Mercedes Matter

"Deer Isle, Maine"

c. 1957

Jim's of Lambertville is proud to offer this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Jim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...

Jim's of Lambertville is proud to present this artwork by Solomon Ethe (1924 – 2019) Solomon Ethe was born on June 22, 1924. A native New Yorker, he rece...

"House, and Flowers, and Moonlight," an original oil on canvas by Ralph Rosenborg, is a piece for the true collector. In 1988, Louise Nevelson wrote: "Ralph Rosenborg was the first recognized pioneer whose experimental art announced the coming of Abstract Expressionism in the United States during the mid-1930s. Rosenborg was the first to introduce and instruct Jackson Pollock on Abstract Expressionism while at the Non-Objective Painting Museum in the early 1940s, which became the Guggenheim Museum. Ralph Rosenborg is The American Artist. Rosenborg produced daring artworks and explored the possibilities of movements that are expressive of ideas, sensations and passions intended to provoke pure emotions." Both the technical talent of Rosenborg and his choice of subject matter pair perfectly with custom wood frame. This masterful work is perfect for those who have an affinity for abstracts, abstract expressionism, landscapes, and color-rich works. This Rosenborg painting has an important history, with the rare provenance of moving through both Sothebys and Christies auction houses, as well as two notable dealers including Nat Halper and H. Marc Moyens. Full provenance details are outlined below. Artist: RALPH ROSENBORG (1913-1992) Title: HOUSE, AND FLOWERS, AND MOONLIGHT Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED AND DATED BY ARTIST LOWER RIGHT AND ON VERSO Year Created: 1957 Country of Creation: UNITED STATES Canvas Dimensions: 22.25 x 28.25 INCHES Frame Dimensions:* 33.25 x 39.25 x 1.875 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY RALPH ROSENBORG IN GREAT CONDITION AND FEATURING ITS BEAUTIFUL CUSTOM WOOD FRAME. ORIGINAL ARTIST LABEL IS AFFIXED TO VERSO, AS WELL AS SOTHEBY'S AND CHRISTIE'S LABELS. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED Provenance: CHRISTIE’S, NEW YORK, JAN 12, 2010 COLLECTION OF H. MARC MOYENS SOTHEBY’S, NEW YORK, APRIL 1, 1998 COLLECTION OF NATHAN (1907-1983) & HELEN HALPER (1908-1996), MA HCE GALLERY, PROVINCETOWN, MA (OWNED BY NATHAN HALPER) About the Artist: Ralph Rosenborg, an American painter, was known for his abstract paintings that inclined not toward geometric form, but rather the interpretation of nature. Rosenborg was born in New York in 1913, his talent for the fine art appearing early. While still in high school, he won a scholarship to classes at the American Museum of Natural History, meeting Henriette Reiss, who he continued to study under privately well after the classes ended. Reiss had worked with Wassily Kandinsky earlier in her career, and as such introduced Rosenborg to the vast arena of vanguard European ideas, as well as provided him a broad-based instruction in music, literature, and art history. After four years, Rosenborg was ready to exhibit. He did so initially in group exhibitions at ACA Galleries, and later in Mayor La Guardia’s 1934 Mile of Art at Radio City. He quickly gained notoriety, and began to show frequently throughout the 1930s, leading up to his first solo exhibition at the Eighth Street Theater...

Why The Long Face is an artistic collaboration by painters Mark Wilson and Paola Zarate where they painted simultaneously, often finishing each other's brushstrokes. The piece challe...

Blue Tarp, oil on canvas, 60 x 50 in. (unframed, gallery-wrapped canvas). Oonju Chun’s large abstract expressionist paintings delightfully employ the basic...

Parallel Construction, oil on canvas, 48 x 54 in. Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...