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Victoria BarrSpirit (mid century modern abstract painting by artist daughter of MOMA founder)1974
1974
$2,000
£1,518.65
€1,736.69
CA$2,794.29
A$3,107.86
CHF 1,622.83
MX$37,819.36
NOK 20,725.99
SEK 19,437.32
DKK 12,961.56
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About the Item
Victoria Barr
Spirit, 1974
Crayon on Paper
Signed and dated lower right front
Frame included
Provenance: Fischbach Gallery, New York, NY
This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time.
Measurements:
Framed:
23 inches x 29.5 inches x .5 inches
Artwork:
23 inches x 29 inches
Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy in Milton, Massachusetts. After high school, she briefly attended Radcliffe College (1955–1956). Then she studied at the Parsons School of Design, and took classes in art history from Leo Steinberg and in color theory from Si Sillman, who was Josef Albers' studio assistant at Yale After meeting Sillman, Barr decided to attend the Yale Art School, graduating in 1961 and took painting classes from Neil Welliver, then with Albers, another one of his assistants Cy Twombly, as well as Bernard Chaet and William Bailey. In 1964, she traveled to Paris, France on a Fulbright scholarship, along with fellow artist and Fulbright scholars Nancy Graves, who would later marry Richard Serra who joined their group in Paris, and Philip Glass After two years in Paris, she returned to the US in 1966 and got a job at the Museum of Natural History in the exhibition's department for a year. Barr later taught courses at Hunter College and at Barnard.
- Creator:Victoria Barr (1937, American)
- Creation Year:1974
- Dimensions:Height: 23 in (58.42 cm)Width: 29.5 in (74.93 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good vintage condition; there is some overall toning (discoloration) to the paper (please review close up photos) but the image itself is strong.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745211739122
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Untitled, 1965
Acrylic and collage on board
Hand signed on the front
Frame included: held in original vintage frame with original gallery label
Unique
Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso)
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Measurements:
Image:
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Framed:
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
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