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Peter Voulkos
rare bottle with drawing

Circa 1951- 1954

$3,080List Price

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Rare Goose Bowl by Michael Simon
Located in Morton Grove, IL
OBLONG LARGE GOOSE BOWL (INV# NP3940) Michael Simon salt-fired stoneware and glaze 4.75 x 14.75 x 13.25” date unknown stamped Michael Simon (b. 1947 - 2021)...
Category

Early 2000s Contemporary More Art

Materials

Stoneware, Glaze

LARGE ABSTRACT BOWL (INV# NP3674) by Chris Gustin
By Chris Gustin
Located in Morton Grove, IL
LARGE ABSTRACT BOWL (INV# NP3674) Chris Gustin wood fired stoneware and glaze 10.25 x 15.25 x 13.25” 2003 signed
Category

Early 2000s Abstract Sculptures

Materials

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HEAD CUP (INV# NP5146) by Magdalena Suarez Frimkess
By Magdalena Suarez Frimkess
Located in Morton Grove, IL
Magdalena Suarez Frimkess stoneware and glaze 5 x 5.25 x 4.75” 2003 signed by artist
Category

Early 2000s Contemporary More Art

Materials

Ceramic, Stoneware, Glaze

"Large Hare Charger" by Ken Ferguson
By Ken Ferguson
Located in Morton Grove, IL
stoneware, glaze signed by artist
Category

1990s Contemporary More Art

Materials

Stoneware, Glaze

Untitled teapot by Suzuki Goro
Located in Morton Grove, IL
Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...
Category

Early 2000s Contemporary Sculptures

Materials

Stoneware, Glaze

Erotic YOBITSUGI STYLE VASE by Aaron Scythe
By Aaron Scythe
Located in Morton Grove, IL
YOBITSUGI STYLE VASE (INV# NP2717) Aaron Scythe porcelain, clay, underglaze, glaze 8 x 6 x 6” 2020 This vase is made of several different vases, cut apart and enameled back together!
Category

2010s Abstract More Art

Materials

Porcelain, Stoneware, Glaze

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“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...
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