American Impressionist Abstract Paintings

"Fields Aglow" is a 36x36 acrylic painting on canvas by artist Edward Rittenberg. Featured is a blooming garden full of flowers layered over an expressive blue background. Each indiv...

This painting is focused on innovation, color, texture, and humor. Loosely painted farm animals w colorful brushwork, w reds, greens. Happy, funny, and ironic presentation of pigs.

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Kevin Weckbach's (US based) "Deep Blue" is an original, hand made oil painting that depicts an aerial view of expansive land with a blue patterns from a water source with sectioned ...

Sometimes, while walking, a cluster of color catches my eye on the street. It was a warm Fall that year, and I was shocked how rich and deep, the color of the dead leaves were on the...

A small 4 x 11 inch oil painting by American Impressionist Nelson Holbrook White. Painted thickly with a palette knife, White uses the texture of the paint to accentuate the subjects...

An oil painting of a sunset over the sea. Light ripples out from the bright yellow sun, in curved brushstrokes. Waves splash against rocks as they approach the shore. The sea reflects the bright sky above, creating a light green sheen upon the waters surface. The horizon is met with purple hills in the distance. Framed in a simple 1-inch black flat frame (as pictured). Framed dimensions: 38 x 42 inches Painting dimensions: 36 x 40 inches Tim McGuire...

Acclaimed artist Topher Straus brings Yosemite National Park's Half Dome into stunning focus with this captivating digital landscape. Straus' passion for the outdoors shines through...

Painted en plein air at Torre Del Lago, Italy, Dark mountainous boulders stand firm alongside a whimsical, soft, colorful sea in this larger scale oil painting by Nelson White. White uses his palette knife to create his recognizable strokes, this time in purple tones—a less common color pallet than usual for White. Framed in a black, blue, and gold traditional wood frame. Framed dimensions: 29.25 x 38.75 inches Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...

An oil painting of a dirt road, surrounded by greenery and trees, soaked in sunlight. An abstract depiction of the artist's pathway home on Shelter Island, NY. Framed in an Italian...

"The Poppy Field" is an American Impressionist painting of a beautiful poppy field in Italy. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore...

Painted en plein-air in Italy, Nelson depicts a beach, sanding in the foreground, and then diagonally runs a shoreline, The horizon is met by a dark, mountainous, landform, and sits ...

"Pink Reflection" is a dreamy contemporary American seascape in blue and pink oil paint. 31.75 x 37.5 inches framed Kelly Carmody’s work has been widely exhibited and collected. On...

"The Yellow Umbrella (Buono Bouniamici)" is an impressionist landscape painting of a picturesque Italian beach. A Yellow Umbrella painted en plein-air ...

"The Brooklyn Bridge" is a contemporary Impressionist landscape in New York City Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore...

An oil on wood panel sketch of a horse, on a sunny day. The horse stands before a bright green field. Wood panel remains exposed as your eye drifts away from the center of the painti...

This large limited edition modern mountain landscape painting of Haleakala National Park, is a bold vivid work of contemporary art. The large-scale digital painting, dye-sublimated ...

This colorful floral impressionist painting, "Lets All Sing" by artist Lisa Palombo is a 36x72 acrylic painting on canvas. Depicted are...

Mark Milloff (b 1954) is an internationally exhibited American painter and art professor. He is best known for his heavily layered oil paintings. Beautifully rich layers of thick wh...

This large limited edition modern abstract animal painting titled Elephant Eyes, is a bold vivid work of contemporary art. The large-scale digital painting, dye-sublimated onto alumi...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...