Small Mixed Media

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

Katrina Revenaugh Unexpected Blooms No. 6 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 13 x 10.25 Frame Size: 21 x 18 Note: Fra...

Pllaster bas-relief on paper colored in acrylic 33 x 48 cm work signed by the artist and provided with a certificate of authenticity. LisArtVenture Creator of dreamlike works always...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

"Interlude" is an original 20in x 20in painting by Kelly Kozma with mixed media elements. Please note: The last three photos show images of the full "Tiny Particles Connecting the...

"Cheek by Jowl" is an original 20in x 20in painting on canvas by Kelly Kozma featuring black birds against a blue and white background with mixed media elements. This piece has the ...

Kiki Smith For Leslie Gore, Mo Tucker, Laura Nyro and Mama Cass: What Girls Know About Grids (signed twice), 2000 Eight etching and relief etchings on handmade Japanese paper attache...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.5 x 14.5 Frame Size: 17.75 x 20.5 Medium: Mixed Media "The Head of John The Baptist" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about ...

A rare, very poetic figurative work by Eric Scholz, dating from the 1980s. Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the pre...

Katrina Revenaugh Unexpected Blooms No. 7 Archival Pigment Ink, Acrylic, Spray Paint, Belgian Linen, Thrifted Chambray Year: 2023 Image Size: 12 x 9 Frame Size: 18.25 x 15 Full Size ...

Her name is Ewaoluwa (The Beauty of God). Meaning the beauty of God in Yoruba origin located in western Nigeria. God created beauty in the loveliness of his nature. The beauty of Go...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

ABOUT THIS PIECE: 14.9" W x 18.8" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Ca...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Change of direction from the studio of Christopher Barrow. Very elegent Mixed media, oil and collage on board.  Image 20" x 16" Framed, signed

limited edition in 360 exemplars in cardinal numbers, XV in romans numbers + some artist proof Current exemplar numbered as: 85/360 in lower left paper size: 60 x 44 cm very good co...

"The golden triangle" is the second pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The eliminated afro hair, the symbol, and the expressions form the basis of the narrative of this art. The expression of serenity, tranquility, calmness, pride, unconscious of the external environment, and a state of deep thought defines the emotional status of the subject. The symbol of this pair is a triangular sign made with a golden color on the neck. It is made of three strokes, unlike the first pair made of 2 strokes, thereby showing a transition. It is basic and a symbol of balance like the other four paintings. The term "golden triangle" is a term used in mathematics for a triangle with an interior angle ratio of 1:2:2. But rather than constructing a mathematical golden triangle, the triangle was painted with golden pigment. The triangle is a symbol of geometric sturdiness and strength, a symbol of harmony, and unity of 3 parts. When we are focused on our truth, we are connected to life and have the experience of life coming to us. "Renegades of a breaking nation" is a series of 5 Abfillage artworks, created in 3 sections creating a form of transition using 3 symbols. A transition from a state of one nation to another. By creating a combination of expressive portraits and symbols in gold acrylic pigments which all signify balance. A transition to steadiness, equilibrium, and stability of a country. Shipping Procedure Ships from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born and raised in Nigeria, West Africa, Prosper grew up drawing comics and characters which enabled him to understand the human figure and expressions properly, after which he became a full-time studio artist in 2017 Prosper studied at the Federal University of Technology Owerri, where he learned Building technology with an architectural background on designing. He also acquired expertise in graphic design, illustration, 3D modeling, video editing, and animation In 2018 he had his first official art exhibition where he won the Peace Poster award for his painting on Peace at the ANBUKRAFT He has participated in several exhibitions and competitions since then and has won some of them In 2020 he was signed as a brand ambassador to TECNO mobile Nigeria on a one year deal His works has appeared in countries like South Africa, United Kingdom, United States, Canada, Japan e t c Prosper Aluu makes figurative and expressive paintings His stylized figures show the use of the artistic devices of elongation and exaggeration and his unique style of painting the iconic afro hairstyle These are his ways of celebrating and negotiating African identity In traditional African art visual codes, the exaggeration of the head in comparison to other parts of the body is a well-known visual strategy to establish the head as the seat of wisdom...

As a model being a fashionista gives and creates room for you to keep your style and interest the way you feel and the way you want it to be, deciding to keep your style very simple,...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

In a stunning display of divine intervention, the world was recently graced with a series of epiphanies that left humanity dumbfounded. Are you born again? For a man cannot live by b...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

In the evocative artwork titled "Beauty of Blackness (Olanma)," the gifted artist Emeka Ndibam pays homage to the captivating allure of a young lady whose...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Gretchen Weller Howard was born and raised in New Orleans, LA. A self-described colorist, she employs both symbols and color to communicate the deeply personal meaning of each work. ...

Peter Passuntino BDSM 1960s Ink, ink wash & chalk on paper 12.25"x10" unframed unsigned Peter Passuntino b. 1936 Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions. In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s. The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...

Erik Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the prestigious Munkácsy Award in 1950, and received stipends to work and study...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

"Twilight Colored Pencil" - Original Pastel and Charcoal on Paper Original charcoal and pastel drawing of a man and woman looking off into the distance. Their backs are to the viewe...

Chuck Jones (American, 1912-2002) Untitled (Porky Pig), Second half of the 20th Century Hand painted animation film cel Sight: 10 x 12 in. Framed: 16 1/2 x 18 1/2 x 1 1/2 in. Stamped...

ABOUT THIS PIECE: 19.7" W x 23.6" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, C...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This is a one of a kind original mixed media (Acrylic, fiber, paper, inks, plexiglass) abstract painting depicting beautiful monarch butterflies and gold leaves by California artist ...

Pop Art Portrait of Queen Elizabeth II. Acrylic on vintage paper and plywood. All my works are professional finished and varnished. Signature at the back. Ready to hang. Original ...

Imprint of Memory This work captures not the event itself, but its bodily imprint — a trace of memory manifested through matter. Forgotten experiences do not vanish without a trace: ...

Chuck Jones (American, 1912-2002) Untitled (Porky Pig and Yosemite Sam), Second half of the 20th Century Hand painted animation film cel Sight: 10 x 12 in. Framed: 16 1/2 x 18 1/2 x ...

Oya Bolgun is a visionary artist whose dynamic and ever-evolving abstract style captures the imagination and inspires the senses. Drawing on her deep passion for self-expression and ...