Charles Ragland Bunnell

1960s Abstract Oil Painting, Mid Century Modern Painting, Blue, White, Gray

1963

This captivating oil painting on burlap, titled "Winter Witches in an Upside World Interfering with Each Other", was created by renowned artist Edward Marecak in 1990. The piece is s...

"Parcheesi" is a captivating vintage 1990 semi-abstract oil painting on canvas by celebrated 20th-century Denver artist Edward Marecak (1919-1993). This unique piece reimagines the classic Parcheesi board...

"Untitled (Sacred Family)" is a powerful abstract oil painting on board by renowned American artist Charles Ragland Bunnell (1897-1968), created circa 1950. Signed by the artist in the lower right corner, this striking piece portrays an abstract interpretation of several figures grouped together, capturing the essence of human connection. The dynamic composition is enhanced by vivid, contrasting colors of black, red, blue, green, orange, yellow, and white, creating a sense of depth and movement within the piece. This exceptional painting is presented in a vintage frame with outer dimensions of 34 ½ x 29 x 1 ¼ inches, and the image size measures 23 ½ x 18 ¾ inches. It remains in good condition, showcasing Bunnell’s mastery of color, texture, and abstraction. Expedited and international shipping options are available—please contact us for a quote. About the Artist: Charles Ragland Bunnell, born in 1897 in Kansas City, Missouri, developed a deep passion for art from a young age. His early artistic explorations included drawing on walls and textbooks, eventually leading him to study at the Broadmoor Art Academy (now Colorado Springs Fine Arts Center) under the GI Bill in the early 1920s. After marrying fellow art student Laura Palmer...

This striking 1950s abstract oil on canvas painting, created by Henriette "Yetti" Stolz in 1956, features a captivating blend of brown, white, black, and gray tones. Signed by the artist in the lower right corner, the piece showcases Stolz’s modernist approach to abstract figurative art. The painting is presented in a vintage frame with overall dimensions of 42 ¾ x 16 ¾ inches, while the image size measures 42 ¼ x 16 ¼ inches. Provenance: Estate of the Artist, Henriette "Yetti" Stolz. The painting is in good condition—please contact us for a detailed condition report. About the Artist: Henriette "Yetti" Stolz, born in 1935 in Serbia, emigrated to Denver, Colorado, in the early 1950s with her family after WWII. She attended East High School before pursuing her art studies at Colorado College in Colorado Springs during the mid to late 1950s. While there, Stolz was influenced by modernist artists, including Mary...

Color, texture, light and shadow interplay in this dark jewel tone abstract by an unknown Bay Area abstract expressionist artist (American, 20th Century). Signed indistinctly ("Cydo"...

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

Stunning abstract Bay Area Figurative Movement piece titled "Napoleon's Ambition" by Katherine Barieu (American, 1917-2010), 1982. Signed and dated lower right corner. Presented in grey painted slat shadow box frame. Image size: 16"H x 16"W. Framed size is 17"H x 17"W x 1.50"D. Born in 1917, Katherine Barieau was among the artists associated with the University of California at Berkeley in the 1950s. She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage. The daughter of Scottish immigrants, Barieau was raised in Cambridge, MA. She graduated from Wellesley College (BA 1938) and later settled in California. Her art studies culminated with her enrollment in the art department at the University California, Berkeley (MFA 1953). A quote from a 1992 artist statement reads, "I was caught up in the wave of Abstract Expressionism and influenced by the riches in the Unconscious (I had a Jungian therapist). I have never ceased to experiment with media and searching to find how best to express inner ideas. It was wonderful to be exposed to established and active painters, to have a chance to study with experienced painters, to have friends who were also exploring and involved." Her teachers included John Haley, James McCray, Glenn Wessels and Felix Ruvolo. Her friends included fellow UC students Paul Wonner, Theophilus Brown and Jerrold Davis - as well as Richard Diebenkorn after this return to Berkeley in 1953. Barieau also studied with the California watercolorist Alexander Nepote, and with the New York School Abstract Expressionists Esteban Vicente and Kyle Morris...

"One" is an original oil painting on canvas by Alayna Rose, signed in the lower left. In this composition, Rose has abstracted the side-profile of a head by filling it with an array ...