Jim Bird

Jim Bird - Photolithographie

1972

Jean-Paul Baret - N°1736 - 2017 Title : N°1736 Year of creation: 2017 45 x 90 cm Techniques : Ink jet printing Media: Hanhemulhe Paper 308g Edition 2/7 (limited edition of 7) Signed,...

Jim Bird - tribute to Vasarely 16 Photolithography 1972 Signed and numbered 58/75 Paper size : 68x68 Image size : 61x61 Perfect condition Published by Poligrafa, Barcelona 290€

Photolithography 1972 Signed and numbered 6/75 Paper size : 68x68 Image size : 61x61 Perfect condition Published by Poligrafa, Barcelona 290€

As a call to the elevation of consciousness, to live the present moment, in consciousness. Acrylic, markers, blanco, posca on unframed black canvas, unique. An atypical journey..., M...

Solar work and full of energy, captivating. Acrylic, markers, blanco, posca on unframed 3d canvas, unique. An atypical journey..., Manitoba by the name of an artist, born in 1966 in ...

Artist : Elisa Casbas Title : "Le marchand de bonheur" Technique : Collage (sticking) Dimensions : 65x50 cms Oeuvre signé par l'artiste avec certificat d'...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse