Vertical Animal Paintings

Signed lower right, 'Leslie H. Van Nimwegen' (Dutch-American, born 1951) and painted circa 1990. A large oil landscape showing a group of male big...

This is a story about a couple of horses, rendered in the impressionist style with a palette knife. The painting tells us a story as vivid as the strokes that bring it to life. Again...

Work on canvas mounted on cardboard

Nocturnal Melody 2 is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian Ink, pastel and acrylic; etching on cardboard mounted on stretcher; dime...

Banwari Lal Jangid Mewar School, Maharaja on horseback with guards Size: 37.2 x 28.2 cm Natural Pigment on Handmade paper 20th Century This is a fabulous miniature painting by one ...

Artist: Slonem, Hunt Title: Divine Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Edition: ...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

Title: Puppy's Family Series II Medium: Oil on canvas Size: 18 x 17.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Jiao Wang...

A really charming and beautifully executed study of a horse by this very talented artist. A most attractive picture of this noble creature in ready to hang condition Rafael Mckenzi...

Pseudo Hercules, 2021 acrylic on canvas, 78 ⁴⁷/₆₄ H x 47 ¹/₄ W inches 200 H x 120 W cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Sunil Das - Old Horse 11 x 9 inches (unframed size) 18 x 16 ( Expected framed size) Pastel on Sand Paper Circa, 1958 ( Delivered framed ) A very old unique and rare work by the M...

This whimsical and sophisticated painting was realized by the esteemed contemporary painter, Hunt Slonem in 2016. It presents a stylized rabbit in profile, rendered with loose and ex...

The painting "White Horse" (50x40 cm), made in a vertical format, is an expressive drawing with a unique effect of burnt edges and coloring the background with strong coffee, which g...

Title: Epitome Giraffe Africa Colorful Striking Abstract Nature Investment Bold Joy This work is part of a series. It is part of my story... It portrays my truth, abundant energy, ...

Artist: Slonem, Hunt Title: Audrey Kiss Date: 2022 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed by Artist on Verso Edition:...

Artist: Slonem, Hunt Title: Pink Panther Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed by Artist on Verso Edition...

The edges are painted The painting was part of an exhibition 'Ancestral call' in Switzerland The "Melancholy" series of paintings reveals the inner world of a person lost in his own emotions. When inner reflection takes precedence over life itself we strive to uncover our essence and understand who we truly are. This collection delves deep into reflections on self-discovery and one's nature. The paintings are imbued with sadness and quiet serenity, while the blue and purple color palette emphasizes the magical and unreal quality of the scenes depicted. The symbolism of horses in the paintings embodies inner forces that can be either wild and untamed or tamed and controlled. It reflects the struggle with inner conflict and ambiguity. The artist hopes that viewers will reflect on their feelings and inner contradictions while contemplating these paintings. Whether they fear sorrow or, on the contrary, seek constant joy without understanding the potential for growth hidden in melancholy. The purpose of this series is to encourage inner exploration and answer the question of whether melancholy is a problem or a path to emotional growth. The artist believes that the heart of melancholy may be a key to a deeper understanding of oneself and one's emotional landscape. ABOUT ARTIST Olha...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Artist: Slonem, Hunt Title: Moreover Golden Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso ...

Carrie Goller's (US based) "Thelonious" is an original, handmade mixed media and encaustic painting that depicts a portrait of a chipmnunk. This piece is unframed yet ready to hang. ...

Autumn landscape cardboard/oil, 50.5x35.5 cm

Signed verso, 'France. Sundsten' for Francesca Sundsten (American, 1960-2019), titled, 'Monster Sheephead' and dated 2002. Accompanied by original receipt from Davidson Gallery. Fra...

Hunt Slonem "Midnight Blue" Single Bunny A single rabbit gestured in black on a dark blue background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is...

Etienne Cail (B.1991) Léopard, Atelier 1 Huile sur toile signée et datée au dos 160x 120 cm / 63 x 47.2 inches 2018 LE TABLEAU SERA EXPEDIE ROULE, IL FAUDRA LE FAIRE REMETTRE SUR CHASSIS. CONTACTER LE VENDEUR A CE SUJET POUR TOUTE QUESTION. Etienne Cail est né en 1991. C’est dans le cadre de l’atelier deSèvres, qu’Etienne Cail conforté par ses pairsdécidera de prendre son envol dans le mondedes peintres.Nous somme en 2009, il n’a alors que 18 anset affaire rarissime il a déjà trouvé son style,sa « pâte ». Après la représentation de l’atelier qu’il a réalisé sous tous les angles, EtienneCail s’est engagé à construire « ses gueules »,des adversaires qu’il défiera à grand coup de pinceaux. Au coeur des ateliers de cette Chine actuelle il découvre cet art à la fois puissant et subtil. Ici, les rebelles du monde de l’art ne sont pas des dissidents au sens strict du terme, ils se battent pour l’indépendance de la création dans un pays où la liberté est encadrée. Cette capacité à créer une force intelligible malgré ces contraintes force l’admiration du jeune peintre qui se retourne sur d’anciennes provocations artistiques qu’il jugera dés lors trop faciles.Dés son retour en France, la création d’une nouvelle série de portraits appuient déjà cette nouvelle maturité et un nouveau projet prend parallèlement vie autour d’un songe: si tous les grands moments de l’histoire et les plus grands chefs...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in black folder/ thick paper, unframed drawing: 11.75 x 18 inches overall size: 19.75 x 13 in...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a deep purple lavender background with thick use of...

GROWING UP (#3) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on a Sapphire Blue background with thick use of paint....

Oil Painting Pair by Robert Watson "Highland cattle and Sheep in the Glen" A Cheshire painter of Highland cattle and sheep represented in the Harris museum Preston. Both oil on canv...

Sara Scribner's (US based) "Their Song Welcomed the Night" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in ...

Oil painting on panel portrait of an American eskimo dog 20Th c. The American Eskimo Dog is a breed of companion dog, originating in Germany. The American Eskimo Dog is a member of ...

In this contemporary interior painting in acrylic on canvas, a black cat sits on the bed in a room with an air conditioner in the window, trees outside the window, and patterned wall...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

This Blue Dog work consists of a green and brown background There are 2 dogs; 1 black and white and 1 blue. Both animals have soulful yellow eyes. This pop art animal original Oil...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

"Koi Fish II" is an original oil painting on linen by Leslie Parke. The artist signed the piece in the lower right. This hyper-realist painting depicts a school of multi-colored koi ...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Hunt Slonem "Untitled" Pink Bunny A single rabbit gestured in black on a light pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting is fra...

The Mountain Pass Italian School, 19th century signed initials oil on canvas, framed framed: 13 x 11 inches canvas: 10 x 7.5 inches provenance: private collection, France condition: ...

Bull XII is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Hunt Slonem's artistic trajectory has always been characterized by a deep exploration of spiritual themes. His use of repetition in form—particularly with his beloved bunnies—serves ...

Signed By The Artist on the Bottom Left

6005 Vintage oil painting of an exotic plumed bird set in a bed of colorful flowers. Canvas set on wood board . Set in a vintage hand painted red wood frame' Image size 10.5x1...

This Blue Dog work consists of a solid light blue dog sitting on the white background with red banner flags. The dog's face is multi-shaded in blue with its signature soulful eyes. This pop art animal original mixed media silkscreen and oil on canvas is guaranteed authentic and hand signed. Artist: George Rodrigue Title: Blue Dog “Original...

Artist: Slonem, Hunt Title: Tansy Date: 2020 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 12.5" Signature: Signed Verso Edition: Unique Hunt Slo...

Artist: Slonem, Hunt Title: Hare Today Date: 2021 Medium: Oil on Wood Unframed Dimensions: 14" x 10" Framed Dimensions: 20" x 16" Signature: Signed Verso Edition: Unique Prove...

Arriving at Shannon on a golden evening, you aim toward the lush and dreamy County Sligo, nestled into the Irish landscape. You head north and west through the rough and beautiful te...

Artist: Slonem, Hunt Title: Spotted Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Un...

Oil on board realized by Sirio Pellegrini in 1967. Hand signed. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childho...

The Martyrdom of Saint Ignatius of Antioch in the Circus during the Celebrations for Emperor Trajan - Russian School of the Mid-19th Century Signed on the lower right. TITOV? Dated 1...

Toying (e.g., rider on toy horse) with violent threats is not wise. The sounds (e.g., horn) of violence (e.g., spear and leopard) will never overtake wisdom (e.g., owl and pearl). This masterfully painted surrealist artwork draws in the viewer with its extraordinary detail. The artwork is framed. Christopher A. Klein Wisdom Trumps...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Renowned artist Hunt Slonem's "Mint" is a 30x24 metallic silver scored oil painting on wood board of contemporary abstract butterflies in white and green. *Painting is framed - Ple...

Portrait of a Monkey with Wine Jug Zacharias Noterman (Belgium & France 1824-1890) Initialed "Z N" l.r. Oil on board 8 x 6 inches PROVENANCE: Galerie Tamenaga, Paris (label verso); Louvre des Antiquaires, Paris; Berman Swarttz, Los Angeles, California, Marcella Swarttz, Beverly Hills, California     8 x 6 inches Zacharias Notermann (1820 in Ghent – 1890 in Paris) was a Belgian painter and printmaker who specialized in scenes with monkeys engaging in human activities (the so-called singeries), as well as in paintings of dogs. He also produced images and scenes of traveling circuses. Zacharias Noterman was born in Ghent in the family as the son of an artist-decorator. He was originally trained by his older brother Emmanuel Noterman, genre and animal painter active in Antwerp. Noterman continued his art education at the Academy of fine arts Antwerp. Zacharie Noterman...

Enchanting 18th century Indo Persian gouache painting on paper from a manuscript of a rare and possibly extinct bird with description. Presented under glass in a painted wood frame.

Original art by Daria Kusto. Acrylic , acrylic spray on canvas Shipped rolled in a tube, From Spain.

Hane paints a dreamy nocturne - a fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. For example if you bring the painting outside on a bright day.. the colors will pop. If you view inside of a dark hallway.. it will look sombre with less detail. Again, it's a nocturne. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...