Small Mixed Media

Confucius once said you must first study the past to define the future. In this mysterious series, we will explore the secret origins of our human species and the various cultures th...

"Don't Wine" is a mixed media piece, predominately a serigraph, by Paula Schuette Kramer and Bill Weege. Both artists signed in pencil in the lower right, and the title is in the lower left. It is one of a an edition of 50. The print is an explosion of bright colors, but red, blue, and green dominated the composition as they fade through the background. A blue figure climbs up a ladder out of an apple, hefting a large wine bottle overhead, which they pour out into the sea of wine. A man, woman, and long-necked orange bird also look out from the apple, reading for the stem of a floating bunch of green grapes. A group surrounds the grapes with their heads and shoulders above the water, eating the fruit. Birds fly through the background, dodging wine glasses and a vase of flowers that seem to be tumbling from a flying carpet. The entire image feels very surreal. Art size: 12" x 10" Frame size: 19 1/4" x 17" Paula Schuette Kraemer is an independent artist living in Madison, Wisconsin...

Mixed media on canvas

This one of a kind painting is done in acrylic on paper. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight difference in t...

Apollonius. Proposition 46. Archival Ink on Canvas. 20 x 30 inches.

"Hong Kong", mix medias on paper by Tony Soulié A prolific painter, performer and photographer, Tony Soulié is recognized artist of the New French Abstraction since the 1970s. He is...

Untitled Photo collage, c. 2005 Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 15 1/4 x 19 1/2 inches Sheet size: 19 1/4 x 24 1/4 inches Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime New Yorker, Marks graduated from the High School of Music and Art in 1952 and Amherst College in 1956. After a brief stint as a graphic designer in publishing, Marks became a private art dealer and opened his gallery Peter Marks Works of Art, Inc. in 1960. During this time he specialized in the sale of Southeast Asian and Islamic antiquities and made many contributions to the field both as a dealer and an advocate of his profession. Above all, Marks was motivated by a strong desire to find great art and make it available to large audiences. After retiring from art dealing in 2002, Marks transformed his Manhattan gallery space into a studio where he drew prolifically and painted large non-objective canvasses. This time in his studio was a happy one for Marks, who viewed this period of his life not as retirement, but rather fulfillment, a fact that is confirmed by passionate artistic output in the years leading up to his passing in 2010. In 2012, Thomas French...

Wall mount or pedestal mount. Absinthe metallic finish. 20"x16"x8" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled an...

Peter Christian Petersen (Danish, b. 1973), "...So It's True, You Are Brocklanders", Mixed Media on Canvas, 2000, acrylic and enamel, signed, dated, and titled to verso with Priska C...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

My decades-long career in contemporary jazz directly informs my work as a visual artist. For me, music has always had a visual component, with the diverse elements of music suggesti...

This is an original one of a kind expressionist mixed media landscape painting by artist Sherry Krulle-Beaton. Its dimensions are 20"x24". It is unframed. A certificate of authentici...

John Randall Nelson's "Ousting Luck" features a black wishbone set against a warm-toned off-white backdrop. This piece, created with acrylic and mixed m...

The old cemetery. 2018. Oil on wooden plywood. 16x54.4 cm

Andre Costa, PR 22, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, Orange, Green Andre Costa is Brazilian visual artist and author of "The Art with Environm...

Andre Costa, PR 27, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, White, Yellow, Green, Red, Pink, Purple Andre Costa is Brazilian visual artist and author ...

Andre Costa, PR 39, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Yellow, Black Andre Costa is Brazilian visual artist and author of "The Art with Environmental I...

Andre Costa, PR 35, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: White, Orange, Black, Yellow, Blue, Purple, Pink Andre Costa is Brazilian visual artist and autho...

Andre Costa, PR 21, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, Red, Green, Purple, Orange, Yellow Andre Costa is Brazilian visual artist and author of "...

Andre Costa, PR 36, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Green, White, Orange, Black, Yellow, Blue, Purple, Pink Andre Costa is Brazilian visual artist an...

Andre Costa, PR 43, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, Orange, White, Gray, Purple, Red, Yellow, Green Andre Costa is Brazilian visual artist and...

Andre Costa, PR 37, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Green, White, Orange, Black, Yellow, Blue, Purple, Pink, Aqua Andre Costa is Brazilian visual art...

Andre Costa, PR 24, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, White, Yellow Andre Costa is Brazilian visual artist and author of "The Art with Environm...

Andre Costa, PR 40, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, Yellow, White, Pink, Green, Pink, Purple, Aqua Andre Costa is Brazilian visual artist and ...

Andre Costa, PR 46, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Lime Green, Black Andre Costa is Brazilian visual artist and author of "The Art with Environment...

Andre Costa, PR 33, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Orange, Black, Yellow, Green, Red, Blue, White, Purple Andre Costa is Brazilian visual artist and...

Andre Costa, PR 38, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: White, Black Andre Costa is Brazilian visual artist and author of "The Art with Environmental In...

Andre Costa, PR 25, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, White, Yellow, Green, Red Andre Costa is Brazilian visual artist and author of "The Art w...

Andre Costa, PR 45, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Yellow, Black, Green, Red, Blue, White Andre Costa is Brazilian visual artist and author of "The...

Andre Costa, PR 30, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, White, Yellow, Green, Red, Purple, Orange Andre Costa is Brazilian visual artist and autho...

Andre Costa, PR 19, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Green, Red, Yellow, Purple, Blue Andre Costa is Brazilian visual artist and author of "The Art w...

Andre Costa, PR 04, Abstract Acrylic on Vinyl, 19.75 x 19.75, 2012 Colors: Red, Black, Orange, Yellow, Gray Andre Costa is Brazilian visual artist and author of the "Art with Enviro...

Andre Costa, PR 30, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Black, White, Green, Purple, Orange, Blue Andre Costa is Brazilian visual artist and author of "...

Andre Costa, PR 12, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2014 Colors: Yellow, Black, Red Andre Costa is Brazilian visual artist and author of the "Art with Environment...

Andre Costa, PR 16, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Turquoise, Green, Yellow, Red, Black, Gray Andre Costa is Brazilian visual artist and author of ...

Andre Costa, PR 02, Abstract Acrylic on Vinyl, 19.75 x 19.75, 2010 Colors: Black, Green, Yellow, Red, Blue, Beige, White Andre Costa is Brazilian visual artist and author of the "Ar...

Andre Costa, PR 14, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2015 Colors: Green, White, Black, Yellow, Orange Andre Costa is Brazilian visual artist and author of "The Ar...

Andre Costa, PR 05, Abstract Acrylic on Vinyl, 19.75 x 19.75, 2013 Colors: White, Black, Purple, Green, Blue, Red, Turquoise Andre Costa is Brazilian visual artist and author of the...

Andre Costa, PR 13, Abstract Acrylic Painting on Vinyl, 19.75 x 19.75, 2014 Colors: Black, Blue, Orange, Yellow, White, Gray, Red, Green Andre Costa is Brazilian visual artist and a...

Andre Costa, PR 08, Abstract Acrylic on Vinyl, 19.75 x 19.75, 2014 Colors: Green, White, Orange, Black, Yellow, White, Black Andre Costa is Brazilian visual artist and author of the...

Maria Poroy (American, born 1952) "Moonrise" 2023 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the middle right of the painting. M...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – tha...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

"Homage to Mondrian - The Pool" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty refe...

Tarkka is an aggressive, angular minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes, walnut hardwood and completed with a sem...

charcoal and pearl paint on paper 27 x 25 x 1.5 inches framed In the fields of sculpture and drawing, George Thiewes creates sharp, angular work with a focus on the interaction of ...

Painted sculpture Relief carving on basswood and painted in oil. :: Mixed Media :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist...

"Olive Oyl Chanel Pearls in Can" acrylic and silkscreen on canvas mixed media artwork by artist Skyler Grey. Signed Skyler Grey © '19 above pearls on left recto.

Genre: Contemporary Subject: Nature Medium: Ink, Sandblasted Glass, Surface: Paper Country: United States Dimensions: 20" x 20" Dimensions w/Frame: 21" x 21" x 2" KEN APTEKAR (b.19...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

This piece is an original mixed media work on paper by David Bromley, done in 2016. Bromley created this piece and the others in the collection in collaboration with Andrew Weiss Gal...

La grande incognita (The great unknown) Collage elements with paint, paint and paper foil, 1964 1964 Created while the artist was studying at the Accademia d'Arte, Florence Signed an...

Mixed media on canvas

Abstract bronze ribbon sculpture created by William Robert Stevenson. The sculpture includes a beautiful wooden base that includes a plaque with the artist's name. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Genre: Avant-Garde Subject: Abstract Medium: Mixed Media, Acrylic Surface: Wood Country: United States Dimensions: 23.5" x 16" Dimensions w/Frame: 24" x 16.5" Reminiscent of the Art Brut work of french master Jean Dubuffet this mixed media piece pulls it all together in a great colorful composition. Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress...

True peace can only come through the surrendering of the heart. With a brushstroke of elegance and a palette of tranquility, my artistic aim in this series is to explore the transfor...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...