Oil Crayon Mixed Media

Title: Signal & Form By Murray Duncan Mixed media on paper Size: 32" × 44 Unframed, signed An energetic abstract composition combining expressive drawing with geometric motifs and ...

Lighthearted by Murray Duncan Lighthearted is a large-scale abstract painting that brings together a warm, earthy ground with expressive line, gestural movement, and softly contrast...

Untitled #537 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

Easy On By Murray Duncan Mixed media on canvas Size: 36" × 36" Unframed, signed Easy On by Murray Duncan is a striking abstract composition that balances bold gestural lines with ...

Light Thoughts, 2024 Mix Media on artist board Size - 72" height x 84" width x 1.75" depth Signed Murray Duncan is a self-taught creative visionary. Know for his large-scale, expres...

Title: Structure Study I By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Bold gestural brushstrokes sweep across a warm monochromatic ground, reducing abstra...

Field Notes I By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed A richly layered mixed-media composition built through gestural graphite, charcoal, and earth-to...

The palette of Wave exudes a soothing, earthly, elegance. Working with a new medium and a new palette, Teichert is communicating with us more subtly than ever before: her line, while...

Easy Over, 2025 By Murray Duncan Mixed media on canvas Size: 36" × 36" Unframed, signed Easy On by Murray Duncan is a striking abstract composition that balances bold gestural line...

Untitled #SP-215 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Untitled #SP-208 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Untitled #535 by Murray Duncan – Contemporary Mixed Media on Paper Size: 32" x 40" Unframed, signed on the back A striking exploration of form and movement, Untitled #527 by Murray ...

Soft rays of white pigment filter out from the pulsing line and lead our eyes into fields of colour that are so fresh and so deep that you may have gotten lost in them were it not fo...

Work : Original artwork inspired by the Impressionist style, Unique Work executed entirely by hand by the artist. Subject : May Green (Title) The piece celebrates springtime renew...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Field Notes II By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed A richly layered mixed-media composition built through gestural graphite, charcoal, and earth...

Composition #8 lets its materials argue with each other. Above, oil stick and acrylic move with total fluidity, translucent washes of coral and turquoise pooling against a single wir...

Eve, By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Eve is an elegant abstract composition that explores the relationship between line, form, and negative s...

Crossings IV, By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Part of a series of four. Crossings IV explores the relationship between line, structure, and ...

This colourfield, awash with peony pink, suspends a grey wave that appears as though it is passing through. Working with a new medium and a new palette, Teichert is communicating wit...

Moss Studies I–IV is a series of four original mixed media works on paper by Canadian artist Murray Duncan. Inspired by the quiet rhythms of nature, the collection explores organic f...

Crossings I - By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Part of a series of four. Crossings I explores the relationship between line, structure, and sp...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, circa 1965, apparently unsigned, wood frame. Image: 10.5" H x 7.25; frame: 11.75" H x 8.25" W ...

Got Blues?

"I chose a very simple form to work with in the "Gridish" paintings– a grid of rectangles. Content never interests me much, and I don’t spend time thinking about it. I’m interested i...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, 1965, male and female figures, signed and dated low center, signed, to verso, wood frame. Im...

The Black Gesture Series is a collection of four original mixed media works on paper by Canadian artist Murray Duncan. Each composition explores the expressive relationship between b...

Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was creat...

Crossings III, By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Part of a series of four. Crossings III explores the relationship between line, structure, an...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front This is a unique work Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

The energy of the oblong orb is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as it reaches the top. Housed in a rich cerulean blue the mass of energy is ever-so-slightly tethered to the bottom through the suggestive grounding of the green line...

Gigi Mills utilizes oil paint to create works that prompt the viewer to contemplate the beauty in everyday things. By reducing each moment to its essential components, Mills subtract...

Berlin wanted to pay tribute to the great American President George Washington. This piece reflects the colourful glory of Washington refusing to become King of his country and estab...

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

Omnipresent immerses the viewer in fields of soft blue and mango orange. These fields are divided and joined by a tonal grey undulating mass that takes one through the painting like ...

Just like its counterpart, Becoming I, the energy of the oblong orb in Becoming II is viscerally palpable as it rises and appears to unfold and extend outside of the canvas plane as ...

Title (FR) : Fleurs du jardin This original artwork features a delicate arrangement of yellow, purple, and pink flowers displayed in a slender glass vase. Executed with refined color...

Collage, oil stick, vinyl, enamel, spray paint and glass Collage or other Work on Paper Hand-signed by artist Frame: Included This work includes a certificate of authenticity.

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium...

Misty Morning Winter Trees Landscape with Pinks & Purples by British Artist, Gabrielle Craven Mixed Media on Board Art measures 20 x 11 inches Fram...

The paintings I create are referential. Through process and symbol, I use heavily affected information as context in which to introduce contemporary concept and question. The p...

Mixed media on canvas by listed American artist Scott Covert (b. 1954). Using oil wax crayons, Covert makes detailed rubbings of monuments, then adorns them with colors and marks and...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Abstract artwork containing multitude of cooler colors.

Work : Original & Handmade artwork, Unique Work executed entirely by hand by the artist. Subject : Lac dans un paysage (Title - FR) / Lake in a landscape Original contemporary l...

The grand scale of Metamorphosis Duo has a magnified cellular quality - as though they are strands of DNA recombining and bringing forth new life. The primary colours used here reinf...

Bright white and radiating heat, and somehow contentedness, Helio shines like the sun on a blissfully hot summer afternoon. Teichert's painterly line, like the smooth, continuous, os...

This painting feels like a spark of creative energy—bold, vibrant, and full of movement. A glowing field of orange shifts into a hot salmon pink, its intensity heightened by a centra...

An eye-catching acidic green transforms into a deep blue beneath the turbulent gray and black energy field. Through the centre of the field are interwoven lyrical lines that come fro...

'Peek-a-boo Ghost in Spring" by Adam Handler. 34 x 40 in. Oil stick and pencil on linen. This painting by contemporary artist Adam Handler features a light pink and yellow palette. T...

Title (FR) : Glycine A delicate drawing depicting a cascading wisteria cluster, created with colored pencils and oil pastels. Soft layers of violet and pink tones bring depth and lum...

Title (FR) : Luxembourg This original drawing by Gabriel Riesnert (Luxembourg) presents a delicately arranged floral bouquet in a soft pink vase. Created with mixed media on toned pa...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...