Vertical Animal Paintings

Farmyard Chickens signed by Y. Blanchon, French 1950's Impressionist watercolour on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of ...

#5-3044 West Indies ,Culebra island of Puerto Rico ,oil on artist board, displayed in a wood frame, signed backward by Ericson 1936.

#5-2977 Best Friend,oil on canvas applied to a board, signed by E.Biba lower left ,displayed t in a gilt wood frame. Age wear on the frame

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

This piece is a diptych. Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a B...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light blue background with thick use of paint. It...

Blue Dog by George Rodrigue, 1995, oil or acrylic on canvas, 14x11 unframed, offered framed. (#95101) A stunning original Blue Dog in a pa...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

Artist: Slonem, Hunt Title: Sideways Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Provena...

Henry Robinson Hall. English ( b.1857 - d.1927 ). Highland Cattle in Scottish Upland Pasture, 1891 Oil on canvas. Signed lower and dated lower left. Image size 23.4 inches x 15.4 inc...

Renowned artist Hunt Slonem's "Nightwatch II" is a 10x8 black background and white rabbit oil painting with diamond dust on wood board of a contemporary abstract rabbit in his choice...

Markers & acrylic on paper Shipped well protected, unframed I can do commissioned work of any technique, style and size, contact us without obligation i can ship several drawings t...

Artist: Slonem, Hunt Title: Hare Houston Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Pro...

This painting by artist Ray Simonini titled "Lucy" is a 16x8 farm animal oil painting on canvas featuring a portrait of a white goose against ...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

This is a one of a kind original oil on panel surrealist painting by San Diego artist, Kelley Sutphin. Its dimensions are 14.4"x26.4"x1.5". It is framed. A certificate of authenticit...

Training the New Puppy by Henri Charles Antoine Baron (1816-1885) oil painting on panel, period gilt frame with name plaque panel: 13 x 9.5 inches provenance: private collection, Fra...

This painting by artist Ray Simonini titled "Savannah" is a 36x24 farm animal oil painting on canvas featuring a portrait of a brown and white...

This unique painting on canvas is from my ongoing Snoopies series I began making in 1999. The two large color fields of blue are a metallic paint, each a different blue. The processi...

This painting by artist Ray Simonini titled "Cinnamon" is a 10x8 farm animal oil painting on canvas featuring a portrait of a cinnamon colored...

Artist: Slonem, Hunt Title: Toad Hall Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Proven...

This painting by artist Ray Simonini titled "Penny" is a 16x8 farm animal oil painting on canvas featuring a portrait of a pink pig against a ...

Vintage modernist still life with a cat. Oil on canvas. Framed. Signed.

Master painter of this genre, George Armfield is renowned for his depictions of dogs in the chase. Here a pheasant sails safely above their heads, while the dogs enjoy the chase belo...

This painting by artist Ray Simonini titled "Looking at You" is a 10x8 farm animal oil painting on canvas featuring a three grazing cows in th...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the surface but nothing detrimental to ...

Artist: Slonem, Hunt Title: Guild Hall Lawn Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique ...

This abstracted painting of a Pit Bull dog features a loose, energetic style and a warm neutral palette. The artist layers wide brush strokes and thin, swirling lines to create the d...

LE ROY Jules Gustave (1853 - 1922 ) Cats in Interior Oil on canvas signed low right Old frame gilded with leaves Size canvs : 41 X 33 cm Size frame : 51 x 63 cm LE ROY Jules Gustave (1853 - 1922 ) 19th-20th century - French painter Jules Le Roy or Jules Leroy was born the 22th of December 1853. Dead in 1922 according to the Roubaix Museum Wildlife artist. He mainly painted cats...

Artist: Slonem, Hunt Title: Sinatra Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 13.5" x 11.5" Signature: Signed Verso Edition: Unique Prov...

White Cat and Morning Glories by Lu Haskew Watercolor Painting 24x18" image size 30x25" framed (behind glass) Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career that lasted 17-years. Beginning in 1992, she studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike...

"Calling for Rain" is an original oil on linen painting by Texas Artist Robert Fobear and measures 60x48 inches. This stunning piece captures the essence of autumn with its vibrant g...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

"Northwood Lane, Devon" by W. Cartwright (British exhibited between 1875-1899) titled to frame plaque oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenan...

Artist: Slonem, Hunt Title: Blue Run Series: Bunnies Date: 2021 Medium: Oil on wood Unframed Dimensions: 8.5" x 6.5" Framed Dimensions: 10.5" x 8.5" x 1.5" Signature: Signed ...

Oil on canvas, signed and dated 18'92' lower left Image size: 23 1/2 x 15 3/4 inches (60 x 40 cm) Original frame Whether featured as symbols of fidelity, devotion, protection, and s...

Artist: Slonem, Hunt Title: Two Morphos 1920s Date: 2022 Medium: Oil on Panel Unframed Dimensions: 20" x 11" Framed Dimensions: 23.5" x 14.5" Signature: Signed Edition: Unique

"Wyoming" is an original oil on linen painting by Texas Artist Robert Fobear and measures 40x60 inches. The painting features the majestic pronghorn antelope traversing through the dry and rugged terrain of the wilderness. Fobear's exceptional attention to detail and his ability to capture the essence of the natural world is on full display in this stunning piece. Art enthusiasts and wildlife lovers alike will be captivated by the intricate and lifelike depiction of these magnificent creatures. The piece is also completed in a black rustic...

Artist: Slonem, Hunt Title: Lawn Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Provenance:...

This painting by artist Ray Simonini titled "Bowie" is a 24x20 farm animal oil painting on canvas featuring a portrait of a white rooster walking outside the barn in lush green grass...

3882 Antique equestrian with seated rider oil painting on wood panel

This painting by artist Ray Simonini titled "Sandy" is a 24x12 oil painting on canvas featuring a portrait of a brown and white cow standing in pose in a lush green pasture. About ...

Artist: Slonem, Hunt Title: The Great Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Proven...

Artist: Slonem, Hunt Title: Hail Date: 2024 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Provenance:...

Artist: Slonem, Hunt Title: Hare Streak Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Prov...

Artist: Slonem, Hunt Title: Bayou Casino Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Unique...

Artist: Slonem, Hunt Title: Mixed Migration Pink Date: 2023 Medium: Oil on Panel Unframed Dimensions: 23" x 18" Framed Dimensions: 27" x 22.5" Signature: Signed Edition: Unique

Artist: Slonem, Hunt Title: Plata Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Provenance...

Artist: Slonem, Hunt Title: Plain Sight Date: 2023 Medium: Oil on Panel Unframed Dimensions: 18" x 15" Framed Dimensions: 23" x 20" Signature: Signed Edition: Unique

Artist: Slonem, Hunt Title: Heart Series: Bunnies Date: 2023 Medium: Oil & Acrylic w/ Diamond Dust on Wood Unframed Dimensions: 14" x 14" Framed Dimensions: 19.5" x 19" Signat...

Acrylic on canvas. Original painting by Daria Kusto. Collaboration by Angel Rivas. Shipped well protected, rolled in a tube, unframed from Spain.

Artist: Slonem, Hunt Title: Morning Star Date: 2023 Medium: Oil on Panel Unframed Dimensions: 22" x 12" Framed Dimensions: 24" x 14" Signature: Signed Edition: Unique

Oil pastel on paper Christine Pultz is a French animal painter born in 1953 who lives & works in Pontault-Combault, France. Through her passion for painting animals, especially feline portraits, Christine Pultz feels that her focus on each hair, each claw, each reflection in the eyes of the animals she paints shows her desire to make them immortal. She adds: « I know that today, polar bears, tigers, lynxes, and snow panthers…but also Beluga whales...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone National Park. At the same time, I had recently been asked to show my artwork in nearby Livingston, Montana. All of these events resulted in a major lifestyle change. My love of the outdoors and of fly-fishing drew me to make the transition. So here I am. I live in a small town nestled in the Rocky Mountains where life is the opposite of what it was in Los Angeles. - Joe Fay