Petra Schott

Pleasant Thoughts

2021

Derek Hyatt (1931-2015) Twelve Apostles, West Yorkshire Oil on board 30.6 x 29.3 cm.; (within frame) 45.8 x 43.4 cm. Provenance: The Margaret Bailey collection (1930-2022); Priva...

Alfred John Billinghurst (1880-1963) From The Studio (Snow), c. 1920-40 Oil on artist’s board Titled and signed verso The panel stamped with a Blanchet su...

John Alexander (Scottish, 1686-1766) Portrait of George Gordon, 7th Laird of Buckie (Scottish, 1707-1756), c. 1743 Oil on canvas In a carved ebonised frame, with gilded inner slight...

British, c. 1940-50 Tombstones in a country graveyard With a study of two herring verso Signed in initials with brush handle lower right, ‘R.M.’ Oil and graphite on board 30.3 x 37....

Punk (Abstract painting) Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he respond...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Dreaming of Wildflowers" by Cat Tesla is an abstract explorat...

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker