
Folk Art Collage Painting "Letter in a Bottle" Carol Jablonsky Woman Artist
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Carol JablonskyFolk Art Collage Painting "Letter in a Bottle" Carol Jablonsky Woman Artist
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View AllFolk Art Collage Painting "Letter in a Bottle" Carol Jablonsky Woman Artist
Located in Surfside, FL
Carol Jablonsky (1939-1992)
Acrylic on canvas painting with collage
titled verso "Letter in a Bottle"
17 X 17 framed
10.5 X 10.5 sight
The image is whimsical and rather mysterious,...
Category
1990s Folk Art Abstract Paintings
Materials
Canvas, Acrylic
Large Venezuelan Modernist Abstract Oil Painting Machu Picchu Marius Sznajderman
By Marius Sznajderman
Located in Surfside, FL
Marius Sznajderman
Hand signed and dated lower right, with an inscription on the verso
40 X 30 inches
Oil or acrylic on canvas.
Machu Picchu is an Incan citadel set high in the Andes Mountains in Peru, above the Urubamba River valley. Built in the 15th century and later abandoned. The lost city of the Incas.
Expressively capturing the mystique of the famed Incan ruins, this 1983 exprerssionist painting by Marius Sznajderman, titled Machu Picchu Courtyard, showcases his signature blend of bold color and dynamic brushwork. The composition features a stylized interpretation of Machu Picchu's verdant landscape and ancient stone structures, rendered in an abstracted yet recognizable form. Sznajderman's use of undulating greens, deep blues, and earthy tones imbues the work with an almost dreamlike quality, emphasizing the spiritual and historical significance of the site. Marius Sznajderman was a French-born American painter, printmaker, and scenic designer. Born in Paris in 1926 to Polish-Jewish parents, he fled Nazi-occupied France in 1942, eventually settling in Caracas, Venezuela. There, he studied at the School of Fine Arts and co-founded the Taller Libre de Arte, an influential experimental art workshop. In 1949, he immigrated to the United States, earning both Bachelor and Master of Fine Arts degrees from Columbia University. Over his extensive career, Sznajderman explored themes ranging from Latin American culture to Jewish heritage, with his works held in numerous public collections, including the Smithsonian Institution and the Museum of Modern Art in New York.
Artist: Marius Sznajderman (French-American, 1926-2018)
Issued: 1983
Dimensions: 41"L x 31"H
Country of Origin: France/United States
Marius Sznajderman was a Jewish Venezuelan painter, printmaker and scenic designer living and working in the United States.
Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe.
He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...
Category
1980s Modern Abstract Paintings
Materials
Canvas, Oil, Acrylic
Modernist Gestural Abstract Color Field Painting Woman Artist Francine Tint
By Francine Tint
Located in Surfside, FL
Francine Tint (b. 1943)
Another Time
Thick acrylic impasto on board, 1999,
Hand signed 'Francine Tint' titled, dated
Inscribed 'To Piri, Enjoy Much Love' on the reverse.
14 x 15 1/...
Category
1990s Color-Field Abstract Paintings
Materials
Acrylic, Acrylic Polymer, Wood Panel
Contemporary Gestural Abstraction "Boat Moon" Color Field Painting Woman Artist
By Francine Tint
Located in Surfside, FL
Boat Moon, in vivid blues a range of blue tones on Arches Paper. not framed. Signed, titled and dated verso.
Francine Tint is a New York-based American abstract expressionist painter and costume designer...
Category
1990s Color-Field Abstract Paintings
Materials
Acrylic, Archival Paper
1970's Mod Surrealist Day Glo Fluorescent Acrylic Painting J. James Akston
Located in Surfside, FL
J. James Akston
Surrealism, Village scene (Mexico)
Acrylic on Board
Frame: 15 X 18
Image: 9 X 12
Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business.
Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019.
He was a Graduate of Georgetown University. He sat on the board of the Norton Museum.
Exhibitions
1976 Hokin Gallery
1966 Gallery 63 NYC
1960 Gallery 63 Rome , Italy
Select Public Collections
National Museum, Wshington DC
Boca Museum of Art
Whitney Museum of Art, NYC
Museum of Modern Art, NYC
Museum of African Art Washington DC (Now part of Smithsonian Museum)
Bibliography: 1962 Art...
Category
1970s Surrealist Abstract Paintings
Materials
Acrylic
Lyrical Abstraction Acrylic Painting Ronnie Landfield Color Field Abstract
By Ronnie Landfield
Located in Surfside, FL
Ronnie Landfield (1947- American)
"Untitled" 1982 Acrylic on Paper
Dimensions: Sheet 30" X 42" Frame 32 X 44
Hand signed and dated lower right
Provenance: Denman Associates, Seattle gallery
Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions.
Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965.
From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska.
In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press.
Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Paper, Acrylic
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