Miniature Mixed Media

Contemporary work of art by Christine Graf. A collage work of art created using wood, vintage book and canvas. Graf skillfully employs unconventional m...

Collage is an original work by Sergio Barletta. A wonderful collage glued on ivory-colored cardboard with the great touch of the Italian Pop artist. Signed and dated in pen on the ...

This abstract collage painting by Deborah T. Colter is made with acrylic paint and mixed media collage elements on panel. It features a warm yellow, orange, and pink palette. The com...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

Statement "These topics have excited my imagination and established for me an almost mystical foundation for painterly expression. Their poetic symbolism represents and parallels cer...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is the essence of the body that is important to her, not the representation. Particularly, the artist imagines trees and branches as a figurative link between the natural environment and our physical presence. The implied internal landscape of the body can also be reflected in how our surroundings from birth affect our sense of identity. By exploring landscapes of the body and mind, she also hopes to comment on the larger picture of our impact on the natural world. This unique bronze and painted steel sculpture measures 12 inches square and 2 inches deep. It is signed by Stratman on the front and back. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Stratman grew up in Phoenix, Arizona. In 1992 she commenced her studies at Arizona State University majoring in visual arts and art education. Stratman entered academia as a ceramicist. With each passing semester, the scale of her creations expanded and the material limitations of working with clay ultimately led her to the university foundry. This opened a door into another world of creative possibilities, profoundly changing her artistic direction. She replaced fired clay with larger-scale bronze, steel, and mixed media sculptures yet retained a delicacy, intimacy, and intricacy imbued from the ceramic process. Today she is a full-time established artist with studios operating in Phoenix, Arizona and Melbourne, Australia. Her time is divided between the two countries with each location informing and influencing the creative process. She has exhibited in 31 solo exhibitions and over 100 group exhibitions nationally and internationally. Her indoor and outdoor sculptures are held in public and private collections in countries including the United States, Australia, Canada, Hong Kong, Singapore, Taiwan, Israel, England, and Europe Artplex Gallery has been representing and exhibiting Jennyfer Stratman's original artworks in Los Angeles since 2021, presenting her impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 Solo Exhibition, Grace Renee Gallery, Carefree, Arizona 2021 “Natural Connections”, Manyung Gallery, Melbourne, Australia 2020 “Celestial Forms”, Manyung Gallery, Melbourne, Australia 2019 “Solo Exhibition”, Grace Renee Gallery, Carefree, AZ 2018 “The Etheral Garden”, Manyung Gallery, Melbourne, Australia “The Gravity Between Us”, Calvin Charles Gallery, Scottsdale, AZ 2017 “Tree Within Me”, Avran Fine Art, Laguna, CA 2016 “Constellation”, Manyung Gallery, Melbourne, Australia “Cultivating The Wild”, Calvin Charles Gallery, Scottsdale, AZ 2015 “Connection”, Mirada Fine Art, Denver, CO “Transformation”, Contemporary Fine Arts Gallery, La Jolla, CA 2014 “Cultivating Memory”, Michele Mariaud Gallery, NYC “Connected Elements”, Calvin Charles Gallery, Scottsdale AZ 2013 “Interconnection”, Contemporary Fine Arts Gallery, La Jolla, CA 2012 “Internal Landscapes”, Mirada Fine Art, Denver, CO 2011 “Reflective Landscapes”, Stockroom, Kyneton, Australia “Propagated Reflections”, Calvin Charles Gallery, Scottsdale,AZ 2010 “Hybrid”, GF Contemporary, Santa Fe, NM GROUP EXHIBITIONS 2023 Nature Art Soiree, Manyung Gallery, Melbourne Australia Affordable Art Fair Sydney, Manyung Gallery, Sydney Australia 2022 Affordable Art Fair Melbourne, Manyung Gallery, Melbourne, Australia CHAOS Theory 22, Legend City Studios, Pheonix, Arizona Endings And Beginnings, Modified Arts, Pheonix, Arizona Skies of Fruitful Nights, Artplex Gallery, Los Angeles, California 2021 Every Artist Ever Ten Year Anniversary Show, Stockroom Gallery, Melbourne, Australia CHAOS Theory 21, Legend City Studios, Pheonix, Arizona 2020 Affordable Online Art Fair, Manyung Gallery, Worldwide 2019 Portland on the Park Collection Exhibition, Phoenix, Arizona CHAOS Theory 20, Legend City Studios, Phoenix, Arizona Loreto Spring Art, Marryatville, South Australia Toorak Village Festival of Sculpture, Melbourne, Australia 2018 Carmody Foundation Grant Recipient, Phoenix, Arizona CHAOS Theory 19, Legend City Studios, Phoenix, Arizona Affordable Art Fair Hong Kong, with TAG Fine Arts, Hong Kong Toorak Village Festival of Sculpture 2018, Toorak, Victoria Affordable Art Fair New York, with TAG Fine Arts, New York Battersea Art Fair, TAG Fine Arts, London, England 2017 Affordable Art Fair Singapore, TAG Fine Arts, Singapore Choice Cuts, The Lodge Art Studio, Phoenix, Arizona CHAOS Theory 18, Legend City Studios, Phoenix, Arizona INFLUX 2017, Public Sculpture Outdoor Installation, City of Gilbert, Arizona Affordable Art Fair Hong Kong, TAG Fine Arts, Hong Kong Affordable Art Fair Hampstead, TAG Fine Arts, London, England Calm In The Storm, Mirada Fine Art, Denver, Colorado Battersea Art Fair, TAG Fine Arts, London, England London Art Fair, TAG Fine Arts, London, England 2016 Expatriates, & Gallery, Melbourne, Australia Affordable Art Fair London, Mark Jason Gallery, London Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong Affordable Art Fair New York, Michele Mariaud Gallery, New York 2015 Solidity, Calvin Charles Gallery, Scottsdale, Arizona littleSCULPTURE Show, Int’l Sculpture Conference, Bentley Gallery, Phoenix, Arizona Distilled In The Desert, Grant Street Studios, Arizona State University, Phoenix Manyung Gallery Group Exhibition, Manyung Gallery, Mt Eliza, Victoria Connecting With Nature, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong 2014 Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Michele Mariaud Gallery, Hong Kong Art Palm Beach 2014, Michele Mariaud Gallery, Palm Beach, Florida Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria 2013 Affordable Art Fair New York City, Living With Art, New York City Affordable Art Fair Hong Kong, Living With Art, Hong Kong Northern Lights, Bundoora Homestead Art Centre, Bundoora, Victoria Art Palm Beach 2013, Living With Art, Palm Beach, Florida 2012 Affordable Art Fair Seattle, GF Contemporary, Seattle, Washington Petite, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair New York City, with Living With Art, New York City Ladies Night, Contemporary Fine Arts Gallery, La Jolla, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts Montalto Acquisitive Sculpture Prize 2012, Montalto Vineyard, Red Hill, Victoria 2011 You Are Here, Stockroom, Kyneton, Victoria, awarded “Fundere Fine Art Prize” Transformation, Box Hill Community Arts Centre 4th Biennial Art Competition, Box Hill, Victoria Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria San Francisco Art Fair, GF Contemporary, San Francisco, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts 2010 Alive, Shemer Art Center and Museum, Phoenix, Arizona Williamstown Contemporary Art Prize 2010, The Substation Arts Centre, Williamstown, Victoria Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Montalto Acquisitive Sculpture Prize 2010, Montalto Vineyard, Red Hill, Victoria 2009 2009 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne Sanctuary Resort, outdoor sculpture, Scottsdale, Arizona Toorak Village Sculpture Exhibition 2009, Toorak, Victoria Williamstown Contemporary Art Prize 2009, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2009, Montalto Vineyard, Red Hill, Victoria 2008 Knoxville Museum of Art, Knoxville, Tennessee Northern Exposure 08, High Street Northcote Visual Arts Showcase, Northcote, Victoria 2007 Affordable Art Fair New York City, 707 Contemporary, New York City 2007 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne, Victoria Posted, Yarra Sculpture Gallery, Abbotsford, Victoria Tattersall’s Contemporary Art Prize 2007, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2007, Montalto Vineyard, Red Hill, Victoria 2006 Contemporary Landscape (4 woman show), Contemporary Fine Art Gallery, La Jolla, California Melbourne Art Fair, with Über Gallery, Melbourne, Victoria Affordable Art Fair New York City, 707 Contemporary, New York City Contemporary Forum Art Auction, Phoenix Art Museum, Phoenix, Arizona Art Scottsdale, Phoenix, Arizona Toorak Village Festival of Sculpture 2006, Toorak, Victoria Montalto Acquisitive Sculpture Prize 2006, Montalto Vineyard, Red Hill, Victoria 2005 Toorak Village Festival of Sculpture 2005, Toorak, Victoria Neo Millennium, Toyota Community Spirit Gallery, Port Melbourne, Victoria Montalto Acquisitive Sculpture Prize 2005, Montalto Vineyard, Red Hill, Victoria 2004 The Collectors’ Show, Über Gallery, Melbourne, Victoria Contemporary Fine Arts Gallery, La Jolla, California I am Woman: Courage, Spirit, & Strength, Calvin Charles Gallery, Scottsdale, Arizona Toorak Village Festival of Sculpture 2004, Toorak, Victoria Affordable Art Fair, Melbourne Exhibition Centre, Melbourne, Victoria Threadbo ‘Art with Altitude” competition, Threadbo Alpine Hotel, Threadbo, NSW Montalto Acquisitive Sculpture Prize 2004, Montalto Vineyard, Red Hill, Victoria 2003 A4 Art, West Space, Melbourne, Victoria Summer Spectacular, Calvin Charles Gallery, Scottsdale, Arizona Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Hermanns Art Award, Christine Abrahams Gallery, Richmond, Victoria, Toured Shepparton Regional Art Gallery, Quadrivium Sydney and Grafton Regional Art Gallery CONstruct, Dante’s Upstairs Gallery, Fitzroy, Victoria Montalto Acquisitive Sculpture Prize 2003, Montalto Vineyard and Olive Grove, Red Hill, Victoria, awarded “People’s Choice Award” 2002 Summer Spectacular, L’Asietique Gallery, Scottsdale, Arizona The Darebin Art Show, Federation Centre for the Arts, Bundoora, Victoria shopfronts/ARTFRONTS, Coburg Public Art Project, Coburg, Victoria Toorak Village Festival of Sculpture 2002, Repliqué, Toorak, Victoria Central Goldfields Sculpture Prize and Exhibition, Central Goldfields Art Gallery, Maryborough, Victoria Emerging Artist Program, Mirá Fine Art Gallery, Melbourne, Victoria Linden Postcard Show, Linden Centre for Contemporary Art, St Kilda, Victoria 2001 Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Yering Station Winery, Yarra Glen, Victoria Fundêre Sculpture Prize, Yarra Sculpture Gallery, Abbotsford, Victoria Darebin~La Trobe Acquisitive Art Prize, Federation Centre for the Arts, Bundoora, Victoria Thursday Plantation East Coast Sculpture Show, Ballina, New South Wales 171- II, Mansour & Hill Gallery, Melbourne, Victoria Phoenix First Fridays, The Lofts at Filmore, Phoenix Arizona 2000 Blue-Lite Invitational, MARS Artspace, Phoenix, Arizona Presence in Metal, Tempe Center Sculpture Gallery, Tempe, Arizona Drawings for Sculpture, Harry Wood Annex, Tempe Arizona Roots: Environmental Issues of Interconnectedness, GOCAIA: Gallery of Contemporary and Indigenous Art, Tucson, Arizona, awarded “Best of Show” Solarlobotomy, MARS Artspace, Phoenix, Arizona Sites Around the City- Art and the Environment, Tempe Beach Park, Arizona Hot Off the Ladle, Tempe Center Sculpture Gallery, Tempe, Arizona 3 Person Show, Modified Arts, Phoenix, Arizona 1999 Cleavage: an exhibition on the breast, Jonson Gallery, Albuquerque, New Mexico In Flux, Harry Wood Gallery, Tempe, Arizona Yoni, Ice House and Step Gallery, Phoenix, Arizona 1998 Milieu: of art and space, Spine Gallery, Phoenix, Arizona SCULPTURE: New Works, Harry Wood Gallery, Tempe, Arizona An Altogether Different Self Portrait, Step Gallery, Tempe, Arizona Fahrenheit 2150, Contemporary Cast Metal, Step Gallery, Tempe, Arizona 1997 Clay Doh: a show of ceramic works, Step Gallery, Tempe, Arizona (skulp’Cher), Harry Wood Gallery, Tempe, Arizona 1/4 Inch, Tempe Center for the Arts, Tempe, Arizona The Fifth Dimension, Sculpture Exhibition, Arizona State University, Tempe, Arizona PUBLIC AND CORPORATE COLLECTIONS ASU Biomedical Campus Phoenix, Arizona City of Phoenix, Arizona Phoenix Bike Rack Project, Public Sculpture City of Gilbert, Arizona, “Connection Point”, Public Sculpture City of Cardinia, Victoria, “Segmented Landscape”, Public Sculpture Jewish Community Centre Omaha, Nebraska AC Marriott, San Jose, California Idaho College of Osteopathic Medicine Meridian, Idaho Palos Verde Golf Club South Bay, California Coushatta Grand Hotel Kinder, Louisiana Marriott Hotel Atlanta, Georgia Rangely Hospital Chicago, Illinois The Patrón Spirits Schaffhausen, Switzerland and Las Vegas, NV Pinpoint HRM Melbourne, Australia Dial Corporation Phoenix, Arizona Healthpoint Ltd Fort Worth, Texas Hermanns Group Melbourne, Australia Dreams: Melbourne Central Melbourne, Australia Duo Design Phoenix, Arizona Phoenix Downtown Magazine Phoenix, Arizona In addition to hundreds of private collections MEDIA APPEARANCES, PUBLICATIONS 2021 Thrive: Arizona State University Magazine, ‘Champion The Arts’, Arizona (Volume 24) 2020 The Jewish Press, ‘Art On Our Campus: Connection Point’, Omaha 2019 Arizona Images Magazine, ‘Forging Connections’, Arizona 2018 Voyage Phoenix Magazine, ‘Thought Provokers Series’, Arizona Java Magazine, ‘Jennyfer Stratman: Casting Connections’, Arizona Phoenix Home and Garden Magazine, ‘The World Within’, Arizona Downtown Phoenix Journal, ‘Locally Designed Bike Racks Unveiled Mar 17, 2018’, Arizona YabYum Music and Arts, Arizona 2015 Sculpture Magazine, ‘You Can’t Contain A Wildflower’, Denver Post, YourHub, ‘Artists share an affinity in nature, emotion’, The Arizona Republic, ‘Scottsdale gallery presents 3 artists who are “Connecting with Nature”’ 2014 ABC 15 television news interview, ‘Tues Afternoon News’, Arizona (March) ABC 15 television news interview, ‘Sunday Mornings’, Arizona (March) 2012 303 Magazine, ‘Internal Landscapes at Mirada Fine Art Gallery’, Denver Post, YourHub, ‘Stratman’s First CO Show Debuts June 22’, Television Segment/ Interview ‘Sonoran Living ABC15’, Arizona Phoenix Home & Garden Magazine 2011 Luxe Magazine 2010 American Art Collector Australian Financial Review Trouble Magazine, Australia 2007 The Age Newspaper, ‘A2’, Meagan Backhouse, Australia The Age Newspaper, ‘Upfront’, Brigitte Barta, Australia The Age Newspaper, Australia Emerald Hill Weekly: ‘Statuesque Showing’, Sharon Green Pakenham Journal, ‘Loving The Land’, Diana Wells, Australia Berwick Gazette and Pakenham Gazette, Australia Delicious Magazine, Australia 2006 Berwick Gazette and Pakenham Gazette, Australia Northcote Leader, Australia First Mondays, monthly art salons (public art lecture), Phoenix Public Library The New Times, Arizona 2005 The Phoenix Gazette, Arizona Sunday Arts, television program on the ABC (Australian Public Broadcast) The Age Newspaper, Australia Australian Art Collector Art Almanac: The Essential Guide to Australian Galleries...

This piece titled "Like a Pen VE 8/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

The Joy of a Decision Made That rare moment when anxiety gives way to clarity, and fear turns into relief. The choice has been made, and now all that remains is to breathe in freedom...

In this hand-cut paper collage on paper, black and white patterned paper is cut into the silhouette of a delicately outlined seated female figure kneeling with her arms dramatically ...

Handwoven miniature tapestry including foraged materials :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Drawing on paper, old photography, pearls and vintage fishing spoon.

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Untitled 01, 2015 - 2016 Mixed technique: oil paint, adhesive, silicone on metal sheet (Signed on reverse) 9 27/32 H x 7 7/8 W in 25 H x 20 W cm Zsolt Berszán’s work speaks of repu...

This piece titled "Chimaera: Green #8" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.75”h x 2”w x 2”d and ships with the pict...

Alan Shields TV Re-Run B, 1978 Mixed Media Monotype: Color drypoint, mezzotint, linocut and colored embossing on perforated paper on Handmade Paper Mounted on Linen Board Signed, num...

Born in 1923, alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology, is an extraordinary artist, searching for his own artistic way. Ambitious,...

Mark Kostabi Focaccia Alla Robiola - Da Ciro - New York, NY, 1998 Ceramic Plate. Artist signature fired into the plate on the front and back and numbered 59 of 1000. 10 1/5 inch diameter x 1/4 inch height Unframed Makes a memorable and very special gift! This beautiful, limited edition, signed and numbered bowl...

Encaustic work of art by an acclaimed Maine artist Sara Crisp. Sara Crisp draws inspiration from the delicate balance between the natural and the human-ma...

Colorful abstract contemporary circular painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Currently on view in "David Hardaker: R...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This exquisite French Art Deco marquetry picture from circa 1930-40 is a stunning example of craftsmanship from one of the most iconic design periods. Crafted with precision, this pi...

Golfam Jozdani Saint Minecraft III 2024 Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and date...

Untitled 03 [Dissecting the Unknown 03], 2015 - 2016 Mixed technique: oil paint, adhesive on canvas mounted on OSB 12.6 × 9.1 × 0.4 in 32 × 23 × 1 cm (Signed on reverse) Zsolt Bersz...

Checker Arm Lady by Leobardo Huerta Mixed media- Vintage photograph intervened by the artist with pen and acrylic paint. Image size: 9.5 in. H x 8.75 ...

This piece titled "Day in the Life: Chimaera #16" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...

Date: 2017 Hand-Casted Red Marbled Glass Edition of 81/100 Size: 12 x 9 in. (30.48 x 22.86 cm) Printer: Foundry: Hot Spot Glass Publisher: American Image Art, NY

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This piece titled "Like a Pen VE 16/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising, and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood. Mixed Media Collage...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"Embrace of Anxiety" – A moment stretched between what was and what will be. A fragile breath before the unknown, where fear and anticipation intertwine. If change is life, then this...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique artworks. She layers an intriguing mixture of urban photographs and Am...

This piece titled "OPE" is a one-of-a-kind original piece by Charles Clary and hand-cut paper and wallpaper mounted on wood panel. This piece measures 9"h x 11"w x 2.75"d, and is hand signed by the artist on the back. Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has shown in exhibitions at Galerie Evolution-Pierre Cardin in Paris, France, The Netherlands’ CODA Museum Paper Biennial in 2021, Art of Paper Fair in New York City, and many other international, national, and regional juried, group, solo, and museum exhibitions. Charles has exhibited regionally, nationally, and internationally in numerous solo and group shows, is represented by Paradigm Gallery + Studio in Philadelphia, R02 Gallery in Dallas, Texas, and Patrajdas Contemporary Gallery in Ogden, Utah. Clary currently lives and works in Conway, South Carolina, where he is an Associate Professor of Studio Art and Foundations Coordinator at Coastal Carolina...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life, which are full of emotions and feelings along the life journey. Her metal art...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Fully costumed Harlequin sits before the hot swirling background looking reflective after his performance. With his ceruse coated face he is the archetypal image of our perception of...

Mountain Lion, oil, holographic foil, big cat, figurative, animal

In this contemporary paper collage on paper, light brown paper is hand-cut to form the silhouette of a delicately outlined female figure with arms gracefully posed held up overhead a...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

This piece titled "Like a Pen VE 6/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

"A Very Confusing Game I" is an original piece by NDA made from collaged mixed media mounted to panel. This piece measures 16”h x 12”w and is signed en verso. NDA is a public and g...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...