Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category
1880s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Contrails and Slipstream 36 - Horizontal Geometric Abstract Monotype, 2003
Located in Kent, CT
In this black and white monotype on rice paper, geometric shapes complement a monochromatic background that transitions through a grayscale from gray at the bottom to pale gray, almo...
Category
Early 2000s Contemporary Art by Medium: Rice Paper
Materials
Rice Paper, Monotype
"Untitled" Vivian Springford, 1960s Color Field Abstract Expressionist Forms
Located in New York, NY
Vivian Springford
Untitled (Rice Paper Mounting), 1963-65
Signed lower left
Ink, watercolor and acrylic on rice paper laid to canvas
27 1/4 x 53 3/8 inches
A contributor to Abstrac...
Category
1960s Color-Field Art by Medium: Rice Paper
Materials
Canvas, Ink, Watercolor, Rice Paper
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
1850s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Bauchredner und Rufer im Moor (Ventiloque criant dans le marais) by Paul Klee
By Paul Klee
Located in Long Island City, NY
Artist: Paul Klee, After, Swiss (1879 - 1940)
Title: Bauchredner und Rufer im Moor (Ventiloque criant dans le marais)
Year: 1964 after 1920 Drawing
Medium: Pochoir on Rice Paper, Sig...
Category
1960s Expressionist Art by Medium: Rice Paper
Materials
Rice Paper, Stencil
Rock n Roll Hootchie Koo
By Zane Fix
Located in East Hampton, NY
Japanese Block POP ART technique with a nude Geisha
Comes unframed
About the Artist
World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, ...
Category
2010s 85 New Wave Art by Medium: Rice Paper
Materials
Archival Ink, Rice Paper
No. 6 from Three Poems, Abstract Lithograph by Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991)
Title: No. 2 from Three Poems, collaboration with Octavio Paz
Year: 1987
Medium: Lithograph on Japon with Chine Colle
Edition: 750
...
Category
1980s Modern Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Located in Soquel, CA
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry.
Artist: Toyokuni III/Kunisada (1786 - 1864)
Publisher: Ebisu-ya Shoshichist
Presented in a new blue mat.
Mat size: 19"H x 13"W
Paper size: 14.5"H x 10"W
Commentary on the triptych:
In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple.
Mat size: 16"H x 20"W
Paper size: 14.75"H x 9.88"W
Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category
1880s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
1820s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
Located in Soquel, CA
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
1850s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Water, Abstract Screenprint by Rice Paper by Joe Tilson
By Joe Tilson
Located in Long Island City, NY
Artist: Joe Tilson, British (1928 - )
Title: Water
Year: 1972
Medium: Silkscreen and Collage on Rice Paper, signed and numbered in pencil
Edition: 26/70
Size: 38 in. x 26.5 in. (96.5...
Category
1970s Conceptual Art by Medium: Rice Paper
Materials
Rice Paper, Screen
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Early 19th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Located in Soquel, CA
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...
Category
1980s Contemporary Art by Medium: Rice Paper
Materials
Rice Paper, Laid Paper, Woodcut
Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
1820s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Sun on Six (Jasper Johns linocut, hand signed and numbered 4/26)
By Jasper Johns
Located in New York, NY
Jasper Johns
Sun on Six, 2000
Color linoleum cut on Gampi Torinoko paper
Pencil signed, dated and numbered 4/26 on the front
Published by Z Press, Calais, Vermont
Frame included: ele...
Category
Early 2000s Pop Art Art by Medium: Rice Paper
Materials
Rice Paper, Pencil, Linocut
Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
1890s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Three Poems: Nocturne III, Abstract Minimalist Lithograph by Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991)
Title: No. 3 from Three Poems, collaboration with Octavio Paz
Year: 1987
Medium: Lithograph on Japon with Chine Colle
Edition: 750
I...
Category
1980s Abstract Expressionist Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
Three Poems: Nocturne V, Framed Lithograph by Robert Motherwell
Located in Long Island City, NY
Artist: Robert Motherwell, American (1915 - 1991)
Title: No. 6 from Three Poems, collaboration with Octavio Paz
Year: 1987
Medium: Lithograph on Japon with Chine Colle
Edition: 750
I...
Category
1980s Abstract Expressionist Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
"Untitled" Vivian Springford, 1960s Color Field Abstract Expressionist Forms
Located in New York, NY
Vivian Springford
Untitled (Rice Paper Mounting), 1963-65
Signed lower left
Ink, watercolor and acrylic on rice paper laid to canvas
27 1/4 x 53 3/8 inches
A contributor to Abstrac...
Category
1960s Color-Field Art by Medium: Rice Paper
Materials
Canvas, Ink, Watercolor, Rice Paper
Festival Procession Of A Daimyo - Original Woodblock Print
Located in Soquel, CA
Procession Of A Daimyo - Original Woodblock Print
Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...
Category
Late 18th Century Edo Art by Medium: Rice Paper
Materials
Ink, Wood Panel, Rice Paper
Japanese Original Woodblock Print
Located in Soquel, CA
Japanese Original Woodblock Print
Harunobu Suzuki (né Hozumi) (Japanese, 1724 - 1770)
Presented in a black mat.
Mat: 16"H x 12"W
Paper: 12"H x 9"W
I...
Category
18th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Two Fine Prints from the David Suite by Edna Hibel, 1978
By Edna Hibel
Located in New York, NY
Edna Hibel (American, 1917-2015)
Two Lithographs from the David Suite, 1978
Hand pulled original lithograph on Japanese rice paper
Sheet: 26 x 20 in.
Signed lower right: Hibel
Number...
Category
1970s Modern Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
"Breaking Barriers” collaboration by Gabrielle Benot and Timo Bernhard - Car Art
Located in Carmel, CA
Gabrielle Benot (Latvian, born 1978)
"Breaking Barriers" 2024
Acrylic paint, Rice Paper, Resin, Mixed Media, Canvas, Stretcher bars
The artist signed the bottom right of the painting...
Category
2010s Contemporary Art by Medium: Rice Paper
Materials
Canvas, Resin, Acrylic, Rice Paper, Stretcher Bars
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
1830s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Original work made with turmeric and hammer blows on paper, full moon
Located in Carballo, ES
Special edition of the artist made with an original and unique drawing for his exhibition "1 + 1 = infinity" at the Manolo Eirin Gallery. This tension between the unlimited and the c...
Category
21st Century and Contemporary Contemporary Art by Medium: Rice Paper
Materials
Rice Paper
Kabuki Actor in Water Lily Robe with Samurai Sword - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor in Water Lily Robe with Samurai Sword- Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor ("Master Haranyuki Sawamura") is standing on stage with mountainous backdrop, wearing a robe in a water lily pattern. He is wearing a samurai sword.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 9"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Early 19th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Japanese Original Woodblock Print
Located in Soquel, CA
Japanese Original Woodblock Print
Harunobu Suzuki (né Hozumi) (Japanese, 1724 - 1770)
Presented in a black mat.
Mat: 16"H x 12"W
Paper: 12"H x 9"W
I...
Category
18th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
"Femme 5" Figurative Woodblock on Rice Paper
Located in Soquel, CA
"Femme 5" Figurative Woodblock on Rice Paper
Bold figurative composition by Shiko Munakata (Japanese, 1903-1975). A woman is shown in a squatting position, with her head tilted. She...
Category
1950s Cubist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut, Watercolor
Les Mexicaines, Modern Lithograph on Rice Paper by Bernard Cathelin
Located in Long Island City, NY
Artist: Bernard Cathelin, French (1919 - 2004)
Title: Les Mexicaines
Year: circa 1975
Medium: Lithograph on Japon paper, signed and numbered in pencil
Edition: 24/50
Image Size: 21.5...
Category
1970s Modern Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
"Reclining Nude 2" Robert Gilberg 1950s Ink Brush Drawing on Japanese Rice Paper
Located in Arp, TX
Robert Gilberg (1911-1970)
"Reclining Nude 2"
c.1950s
Ink on Japanese rice paper with writing
21.75"x9.75 unframed
Signed in pencil lower right
Category
1950s American Modern Art by Medium: Rice Paper
Materials
Ink, Rice Paper
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Located in Soquel, CA
"Pictures Of Noh" - 1922 Original Japanese Woodblock Print
Original Japanese woodblock print by Tsukioka Kogyo (Japanese, 1869-1927...
Category
1920s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Atlas
By Emily Payne
Located in Mill Valley, CA
At the heart of Emily Payne's work is drawing. Even her large hanging wire sculptures are like drawings in 3 dimensional space. By reducing thin...
Category
2010s Contemporary Art by Medium: Rice Paper
Materials
Steel, Wire
Amy, Back to Black, London.
By Zane Fix
Located in East Hampton, NY
Portrait of Amy Winehouse
Original pop art by contemporary artist Zane Fix addressing modern subjects that are executed in the traditional Japanese woodblock (Ukiyo-e) style.
About ...
Category
2010s Pop Art Art by Medium: Rice Paper
Materials
Archival Ink, Rice Paper
Festival Procession Of A Daimyo - Original Woodblock Print
Located in Soquel, CA
Procession Of A Daimyo - Original Woodblock Print
Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...
Category
Late 18th Century Edo Art by Medium: Rice Paper
Materials
Ink, Wood Panel, Rice Paper
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Located in Soquel, CA
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print
"The Courtesan Kashiwagi and...
Category
1820s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
1850s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
1830s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Located in Soquel, CA
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...
Category
1760s Edo Art by Medium: Rice Paper
Materials
Woodcut, Ink, Rice Paper
Mu I by Lumi Mizutani - Japanese style painting, ink, leaves, watercolour style
Located in Paris, FR
Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in).
The artw...
Category
2010s Contemporary Art by Medium: Rice Paper
Materials
India Ink, Rice Paper
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Located in Soquel, CA
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry.
Artist: Toyokuni III/Kunisada (1786 - 1864)
Publisher: Ebisu-ya Shoshichist
Presented in a new blue mat.
Mat size: 19"H x 13"W
Paper size: 14.5"H x 10"W
Commentary on the triptych:
In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...
Category
1850s Realist Art by Medium: Rice Paper
Materials
Printer's Ink, Rice Paper, Woodcut
Tropical Palm Block Print
Located in Soquel, CA
Wonderful tropical Woodcut print of Palm Tree on island. Signed "Wessels" with a KW chop in a box above and 2012 lower edge. Presented in speckled pain...
Category
2010s American Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Ink, Woodcut
Cell with Explosions I, Line Engraving on Japanese Kozo paper, signed/N, Framed
By Peter Halley
Located in New York, NY
Peter Halley
Cell with Explosions I, 1993
Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface
Hand signed and numbered 49/50 by the artist on lower front
Original frame included: matted and framed in a wood frame
Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process.
Measurements:
Frame: 19 x 19 x 1 inches
Visible: 12 1/4 x 12 1/4 inches
Sheet: 15 7/8 x 15 1/4 inches
Peter Halley Biography
Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year.
In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint.
In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum.
While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996.
In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category
1990s Abstract Geometric Art by Medium: Rice Paper
Materials
Rice Paper, Etching
E'stelle I
Located in Clayton, MO
In E'stelle I color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness of...
Category
2010s Abstract Art by Medium: Rice Paper
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
Two Women With Fans
By Walasse Ting
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left.
71 x 38.25 in.
72.25...
Category
1980s Post-War Art by Medium: Rice Paper
Materials
Canvas, Ink, Acrylic, Rice Paper
Spring Rain - Vertical Chinese Landscape with Waterfalls and Mountains
Located in Soquel, CA
Spring Rain - Vertical Chinese Landscape with Waterfalls and Mountains
Idyllic landscape with a massive waterfall by an unknown artist (20th ...
Category
20th Century Qing Art by Medium: Rice Paper
Materials
Sumi Ink, Watercolor, Rice Paper
Egyptian Scene III-Painting on Pith Rice Paper
Located in Clinton Township, MI
Egyptian Scene III-Painting on Pith Rice Paper. Measures approximately 21 .25 x 17.25 Signed (signature is undecipherable). The date of creation is unknown. ...
Category
Late 20th Century Art by Medium: Rice Paper
Materials
Rice Paper
It's Springtime Somewhere in the World
Located in Austin, TX
"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Rice Paper
Materials
Wax, Oil, Wood Panel, Rice Paper, Graphite
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Located in Soquel, CA
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...
Category
1830s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Diana, Abstract Expressionist Lithograph on Japon Paper by Antoni Tapies
Located in Long Island City, NY
This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...
Category
1970s Abstract Expressionist Art by Medium: Rice Paper
Materials
Rice Paper, Lithograph
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
1850s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Located in Soquel, CA
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...
Category
1830s Impressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
Set of Eight 19th Century Chinese Pith Paper Paintings Depicting Dignitaries
Located in London, GB
Set of eight 19th century Chinese pith paper paintings depicting dignitaries
Chinese, 19th Century
Paper: Height 20cm, width 34cm
Frame: Height 24cm, width 36cm, depth 1.5cm
This r...
Category
19th Century Art by Medium: Rice Paper
Materials
Watercolor, Rice Paper
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, wearing a robe with a pine-needle pattern. He is holding a sword and a staff. In the background, tree branches hang down from out of frame.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 8.5"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Early 19th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Metamorphosis of Zan Biell, Woodcut Print on Rice Paper by Keisuke Serizawa
Located in Long Island City, NY
Artist: Keisuke Serizawa, Japanese (1895-1984)
Title: Metamorphosis of Zan Biell
Year: circa 1970
Medium: Woodcut on Rice Paper, signed and numbered in pencil
Edition: AP
Size: 29 x...
Category
1970s Abstract Expressionist Art by Medium: Rice Paper
Materials
Rice Paper, Woodcut
'Reclining Nude', Paris, Louvre, Salons d'Automne et Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu estate stamp.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...
Category
1950s Post-Impressionist Art by Medium: Rice Paper
Materials
Oil, Rice Paper
Set of Twelve Antique Chinese Pith Paintings with Flowers and Butterflies
Located in London, GB
Set of twelve antique Chinese pith paintings with flowers and butterflies
Chinese, 19th Century
Height 33cm, width 38cm, depth 1.5cm
This delightful collection of paintings is craf...
Category
19th Century Art by Medium: Rice Paper
Materials
Paint, Rice Paper
"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji
Located in Soquel, CA
"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji
Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...
Category
Early 20th Century Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Amid The Blue Waves
Located in Clayton, MO
In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...
Category
2010s Abstract Art by Medium: Rice Paper
Materials
Wax Crayon, Sumi Ink, India Ink, Encaustic, Archival Paper, Rice Paper, ...
Vendedora By Diego Rivera
By Diego Rivera
Located in New Orleans, LA
Diego Rivera
1886-1957 Mexican
Vendedora
(Vendor)
Signed and dated (lower right)
Watercolor on rice paper
Diego Rivera stands among the most important artists of the 20th century...
Category
20th Century Post-Impressionist Art by Medium: Rice Paper
Materials
Watercolor, Rice Paper
Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper
Located in Soquel, CA
Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper
Full Title:
Kyoto: Kiyomizu Temple (Kyô Kiyomizudera), from the series Scenes of Famous Places along...
Category
1860s Edo Art by Medium: Rice Paper
Materials
Ink, Rice Paper, Woodcut
Rice Paper art for sale on 1stDibs.
Find a wide variety of authentic Rice Paper art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Keith Young, Michael Thompson Photographer, Leonard Baskin, and Alberto Magnelli. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Rice Paper art, so small editions measuring 0.01 inches across are also available
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