Scott Dykema Art

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Summer Bloom [2021] Original Flowers Mixed media on board Image size: H:45 cm x W:3 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:30cm Framed Size: H:45 cm x W:45 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Summer Bloom is an original painting by Natalie Bird...

Atropurpureum is a botanical mixed media work on paper by Cynthia MacCollum. This original artwork is 30x22 on archival paper. It is framed to...

John Baker’s “Thoughts of the Great Outdoors” is an acrylic painting on canvas with collage 82 x 36 inches in rich and resonant greens and blues sug...

John Baker’s “A Meeting in Rome I”, an acrylic painting on canvas with collage 36 x 26 inches, in Cardinal red, pink and greens, is from the artist’s “divided self” series. A figure,...

A naked woman stands, adorned only by a neon sign proclaiming "it was all a dream." Amidst the darkness, she shines brightly, a symbol of empowermen...

Portrait is an original mixed media drawing on paper realized by Sebastiano Carta. In good conditions except for some diffused foldings. Hand-signed on the lower left margin in pen...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...

Ann Graves Tanksley, Untitled (Mother and Child), mixed media on Japan paper, c. 1960s. Signed 'A. Tanksley' in gold in the image, lower right. Linoleum cut in black ink on Japanese paper, with blue and gold brushed ink; cloth batik collage, and metallic gold star laid onto black construction paper. Created as a seasonal greeting. Inscribed on the inside panel is 'Merry Christmas and a Happy New Year. Love, John & Ann.' Archivally matted to museum standards. Unique. Image size 7 3/8 x 4 7/16 inches (187 x 113 mm); front panel size 8 11/16 x 5 3/4 inches (221 x 146 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay...

John Baker’s “Pygmalion and Galatea” is an acrylic painting on canvas with collage 63 x 36 inches, in pearl whites and a wide range of greys: green grey, grey white, and dark, rich g...

In every culture, there is a circle where wisdom gathers — a space where stories are not simply told, but lived. The Gathering captures this timeless communion of hearts and minds, w...