Suzanne Vattier

Mid 20th Century French Fauvist Painting - Amazing Colors - pupil of Andre Lhote

1970's

'Abstract Figure' Suzanne Vattier, French 1901-1996 dated 1973 gouache painting on artist paper, framed size: 20 x 25.5 inches Fabulous 1970s abstract goauche painting. The colours ...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 19.75 x 25.75 inches Fabulous 1970s abstract goauche painting. The colours...

'Abstract Figure' Suzanne Vattier, French 1901-1996 signed gouache painting on artist paper, framed size: 10 x 13 inches Fabulous 1970s abstract goauche painting. The colours used i...

'Lungomare Le sain' Suzanne Vattier, French 1901-1996 signed and dated on back 1973 inscribed verso gouache painting on artist paper, framed size: 19.5 x 25.5 inches Fabulous 1970s...

CLAUDE GAVEAU (1906 - 1970) A beautiful and large signed oil on canvas by the important french painter Claude Gaveau. The work is signed upper right and unlined and unrestored on...

5-2928Oil on canvas Displayed in custom wood frame, signed by Martino Image size 24x20"

Vibrant fauvist portrait of a woman by Sarena Rosenfeld (American, b. 1940), 1995. Signed and dated lower right hand corner and on verso. Titled "Smoke and Mirrors." Gallery wrapped ...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...