Art by Medium: Woodcut
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667
483
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437
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385
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252
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217
190
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149
124
45
744
3,484
734
53
113
291
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206
583
159
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151
91
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59
48
5,010
178,677
92,981
81,068
76,546
Medium: Woodcut
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, Women at the River (Auti te pape), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, The Creation of the Universe (L'Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Gauguin, The Devil Speaks (Mahna No Varua Ino), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Art by Medium: Woodcut
Materials
Woodcut
Hope for a Wilder World, Woodcut Prints by Lizzie Wheeler, 2023
By Ali Alışır
Located in Kingsclere, GB
Hope for a Wilder World, Woodcut Painting by Lizzie Wheeler B. 1996, 2023
Additional information:
Medium: Woodcut
57 x 76 cm
22 1/2 x 29 7/8 in
Signed, titled, and numbered 10/100 in pencil
Lizzie studied Graphic Communications at Bath Spa...
Category
21st Century and Contemporary Art by Medium: Woodcut
Materials
Woodcut
Mariposa Nocturna II by Alan Reynolds, 1967
Located in Kingsclere, GB
Mariposa Nocturna II by Alan Reynolds, 1967
Additional information:
Medium: woodcut
52 x 38 cm
20 1/2 x 15 in
signed, dated, numbered and dedicated in p...
Category
20th Century Art by Medium: Woodcut
Materials
Woodcut
A Wild Spring Day, Woodcut Prints by Lizzie Wheeler, 2023
By Ali Alışır
Located in Kingsclere, GB
A Wild Spring Day, Woodcut Painting by Lizzie Wheeler B. 1996, 2023
Additional information:
Medium: Woodcut
35 x 52.2 cm
13 3/4 x 20 1/2 in
Signed, titled, and numbered 7/50 in pencil
Lizzie studied Graphic Communications at Bath Spa...
Category
21st Century and Contemporary Art by Medium: Woodcut
Materials
Woodcut
III by Kim Lim, 1991
Located in Kingsclere, GB
III by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Art by Medium: Woodcut
Materials
Woodcut
V by Kim Lim, 1991
Located in Kingsclere, GB
V by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Art by Medium: Woodcut
Materials
Woodcut
IV by Kim Lim, 1991
Located in Kingsclere, GB
IV by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, The Opposition, Paradise: Canto 11 (Field 189-200)
Located in Auburn Hills, MI
Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue Raiso...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
HELL CANTO 19
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.
About the Artist: Salvador Dalí (Spanish, 1904–1989) was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut, Paper
Salvador Dalí, The Creation of Angels, Paradise: Canto 29 (Field 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, In the Hands of Antaeus (Michler/Löpsinger 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, News of the The Limbos (Michler/Löpsinger 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, In Dark Limbo (Michler/Löpsinger 1039-1138; Field 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, Fraud (Michler/Löpsinger 1039-1138; Field 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, The Irascible (Michler/Löpsinger 1039-1138; Field 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, The Sixth Heaven of Jupiter, Paradise: Canto 20) (Field 189-20)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
No Footprints Show, Where the Flowers Grow Deep
Located in Fairlawn, OH
No Footprints Show, Where the Flowers Grow Deep
Woodcut, 1961
Unsigned (as isssued)
From: The "Way" of the Woodcut, three woodcuts, 1961
Publisher: Pratt Adlib Press, Brooklyn, New Y...
Category
1960s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Salvador Dalí, The Angel, Paradise: Canto 2 (Field 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
Salvador Dali, The Eagle of Grace (M. & L. 1039-1138; F 189-200)
Located in Auburn Hills, MI
Original Limited Edition Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as...
Category
1960s Surrealist Art by Medium: Woodcut
Materials
Woodcut
The Bigamist - Print by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
The Bigamist (Il Bigamo) is an Artwork realized by Mino Maccari (1924-1989) in the Mid-20th Century.
Colored woodcut on paper. Hand-signed on the lower, numbered 2/89 specimens and...
Category
Mid-20th Century Modern Art by Medium: Woodcut
Materials
Woodcut
Heaven Canto 29 (The Divine Comedy)
Located in Greenwich, CT
Heaven Canto 29 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame.
Cataloging:
Micheler, R., & Löpsinger, L. (Eds.). (1995). Salvador Dalí Catalogue Raisonné of Prints II Lithographs and Wood Engravings 1956 – 1980. Prestel. pgs 102 -114.
Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. The Salvdor Dalí Archives. pgs. 189 – 200.
Dante Alighieri’s The Divine Comedy...
Category
20th Century Surrealist Art by Medium: Woodcut
Materials
Woodcut, Paper
Composition (Roethel 201), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°5-6, February-March 1939. Published and printed under th...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Orientalisches (Roethel 106), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Bogenschütze (Roethel 79), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Zwei Reiter vor Rot (Roethel 95), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Motiv aus Improvisation 25 (Roethel 105), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Reiterweg (Roethel 111), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Schwarzer Fleck (Roethel 145), XXe Siècle, Wassily Kandinsky
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°3, July-August-September 1938. Published and printed und...
Category
1930s Modern Art by Medium: Woodcut
Materials
Woodcut
Arp, Composition, Arp: On My Way (after)
By Jean Arp
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...
Category
1940s Modern Art by Medium: Woodcut
Materials
Woodcut
Arp, Composition, Derrière le miroir (after)
By Jean Arp
Located in Auburn Hills, MI
Lithograph on wove paper. Inscription: Unsigned and unnumbered; text on verso, as issued. Good Condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 33, 1950. Pub...
Category
1950s Modern Art by Medium: Woodcut
Materials
Woodcut
Purgatory Canto 25 (The Divine Comedy)
Located in Greenwich, CT
Purgatory Canto 25 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame.
Cataloging:...
Category
20th Century Surrealist Art by Medium: Woodcut
Materials
Woodcut, Paper
Arp, Composition, Arp: On My Way (after)
By Jean Arp
Located in Auburn Hills, MI
Woodcut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, The Documents of Modern Art. Arp: On My Way, Poetry And Essays 1912 - 1...
Category
1940s Modern Art by Medium: Woodcut
Materials
Woodcut
Woodcut art for sale on 1stDibs.
Find a wide variety of authentic Woodcut art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mino Maccari, Utagawa Kunisada (Toyokuni III), Eric Gill, and Utagawa Hiroshige. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut art, so small editions measuring 0.04 inches across are also available
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