Oversized Mixed Media

Louis K. Stone (1902-1984) Untitled, 1980 Mixed media on paper Framed: 52 1/4 x 42 1/4 in. Signed lower right: Stone 80 An abstract painter, Louis Stone settled in Lambertville, New ...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Medium: found aluminum cans, copper leaf, wire Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. PAUL VILLINSKI has...

"Ducks & Habitat" is an original acrylic on paper and wood construction by Tom Shelton. The artist signed the piece on the reverse. This piece depicts many different types of ducks f...

Harry Koursaros (1928-1986) Peaceable Kingdom, the Ram, 1983 Framed 34 X 45. sheet 25.5 X 37 Hand Signed Provenance: Bank of Boston corporate collection. bears label verso. Harry Koursaros, Artist, painter, printmaker and filmmaker Student at Albright College class of 1950. In 1964 he came to Albright College as professor to establish an Art Department, and gained national recognition. He started as a modernist realist, later moving to Abstract Expressionism and eventually into Pattern & Decoration. He painted with metallic and iridescent pigments. In the late 1960s he began a program of "underground" films at the college. Many of these were avant-garde works from New York that included works by Andy Warhol. One of Koursaros students, Jerry Tartaglia, founded in 1974 the Berks Filmmakers, a group of cutting-edge movie makers who acquired an international reputation. He was included in numerous shows: "Discovering Color": Two Decades of Abstraction, paintings, works on paper, and prints from three pivotal art movements in America during the sixties and seventies: Abstract Expressionism, Color Field Painting, and Minimalism. Artists include Edward Avedisian, Walter Darby Bannard, Dan Christensen, John Grillo, Lee Krasner, and more. “Drawn From the Collection” paintings, limited edition prints and photos by such notables, among others, as Mark Tobey, Alice Baber, Rufino Tamayo and a photograph by Gordon Parks. "20/20": The Visionary Legacy of Doris Chanin Freedman. Works by Nicholas Africano, Ida Applebroog, William Baziotes, Bernd and Hilla Becher, Joseph Beuys, Jime Dine, Gunther Forg, Leon Golub, April Gornik, Hans Haacke, Keith Haring, Jenny Holzer, Komar and Melamid, Harry Koursaros, Lee Krasner, Robert Mapplethorpe, Ana...

La palette de l'amour The palette of love Mixed Media 54 3/4 x 54 3/4 in 139 x 139 cm Unique "I have always been fascinated by motion. What fascinates me with this craft is to capt...

Regan Hillyer (MindValley) - Fabric On Canvas By Beverly Bigwood Experience the captivating new art abstract collection by Beverly Bigwood, where fabric meets canvas to create a uni...

Agent X Title : Queen (red) Materials : Mixed Media Date : 2017 Dimensions : 55 x 35 in. Edition of 20 Agent X, cultural explorer and agent of the unknown, is an emerging artist who...

Clay pigment, gesso, needlepoint, and oil on canvas Andrée B. Carter was born and raised in New Orleans. She has lived in Seattle and Los Angeles, and now resides in Palm Desert. An...

Kartick Chandra Pyne - Singing - 42 x 36 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in a roll form. Style : After graduating from the Government College...

This abstract collage painting by Deborah Colter is made with mixed media on gallery wrapped canvas on panel. It features a multicolored palette, with neutral greys accented by uniqu...

An abstract sculptural piece using wood and paint by Robert Brady.

Together Apart is a collaboration between artist Andy Rementer (USA) and Case Studyo (Belgium). This colorful and playful handwoven kilim rug is produced in an edition of 50. The rug...

Blurring the line between mass consumerism and fine art, New York City based artist Jojo Anavim has established his body of work stemming from a background in graphic design and bran...

Composition is an artwork realized by Leo Guida in 1970s.  Fabric, 120 x 78 cm; framed. Good conditions.

Xenia Ostrovskaya, born in 1989, is a visual artist from Saint Petersburg. She studied ceramics and porcelain painting at Saint Petersburg State University. This was followed in 2015...

This quilt symbolises addiction and the feelings it induces. Size h 36 x w 48 x d ½ inches. Improvisational cut and fused abstract collage composition that is machine-stitched and q...

Black and white abstract painting from the studio of Sax Berlin

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand painted with acrylic, 3D painting, ink, acrylic gels, texturing mediums, Stucco, crackle paste and varnishes over-painting. This body of work focuses on a combination of texture, color, and composition. Each piece is manipulated with a unique surface finish of textures. Irena Orlov...

Peter Horvath is a photo-based and New Media artist. Embracing digital technologies at the birth of the Web, he created audio/video narratives through selective editing of film foota...

Kim Fonder loves texture and touch. Her paintings and furniture reflect her infatuation with these two characteristics. From the materials Fonder selects, to the way she crafts each ...

Moments of Joy Painting Art Hand Textured Giclee on Canvas 45x45" Pink Blue State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited editi...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

Douglas Booth II, 2015 by Hunter & Gatti From the series IWMYAS Mixed media on Black and white photography Overall size: Image size: 45 H x 63 W in. Frame size: 53 H x 78 W in. x 2 ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed This is an ori...

Apéritive – Limelight by Artist RenateVogel-Stelling Expressive Realism: Nude on Stool. Vogel-Stelling: "I let my hand go, and where the brush becomes heavy, I push." A beautiful a...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Artist: Gunda Jastorff Medium: Mixed media on canvas Original painting - gold and black crosses. Size: 140 x 90 OR 90 x 140 cm. It is possible to hang this painting either way round...

Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

This is a set of 8 works, each 12 x 12 x 4 1inches. The overall size of the set as shown in the photo is 25 x 54 x 4 inches. The exact medium is brushed aluminum with mixed media....

We are pleased to offer this classic Squeak Carnwath painting from a collector.  The painting is archetypal Carnwath with its “Guilt Free Zone,” colored grid and endearing rabbits. A...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

Artist: Yannick Ballif, French (b. 1927) Title: Blue Planet Year: circa 1980 Medium: Acrylic Monoprint with India Ink on Rag Paper Size: 30 x 44 inches

Agent X Title : Queen (blue on white) Materials : Mixed Media Date : 2017 Dimensions : 55 x 35 in. Edition of 20 Agent X, cultural explorer and agent of the unknown, is an emerging ...

A hand-made powdered pigment artwork on paper.

medium: aluminum (found cans), soot, wire Available in the following color options: TWILIGHT - cobalt blue Flashe paint ALCHEMY - raw/untreated, aluminium can label exposed AMBER -...

John-Herbert was born in Miami and moved to New York city when he was 3 years old. As the son of a Filipno mother and bi-racial father, his multi-cultural roots at first felt like a ...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

"Golden Pools" is a beautiful large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for. Using sculptural texture with beautiful o...

Cirque du Soleil n.34 is a contemporary artwork realized by Sergio Barletta in 1990s. Hand Signed on the lower margin. Mixed media and collage on canvas. Includes frame: 142 x 97 cm

Michele Brody, Prarie Preserve: Recreation of Rolling Prairie in Medicine Bottles, 1997 The essence of Michele Brody’s work thrives on the interaction...

A mixed media sculpture of carved and painted pine wood, motor, and steel.

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

"Water Wonders" is a beautiful luminous large abstract painting by Nancy Eckels. It exhibits the bold colors and textures that her work is known for, and features beautiful blues, t...

GREG MILLER "Western Outlaws" Acrylic, Collage 60 x 48 in. Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller exp...

GREG MILLER "Western Outlaws" Acrylic, Collage 60 x 48 in. Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller exp...

This captivating artwork is a weaving that beautifully captures the essence of flight, embodying the graceful movement of a bird in motion. Through a skilful interplay of vibrant hue...

This abstract art quilt has been created by using a collage technique Inspired by the patterns left on a windowpane after a shower of rain. Using salt resist on wet paint has created...

Melange II is an original work by Michael Olsen. The bright and bold colours of the butterflies make this a joyful piece. Olsen’s use of perspex allows for work to fit sleekly into a...

This painting features hues of pink and orange. Made of clay found in a tributary of the Mississippi River, red ochre, gouache & water on Saunders 640 gsm measuring 60 by 40 inches u...

“For What It Is” is a warm and light-filled abstract piece, blending soft Nordic tones with playful textures and thoughtful layers. The work evokes a quiet strength—a balance between...

Farmhouse Horse Painting 48 x 36” inches, Mixed Media: Digital, Watercolor, Acrylic, Stucco, Crackle Paste, Gel Medium One-of-a-kind 2019 in Los Angeles SPECIFICATIONS: - Fine art c...