Folk Art Landscape Paintings

Outsider Folk Art American Mid-Century Naive WW2 Self Taught WPA Depression Era "Victory for Now" Ralph Fasanella (1914-_1997) "Victory and After,” gouache on paper. Signed, titled...

Magic realist fantasy painting in the manner of Ernst Fuchs and Arik Brauer. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Helen Foy Dreams of Old Pioneers, 20th Century Acrylic (?) on canvas 23 3/4 x 36 in. Signed lower right: Helen Foy Titled and signed verso: Dreams of Old Pioneers by Helen Foy Hele...

G. Kent Untitled, c. 1880-1910 Oil on canvas 10 x 12 1/4 in. 12 x 14 1/8 x 1 3/8 in. Signed lower right: G. Kent

Charming winter scene by folk artist Susan Northey Winch. I believe she comes from a family of folk artists from the northeast. Oil on board measures 14 by 11. Frame is 18 by 15.

Max Savy Oil on canvas painting depicting a village scene with winemakers in a vineyard by artist Max Savy (French, b. 1918). Signed in the lower right. Frame measures 24.5 inches x 28 inches. canvas is 18 X 22 inches., Perfect for a wine cellar or cave. Max Savy (French, 1918-2010) painted scenes of everyday life in the French Corbieres region, which garnered much success during his life. Though the artist remained silent about his early life, it's known his father instilled in him a belief in the humanist socialism philosophy of French Socialist Party leader, Jean Jaures. In 1938, at age 20, he moved to Carcassonne to attend school. There, he married and settled into a teaching position, joining the French Resistance during World War II and earning the Cross of the Combatant. After the war, he created the work for which he is most admired. Max Savy paintings are part of France's heritage collection, and the artist became a knight of the National Order of Merit in 1973. Max Savy's paintings and artworks include scenes of peasants in the fields. Max Savy was active/lived in France. Max Savy is known for folk art style painting of village architecture, vintners, figures in landscape, wine makers, marine scenes. His work is similar in style to the naive, folk art paintings of Michel Delacroix and Fanch Ledan. This is quite similar to a work I had titled "Les Vignes Aux Gitans" (the gypsy grape vines) So i assume this is also a vineyard painting...

Painting depicting Sun Inn or Sun Hotel, ca. 1880. Oil on academy board measures 8 x 10 inches. Signed lower right. Excellent condition. Unframed. The painting notes that the buil...

Acquiring an early 19th-century English painting of a hound or terrier in a landscape circa 1850 is an opportunity to own a captivating piece of art that not only celebrates the arti...

The artists reflection on her childhood days. Early autumn and picking apples. Acrlic on canvas. Unframed 18" x 14" 2022

Interesting and well done American modernist painting. Oil on board. Framed. Signed.

A Lands Five Ornaments, Health, Wealth, Fertility, Joy and Safety Oil, gold leaf on arches paper with a crackled varnish finish Image 5" x 7" Mounted 10" x 12" signed and dated low...

Will Moses (American, b. 1956) Turkey Trot, 2012 Oil on board 8 5/8 x 7 5/8 inches Signed lower right Soft, shadowy foothills dotted with traditional white farmhouses; weathered red barns tilted haphazardly on broad patchwork sweeps of green and hay-gold fields; small clusters of black and white cows grazing placidly in the distance…it's all part of Moses Country. And, the 200 year-old farmhouse, where Will Moses has his studio, is as solidly traditional as the surrounding landscape…the white house where the legendary Grandma Moses began her career. Born and raised here, in Eagle Bridge, New York, Will Moses creates paintings that reflect the quiet beauty of this tiny community nestled close to the Vermont border. Will has created a vivid, delightful miniature world, peopled with villagers who have stepped out of the past to charm us with their simple, everyday pastimes. As a fourth generation member of the renowned Moses family, painting is a natural tradition for Will, who began painting when he was four years old. Encouraged by his grandfather, a well-known folk painter in his own right, young Will was allowed to experiment freely with paints. Forrest K. Moses was totally committed to self-expression and passed this freedom of spirit along to his young grandson. Stimulated by his grandfather's confident approach, Will developed his own unique style of Americana. Today, Will continues to carry on the family tradition. Although his style is reminiscent of that of his celebrated great-grandmother, it is more complex and sophisticated. Basically self-taught, Will has honed his technique to capture all the most minute details in sharp-edged focus. It is a technique that has gained him considerable attention in art circles. Will Moses has had several well acclaimed exhibitions of his work in the United States, Canada and Japan. The Japanese are enthusiastic collectors of Will's art and Will has personally toured Japan with an exhibition of his work there. In North America, Will continues to make appearances at art galleries and folk art shows, meeting friends, collectors and admirers of his work. Recent public exhibitions of Will's work have taken place at the Cahoon Museum of American Art, The Everson Museum, The Bennington Museum, the North Shore Art Gallery and the President Ford and Reagan Libraries. Will continues his work illustrating and writing children's books. Philomel Books/Penguin Books for Young Readers, have now published ten books to date: Silent Night, The Legend Of Sleepy Hollow, Rip Van...

Additional Information: Provenance: Artist, part of collection of nearly 300 pieces bequeathed to his cousin, Robert “Buddy” Goeltz, thence by descent | Ashcroft and Moore, 4.28.2022...

Additional Information: Provenance: Artist, part of collection of nearly 300 pieces bequeathed to his cousin, Robert “Buddy” Goeltz, thence by descent Ashcroft and Moore, 4.28.2022...

Unknown Artist, Late 19th Century Signed: L.H. (Lower, Right) Along a Winter Path, c. 1880s Oil on Canvas 22" x 36" Housed in a 4" Ornamented Frame Overall Size: 30" x 44" An ...

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and flat naive style. Signed lower right. Provenance: Galerie Issa - Port-Au-Prince, Haiti - Owned by Issa El Saieh of later named El Saieh Gallery Sénèque Obin...

This is a masterfully executed wall hanging enamel on copper painting of Jerusalem. it is signed in Hebrew. Israel has had a Vibrant Folk Art, Naive art scene for a long time now art...

Therese James's has painted a view of her family's ancestral home town in Devon UK. The boat in the painting is named after her Mother and Great Aunt Acrylic on canvas

Signed: J. Birdsall (Lower, Right) Dated: 1919 (Upper, Right) " Sugar Bush ", 1919 Oil on Canvas Board 24" x 30" Housed in a 3" Walnut Frame Overall Size: 29 1/2" x 35 1/4" In...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

Girl with Sheep and Car is a oil on board landscape painting depicting figures and animals in a Folk Art style painted in the mid-twentieth century by Martin Saldana (1874-1965). Presented in a custom frame measuring 29 3⁄4 x 33 1⁄2 x 1 inches; image size is 19 1⁄2 x 23 1⁄2 inches. Painting is in good condition - please contact us for a detailed condition report. About the Artist: Born Mexico 1874 Died 1965 Born in 1874, Saldaña grew up at Rancho Neuvo in Mexico. In 1950, at the age of 76, he began attending children's art classes at the Denver Art Museum. For the next fitfteen years, Saldaña Imaginatively documented whimsical memories from his childhood in San Luis Potosi, Mexico, portraying ranch life, landscapes, and his great love of animals. The prolific artist painted every day, completing a new piece about every three days and amassing an impressive body of work for the former cook at the Denver landmark, the Brown Palace Hotel. Saldaña’s vibrant palette and geometric figures are reminiscent of the tapestries of his Mexican heritage and the paintings, primarily in oil, are innocent and endearing. Saldaña is considered to be a outsider artist, a folk artist who is self-taught, whose work is simple, direct, and high personal. Works Held: Denver Art Museum, University of Wyoming Art Museum, The Colorado Springs Fine Art Center, International Folk Art Museum, Neuss In Aberthor Museum, Stedelijk Museum ©David Cook Galleries...

From an exhibition created by the artist to celebrate the UK Miners strike from the 1980's These hard times for whole communities in the Welsh Valleys created a sense of togetherness...

Signed "Martha Cahoon" lower right. Provenance: private collection, Palm Beach Florida About this artist: Born of Swedish immigrant parents in 1905, in Rosindale, Massachusetts, Martha Farham Cahoon had a highly successful business partnership with her husband Ralph Cahoon...

Therese James and her ever popular happy school paintings. Reflecting a happy life on the Atlantic coast of Wales. A simple life which most of us dream of. Joyous Acrylic paint on a...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

This artwork titled "People of the Village" c.1980, is an oil painting on canvas by Hungarian artist Anton Kowalski, b.1926. It is signed at the lower right corner by the artist. The canvas size is 21 x 24 inches, framed size is 26.5 x 30.5 inches. Framed in original dark wood and green frame, with fabric liner. It is in excellent condition. About the artist: The artist was born in Sopron in Hungary in 1926. He was a student of the Academy of Budapest and during the uprising in 1956 against Communism he escaped from Hungary to Vienna where he now lives and works. He has become internationally known for his (typically East European style) “Naive” paintings depicting Village life in the four seasons in glorious color. Children especially like his works as each one tells a story. He has exhibited in many Galleries throughout Europe, particularly in Munich, Vienna, Tokyo, and Harrods in London. His work has been on permanent exhibition at the Stewart Gallery...

I think this is one of the finest paints Gustavo Novoa has done. It's from his early period in the mid-1970s. I am privileged to own it. The artist creates a dreamy world of magica...

In this painting, Robert Richter depicts a view of a hill in winter, with a tree and craggy rocks in the immediate foreground in high contrast to the grey-white of the recent snowfal...

In this painting, Robert Richter presents the viewer with a deep and vibrant field of red grass. Indeed, the term 'field' here is apt, as the large expanse of red in the painting see...

OIL ON CANVAS Shipping from Belarus, Minsk.

The artist of this painting is unknown but it can be ascribe to a Tuscan movement of the 20th century inspired by 19th century art like Verismo (as we can deduce by the clean and not...

The artist of this painting is unknown but it can be ascribe to a Tuscan movement of the 20th century inspired by 19th century art like Verismo (as we can deduce by the clean and not...

Juan Sisay (Guatemalan, 1921-1989) Untitled, c. 1950-1980 Oil on canvas with decorated frame 10 x 12 in. Framed: 13 3/8 x 15 1/2 in. Signed lower right: Jua...

The artist of this painting is unknown but it can be ascribe to a Tuscan movement of the 20th century inspired by 19th century art like Verismo (as we can deduce by the clean and not...

This retablo was purchased by the gallery in Mexico City. I knew the family that sold this retablo to me. The writing says" Puebla 1940,. It is a prayer to St. George thanking him that his dog saved him from being attached from a snake. He is is thankful that his dog was not bitten by the snake. Bernardino Pantoja This ex-voto is in excellent condition. It is framed behind conservatorship glass. The framed size is 14" x 15". The class should only be cleaned with ammonia free cleaner. An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ex voto suscepto, "from the vow made") or in gratitude or devotion. Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos. Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt. Especially in the Latin world, there is a tradition of votive paintings, typically depicting a dangerous incident which the offeror survived. The votive paintings of Mexico...

Dog and Basket 2017 Oil on panel 20 x 24 inches

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

Fantasy landscape naive art oil painting, signed, S. Smith, left side of painting.

Unknown Artist Untitled (Haitian Women Bathing), c. 1970 Oil on canvas 24 3/4 x 32 in. Framed: 30 1/8 x 38 in. Signed illegibly lower left

Here is an acrylic painting of African villagers returning home at sunset. Cameroon artist Angu Walters often paints idyllic scenes of traditional African village life. :: Painting :...

English Naive/ Folk Art School, 20th century oil on board, framed framed: 12 x 16 inches board: 11.5 x 14 inches provenance: private collection, England condition: overall very good

Artist/School: 19th century English Provincial School Title: The River Landscape Medium: oil on board, framed Size: 11.5 x 15 inches, frame 14.5 x 18 inches Condition: Very Good ...

A classic example of whimsical folk art done with raw and unbridled emotion for Israel and Judaism. Done in a Naive manner with beautiful Hebrew calligraphy drawing and vintage autom...

Micheal Ousley is a native of Appalachia, originally from the coalfields of Southeastern Kentucky. Having traveled all around the Western coal towns of Virginia, West Virginia and the Blue Ridge as well, he has formed a deep connection to the mountains. “My father was a coal miner and many of my uncles and cousins worked in mining or farming. I tend to view my paintings as ballads for the rough living and hardscrabble existence found in the Central Appalachian Coal region. The Media has always jumped at the opportunity to show poverty and decay in the coalfields of Kentucky. I view my work as being built around a pathos and understanding of the downtrodden and discarded; a poetry for the underdog.” - Mike Ousley

Snowy Mountain Chapel, Vintage 1970s Winter Landscape by A. Calton Charming winter landscape of a snow covered mountain chapel by A. Calton (American, 20th Century). This small-scale snowy scene is perfect for a quaint cabin or cozy winter home...

A breath of fresh air (Un soplo de aire fresco). Symbolic acrylic paint on panel Colorful Folk Art Landscape with figure. Dimension art cm.: (H) 43 x (W) 53 x (D) 6 cm. The pictu...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Here's a beautiful painting by the famous Cape Ann and Philadelphia artist, Emma Fordyce MacRae. It's in a custom frame that truly compliments the piece. 25x30 Oil on board; with frame brings measurements to 30x36 inches. Nice bold signature. This piece was featured in Cape Ann Museum show in 2008 - painting is published in exhibition catalog. The value of her work has really accelerated lately. She was one of the Philadelphia Ten...

Philip Castle was an Irish Painter and husband to artist Barry Castle He is rarely exhibited. His detailed, meticulous work took a long time to complete...

Fred E. Robertson (1878 - 1953) Swapping Horses, 1947 Signed and dated lower right Oil on masonite 12 5/8 x 24 inches Fred Robertson, like his more famous older sister, Anna Mary Ro...

Cliff top walk by Gordon Barker [2019] original and hand signed by the artist Acrylic on paper Image size: H:29 cm x W:29 cm Complete Size of Unframed W...