Skip to main content

Art by Medium: Woodcut

to
532
3,612
506
330
173
284
Overall Width
to
Overall Height
to
52
752
3,497
610
31
108
448
319
161
222
409
175
161
117
27
2,444
614
252
215
203
114
54
46
43
24
5
3
1
3,436
1,329
118
2,358
1,219
899
852
616
463
458
412
393
367
358
274
238
216
209
185
178
145
137
106
4,912
183,377
96,702
78,182
77,368
170
151
57
49
47
391
2,260
1,916
1,896
Medium: Woodcut
"Ser y Permanecer" 2013 Original Signed Woodcut Surrealism Cuban Artist
Located in Miami, FL
Aliosky Garcia (Cuba, 1979) 'Ser y permanecer', 2013 woodcut on Guarro paper 29.5 x 38.8 in. (74.8 x 98.5 cm.) Edition of 10 ID: GAK-303 Hand-signed by author
Category

2010s Contemporary Art by Medium: Woodcut

Materials

Woodcut

Kabuki Scene - Woodblock Print by Utagawa Kunisada - Mid-19th Century
Located in Roma, IT
Kabuki Scene is an original Woodcut print realized in mid 19th century after Utagawa Kuniyoshi (1797-1861). Good condition and Beautiful colored woodblock print. This wonderful mo...
Category

Mid-19th Century Modern Art by Medium: Woodcut

Materials

Woodcut

Peter Green Astral Form 1969 Signed Limited Edition Woodcut
Located in Rochester Hills, MI
Artist: Peter Green Title :Astral Form Year:1969 Edition: Signed, Dated and marked 19/30 Paper Size = 26½" x 38½" inches Type: Woodcut Born in 1933, Peter Green studied at Brighto...
Category

1960s Modern Art by Medium: Woodcut

Materials

Woodcut

Composition - Woodcut by Luigi Spacal - 1970s
Located in Roma, IT
Composition is a contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print on cardboard. Image Dimensions: 18 x 14 cm Good conditions. Lojze Spacal...
Category

1970s Abstract Art by Medium: Woodcut

Materials

Woodcut

Bold Folk Art Lamb Woodcut
Located in Houston, TX
Blocky black and white depiction of a lamb, by German artist Leonhardt Wüllfarth, c.1950. Displayed in a white mat with a gold border and fits a standard-size frame. Archival plastic...
Category

1950s Folk Art Art by Medium: Woodcut

Materials

Paper, Woodcut

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Art by Medium: Woodcut

Materials

Engraving, Woodcut

Extended Frame with Separation
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Art by Medium: Woodcut

Materials

Woodcut

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

1890s Modern Art by Medium: Woodcut

Materials

Woodcut

Umegaye. Hayakawa Takakage in... - Woodcut by Utagawa Kuniyoshi - 19th century
Located in Roma, IT
Woodcut print realized by Utagawa Kuniyoshi in 19th century. Good condition.
Category

Mid-19th Century Modern Art by Medium: Woodcut

Materials

Woodcut

View of Venice II - Bacino
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category

1960s American Modern Art by Medium: Woodcut

Materials

Woodcut

David Shrigley - Sorry I Snapped At You - Edition of 30
Located in London, GB
David Shrigley Sorry I Snapped At You, 2025 Woodcut 53 x 40 cm Edition of 30 hand-signed and numbered by the artist published by Shäfer Editions and comes with COA from the publisher...
Category

2010s Contemporary Art by Medium: Woodcut

Materials

Woodcut

'Sailor and His Girl' —Mid-Century Modernism, WWII
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'Sailor and His Girl', wood engraving, 1941, edition 35. Signed, titled, and numbered '21/35' in pencil. Signed in the block, lower right. A superb, richly-in...
Category

1940s American Modern Art by Medium: Woodcut

Materials

Woodcut

Three Cubist Women - Original wooodcut, Handsigned & Numbered
Located in Paris, IDF
Louis BOUQUET (1885-1952) Three Cubist Women, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor '...
Category

1920s Modern Art by Medium: Woodcut

Materials

Woodcut

Woman - Woodcut by Utagawa Kunisada - 1830 ca.
Located in Roma, IT
Japanese Woman is a beautiful print realized around 1830 by Utagawa Kunisada. Original colored woodblock print. This wonderful modern artwork represents a portrait of a Japan woman...
Category

1830s Modern Art by Medium: Woodcut

Materials

Woodcut

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi"
Located in Middletown, NY
Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...
Category

Early 19th Century Edo Art by Medium: Woodcut

Materials

Laid Paper, Handmade Paper, Woodcut

Ecce Homo VII
Located in Fairlawn, OH
Ecce Homo VII Woodcut, 1921 Signed, titled, and dated in pencil by the artist One of only three known impressions Created while the artist was studying at the Bauhaus in Weimar, Germany. Extreme rarity-One of three know impressions Note: In 1921 Drewes went to the Bauhaus in Weimar, where, after completing the compulsory preliminary course with Johannes Itten, he continued to study with Paul Klee, Oskar Schlemmer and Georg Muche and initially went to the wall painting workshop. He then traveled extensively through Europe, North America and Asia. After returning to Germany in 1927, he went back to the Bauhaus, this time to his new location in Dessau, where he studied in the classes of László Moholy-Nagy and Wassily Kandinsky. He was one of the first artists to introduce the groundbreaking concepts of the Bauhaus School in the United States through his painting, printmaking, and teaching. Condition: Excellent Missing small voids in the upper margin from removal of the original hinges. Image size: 9 7/8 x 8 3/16 inches Reference: Rose 30 Provenance: From the estate of Drewes's teacher at the Bauhaus. During the pasot WW2 the professor lived in East Germany. WERNER DREWES 1899-1985 Werner Drewes initially studied architecture before enrolling, in 1921-22, at the Bauhaus in Weimar under Klee, Kandinsky, Itten and Feininger. For four years - 1923 to 1927 - he travelled the world with his bride, before completing his Bauhaus training in Dessau in 1929. He immigrated to the United States in 1930, documenting that move to New York through series of woodcuts. In 1936/37 he was an active founder of the American Abstract Artists and participated in the Federal Arts Project in New York before moving on to a teaching career at Washington University in St. Louis. As an artist for over sixty five years, he employed various media from drawing and watercolor, through woodcut and etching, to painting and collage. Translating an early interest in subjective cubistic forms, his work evolved into nonobjective abstraction. He was creative until the day of his death. Courtesy: Toby C. Moss Werner Drewes (1899–1985) was a painter, printmaker, and art teacher. Considered to be one of the founding fathers of American abstraction, he was one of the first artists to introduce concepts of the Bauhaus school within the United States. His mature style encompassed both nonobjective and figurative work and the emotional content of this work was consistently more expressive than formal. Drewes was as highly regarded for his printmaking as for his painting. In his role as teacher as well as artist he was largely responsible for bringing the Bauhaus aesthetic to America. Early life and education Drewes was born in 1899 to Georg Drewes, a Lutheran pastor, and Martha Schaefer Drewes. The family lived in the village of Canig within Lower Lusatia, Germany. From age eight to eighteen he attended the Saldria Gymnasium, a boarding school in Brandenburg an der Havel. There, he showed talent both for painting and woodblock printing. Graduating from Saldria in 1917, he was drafted by the German army and served in France from then until the close of the war. About this period of his life he is reported to have said that the horrors of life at the front were only made tolerable by his sketchbook, a copy of Goethe's Faust and a volume of Nietzsche. For a decade following the close of the war he studied, made paintings and prints, and traveled widely. His friend, Herwarth Walden, helped shape his appreciation for expressionist literature and art. Walden produced the quarterly magazine, Der Sturm and ran a gallery of contemporary art, Galerie Der Sturm, from which, in 1919, Drewes purchased an expressionist painting by William Wauer titled Blutrausch (Bloodlust). In the same year he made the acquaintance of Heinrich Vogeler and participated in Vogeler's socialist utopian artists' commune, Barkenhoff, at Worpswede, Lower Saxony. In 1919 Drewes also enrolled at the Königlich Technischen Hochschule Charlottenburg to study architecture and the following year he studied the same subject at the Technischen Hochschule Stuttgart. Preferring art over architecture, he then enrolled in Stuttgart's school of applied arts (Kunstgewerbeschule) where he studied life drawing and learned to work with colored glass. At this time he joined a group of artists and architects associated with the newly formed Merz Akademie, a college of design, art, and media in Stuttgart. In 1921 his friendship with a French artist, Sébastien Laurent, led him to begin studies in Weimar at Bauhaus, then a new school which taught an integrated approach to the fine and applied arts. His instructors were Johannes Itten and Lyonel Feininger, whose paintings were expressionist and abstract, and Paul Klee, who taught bookbinding, stained glass, and murals. While at Bauhaus Drewes produced a portfolio of ten woodblock prints entitled "Ecce Homo." In 1923 and 1924 he studied art during travels throughout Italy, Spain, the United States, and Central America and in 1926 he traveled to San Francisco, Japan, and Korea, thence taking the Trans-Siberian railway to Manchuria, Moscow, and Warsaw. He later said the El Grecos he saw proved to be most influential in his work. While traveling, he exhibited: (1) etchings in Madrid (1923) and Montevideo (1924), oils and etchings in Buenos Aires and St. Louis (1925), and (3) etchings in San Francisco (1926). He paid his way by the sales these exhibits produced and by taking commissions to paint portraits. While in San Francisco he set up a shop from which he sold prints he had made in Spain and South America. After his return to Germany in 1927 he resumed study at Bauhaus, which had been forced to relocate in Dessau, Saxony-Anhalt. His instructors at that time were László Moholy-Nagy (metal work), Wassily Kandinsky, and (painting), and Lyonel Feininger (prints). At this time he also worked and exhibited in Frankfurt. With the rise of Nazism abstract artists found it increasingly difficult to sell their work and, in 1930, Drewes, finding the political pressure unbearable, emigrated to the United States. There, despite the world economic crisis, Drewes was able to earn a living as a professional artist. Mature style After Drewes moved to New York, Kandinsky, who was both friend and mentor, continued to exert a strong influence over his style. Later in life he said he had a hard time getting away from Kandinsky's influence as he developed his own style. In time he was able to bring a more emotional approach to his work and to base it, more than Kandinsky did, on natural forms. In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S.P.R. Penthouse Gallery...
Category

1920s Expressionist Art by Medium: Woodcut

Materials

Woodcut

Art Deco City Scene with Motor Car print by Gerald Mac Spink
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...
Category

Early 20th Century Art Deco Art by Medium: Woodcut

Materials

Woodcut

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...
Category

1890s French School Art by Medium: Woodcut

Materials

Ink, Rice Paper, Woodcut

Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in ...
Category

2010s Contemporary Art by Medium: Woodcut

Materials

Woodcut

Henry R. Diamond, Whaler
By Henry R. Diamond
Located in New York, NY
Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.
Category

Early 20th Century American Modern Art by Medium: Woodcut

Materials

Woodcut

Les Hommes a/p cvII (blue/green variant), by Fernando Reyes
Located in Palm Springs, CA
Signed on the front, and signed, titled and numbered on the reverse, This is an artist proof, unique color variant, aside from the edition of 15. An abstraction of male nudes. In J...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Woodcut

"Follow", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint on Panel
Located in Philadelphia, PA
This piece titled "Follow" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 7.25"h x 9.5"w. Born in Mexico City, Ale...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Panel, Monoprint, Woodcut

"J.P.'s Trip", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "J.P.'s Trip" is an original piece by Alexis Nutini and is made from a woodcut and and found object stencil monoprint mounted on panel ...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Found Objects, Panel, Monoprint, Woodcut, Paper

歌麿筆Utamaro Hitsu as Sealed-From Six Houses of Yoshiwara-Publisher Omiya Gonkuro
Located in London, GB
-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...
Category

1990s Edo Art by Medium: Woodcut

Materials

Ink, Washi Paper, Woodcut

Composition, Description of a Masque, Jane Freilicher
Located in Southampton, NY
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category

1990s Academic Art by Medium: Woodcut

Materials

Woodcut

Bird in the Branches - Original Print by Giselle Halff - Mid-20th century
Located in Roma, IT
Bird in the Branches is an original artwork realized by Giselle Halff in the mid-20th century. Original woodcut print. Good condition. Artist’s proof.
Category

Mid-20th Century Contemporary Art by Medium: Woodcut

Materials

Woodcut

Vent du Nord, Coree
Located in San Francisco, CA
This artwork titled "Vent du Nord, Coree" 1953 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil by the artis...
Category

Mid-20th Century Realist Art by Medium: Woodcut

Materials

Woodcut

"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category

1880s Edo Art by Medium: Woodcut

Materials

Ink, Rice Paper, Woodcut

Naked Young Man Sitting On Lopped Branch; Naked Young Woman Sitting on a Branch.
Located in Myrtle Beach, SC
Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...
Category

1930s Art Deco Art by Medium: Woodcut

Materials

Woodcut

The Sailboat - Original woodcut, Handsigned
Located in Paris, IDF
Edward PELLENS The Sailboat, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...
Category

1920s Art Deco Art by Medium: Woodcut

Materials

Woodcut

Sanjûroku Kasen ... - Woodcut by Mizuno Toshikata - 1893
Located in Roma, IT
Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...
Category

1890s Modern Art by Medium: Woodcut

Materials

Woodcut

19th Century Japanese Woodblock - Discarded Lovers
Located in Corsham, GB
A charismatic Japanese woodblock print depicting a woman denying the attention of two disgruntled men. Signed and inscribed with characters. Presented in a contemporary wooden frame....
Category

19th Century Art by Medium: Woodcut

Materials

Woodcut

Magic Hour, Autumn
Located in Myrtle Beach, SC
John DePol, 'Magic Hour, Autumn', chiaroscuro wood engraving, 1981, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on...
Category

Mid-20th Century American Modern Art by Medium: Woodcut

Materials

Woodcut

Ryoanji Temple in the Snow at Sunset- Woodcut by Hasegawa Sadanobu-1850
Located in Roma, IT
Ryoanji Temple in the Snow at Sunset is an original artwork realized in 1850 by Hasegawa Sadanobu (1809-1979). Chuban yokoe. From the series "Miyako meisho no uchi", Famous Viws o...
Category

1850s Modern Art by Medium: Woodcut

Materials

Woodcut

Foliage (Black and Blue)
Located in Palm Springs, CA
Signed in bottom right corner. Also signed and on the reverse, This is unique color woodcut monoprint numbered 1/1. An abstracted view into foliage at night.. In January 2018, the ...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Woodcut, Monoprint

'Verdi' — American Modernism - Italian Opera Composer
Located in Myrtle Beach, SC
Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...
Category

1930s American Modern Art by Medium: Woodcut

Materials

Woodcut

Abstract, Geometric Composition
Located in Kansas City, MO
Medium: Woodcut Year: 1990 Signed, numbered and dated by hand Edition: 25 Size: 32.4 × 20.7 on 41.5 × 29.4 inches COA provided Works in public or private collections: Art Museum Bon...
Category

1990s Contemporary Art by Medium: Woodcut

Materials

Woodcut

ANOTHER DAY Signed Woodcut, Modern Portrait, Black Couple, Brown, Blue, Beige
Located in Union City, NJ
ANOTHER DAY is an original limited edition woodcut by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand carved by Otto Neals and printed in shades of brown, light blue, beige, and black on archival Rives BFK printmaking paper, 100% acid-free, enhanced with hand colored accents. ANOTHER DAY is a dramatic, contemporary black couple portrait portraying a man and woman standing back to back, the woman's arm raised up and pointing in front of her. She wears a stark white, bell-sleeved dress and large teardrop shaped dangle earrings and bangle bracelet, set against a dramatic natural wood grain patterned background, a large potted plant positioned on the table in the foreground. The man dressed in a warm brown colored suit, wearing white shirt and necktie, his dignified male profile looks straight ahead to the left of the composition adding visual interest and mystery. Print size - 25 x 20 inches, unframed, mint condition, pencil signed and numbered by Otto Neals, Certificate of Authenticity provided (actual print number may vary from photo upon availability) Image size - 19.75 x 15.75 Edition size - 100, plus proofs Printer - JK Fine Art Editions Co. NJ Publisher - Mojo...
Category

Early 2000s Contemporary Art by Medium: Woodcut

Materials

Woodcut

'Flowers and Ko-Imari' — Taisho/Showa Shin Hanga Woodblock Print
Located in Myrtle Beach, SC
Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...
Category

1960s Modern Art by Medium: Woodcut

Materials

Woodcut

Gauguin, Offerings of Gratitude (Maruru), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Art by Medium: Woodcut

Materials

Woodcut

"E.T. Doodle" Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint
Located in Philadelphia, PA
This piece titled "E. T. Doodle" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Panel, Monoprint, Woodcut, Paper

Utagawa Kunisada - Woodblock Print by Utagawa Kunisada - Mid-19th Century
Located in Roma, IT
Samurai is an original Woodcut print realized in mid 19 century by Utagawa Kunisada. Beautiful colored woodblock print, included a cardboard passpartout. Includes frame: 45.5 x 35...
Category

Mid-19th Century Modern Art by Medium: Woodcut

Materials

Woodcut

Meeting in Akashi - Woodcut Print by Utagawa Kunisada II - 1864
Located in Roma, IT
Meeting in Akashi is an original modern artwork realized by Utagawa Kunisada II and Hiroshige II in 1864. Woodcut Print Oban Format. From the series "Omo...
Category

19th Century Modern Art by Medium: Woodcut

Materials

Woodcut

Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Located in Soquel, CA
Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry. Artist: Toyokuni III/Kunisada (1786 - 1864) Publisher: Ebisu-ya Shoshichist Presented in a new blue mat. Mat size: 19"H x 13"W Paper size: 14.5"H x 10"W Commentary on the triptych: In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting...
Category

1850s Realist Art by Medium: Woodcut

Materials

Printer's Ink, Rice Paper, Woodcut

Surrealist Large Painting Royal College of Art LGBTQ+ Artist Birds Golden Sun
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Isabel Rock , 'Staring at the Sun' 99.7 x 70.2cm, collaged woodblock print and acrylic ink on 410gsm Somerset Satin paper, 2011 In Isabels own words; 'Staring at the Sun' The man stood on the mountain and stared at the golden sun. The sun stared back at him, its heat blazed and burnt his eyes, the birds sang a maddening tune like they were pecking at his eardrums. The man pointed his finger and shouted, ' you lied to me' at the sun. The sun laughed and said 'you wanted to believe me. I told you what you had already decided in your head to be the most convenient thing for you.' The man raged and hopped in what looked to the birds like a beautiful dance. 'Trickery, skulduggery!' he shouted. 'villain, thief, abomination!' The sun blinked and smiled calmly. It had seen a lot from humans, there was nothing that could surprise it now. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel’s hair brush that gives incredible fine lines and was purchased on her travels in India. Born in Hammersmith, London in 1981, Rock knew her destiny was to be an artist. Studying Fine Art Printmaking at The University of Brighton and graduating with First Class Honours in 2004 she went on to do a Masters Degree at The Royal College of Art in London, continuing her studies in printmaking and drawing, graduating in 2008. Her first solo show at Bearspace Gallery in Deptford, London in April 2009 sold out and was the beginning of a career that continues to rise. Rock participated in the first ever India Art Fair represented by Art 1821...
Category

2010s Contemporary Art by Medium: Woodcut

Materials

Paint, Mixed Media, Acrylic, Archival Paper, Pen, Woodcut

The Actor Nakamura Shikan - Woodcut by Utagawa Kunisada - Mid 19th century
Located in Roma, IT
The actor Nakamura Shikan, color woodcut, probably from the series "9 Dances", Mid-19th Century, realized by Utagawa Kunisada (1786-1865). Dimensions. 38x26.5cm, unframed, mounted...
Category

Mid-19th Century Modern Art by Medium: Woodcut

Materials

Woodcut

Composition, Description of a Masque, Jane Freilicher
Located in Southampton, NY
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category

1990s Academic Art by Medium: Woodcut

Materials

Woodcut

"High and Low II", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "High and Low II" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 14.5"w. Born in Mexico ...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Wood Panel, Monoprint, Woodcut

Poem 71-25 (Me)
Located in Fairlawn, OH
Poem 71-25 (Me) Color woodcut with cement mold embossing, 1971 Signed, titled and numbered in pencil (see photos) Edition 100 (55/100) (see photo) Signed with the artist's stamp lowe...
Category

1970s Abstract Art by Medium: Woodcut

Materials

Woodcut

Mushae - Woodcut by Utagawa Kuniyoshi - 1846
Located in Roma, IT
Mushae is an original modern artwork realized by Utagawa Kuniyoshi (1798 – 1861) in the half of the 19th Century. Original woodcut print rom the se...
Category

1840s Modern Art by Medium: Woodcut

Materials

Paper, Woodcut

'Improvisation 7' original first ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. 7.5 x 5 inches, image 22 x 19.5 inches, frame Woodcut in black ink on laid paper (watermark Van Gelder Zonen) Signed with encircled 'K' in the block, lower right Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding Ref. Roethel 124 The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category

1910s Blue Rider Art by Medium: Woodcut

Materials

Woodcut

Tiger Lily
Located in Fairlawn, OH
Tiger Lily Color woodcut, 1939 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: Excellent Image/sheet size: 15 3/8 x 10 7/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...
Category

1930s Modern Art by Medium: Woodcut

Materials

Woodcut

Alberto Castro Leñero, ¨Untitled II¨, 2019, Woodcut, 31.5x63 in
Located in Miami, FL
"Alberto Castro Leñero (Mexico, 1951) 'Untitled II', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 31.5 x 63 in. (80 x 160 cm.) Edition o...
Category

2010s Contemporary Art by Medium: Woodcut

Materials

Paper, Woodcut

19th century color woodcut Japanese ukiyo-e print female geisha figure signed
Located in Milwaukee, WI
This print is from a highly regarded series by the Edo woodblock artist Utagawa Kuniyoshi: in the period, there were at times prohibitions in depicting a...
Category

1850s Edo Art by Medium: Woodcut

Materials

Paper, Pigment, Woodcut

One Hundred Fifty Feet Down
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, wrote about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses t...
Category

21st Century and Contemporary Contemporary Art by Medium: Woodcut

Materials

Woodcut

Serena - Original Woodcut Print by Arturo Martini - 20th Century
Located in Roma, IT
Serena is an original woodcut realized by Arturo Martini. Title and signature printed on the lower margin. The State of preservation is good. The artwork is representing a woman beside a vase of flowers in a frame through intense bla...
Category

20th Century Art by Medium: Woodcut

Materials

Woodcut

Dance Hall - Woodcut by Gaspard Maillol - Early 20th Century
Located in Roma, IT
Dance hall is a woodcut print realized by Gaspard Maillol (1880-1946). Hand signed by the artist on the lower margin. Edition 19/160. Gaspard Maillol , born on July 10 , 1880 in Ba...
Category

Early 20th Century Modern Art by Medium: Woodcut

Materials

Woodcut

"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100 Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez. Signed "Carol Summers" in the lower right corner. Numbered and titled "93/100 Casa Marquez" in the upper right corner. Presented in a silver colored aluminum frame. Frame size: 19.25"H x 23.25"W Paper size: 16"H x 20"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Art by Medium: Woodcut

Materials

Ink, Handmade Paper, Woodcut

19th century color woodcut Japanese ukiyo-e print samurai figure
By Toyoharu Kunichika
Located in Milwaukee, WI
"Ichimura Hazaemon as Hatsuyumeya Mitsujiro" is a woodcut print by Toyoharu Kunichika in red, blue, and black. 14" x 9 1/2" art 20 3/4" x 16 3/4" framed From the series “First Per...
Category

1860s Edo Art by Medium: Woodcut

Materials

Woodcut

'Lovers of Okazaki' Original Erotic Shunga Woodblock Print by Utagawa Hiroshige
Located in Milwaukee, WI
The present work is an excellent example of the erotic Shunga prints produced by Utagawa 'Ando' Hioshige and his school. Shunga imagery became especially widespread in Japan with the...
Category

Mid-19th Century Edo Art by Medium: Woodcut

Materials

Woodcut

Woodcut art for sale on 1stDibs.

Find a wide variety of authentic Woodcut art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, purple, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mino Maccari, Utagawa Kunisada (Toyokuni III), Eric Gill, and Utagawa Hiroshige. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut art, so small editions measuring 0.04 inches across are also available

Recently Viewed

View All