Vertical Animal Paintings

This equine racing painting "Irad Ortiz" by artist Anne Wolff is a 24x18 original oil painting on canvas. Featured is the back view of famous jockey Irad Ortiz on horseback. He is ...

SAFETY IN NUMBERS 2017 New York, New York A tongue-in-cheek commentary on the herd and sense of safety in following the crowd. Four gazelle skulls are stacked together with handwritten vignettes threading together their stories, as follows: 2. CURTAINS Water Near The Bed Awake for all of it 108” 3. ALLEY DOOR Sugar High...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Oil on canvas Teppei Ikehila is a Japanese artist born in 1978 who lives & works in Tokyo, Japan. He is graduated from Shimane University in 2001. Since 2000, he has held many priva...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...

Exhibited: Oil Painters of America Eastern Regional Exhibition, October 11–November 8, 2024. Depicts the artist's dog Fenrir in action.

Vibrant, painterly fauvist portrait of a red rooster by California artist Sophie D. Marshall (American, 20th Century). A vibrant red chicken stands against a ...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Divertente interno con tavolo ,oggetti e rospo, il titolo -Baciami- è riferito al rospo..... magari diventa un principe...

Artist: Slonem, Hunt Title: Lavender Belle Grove Date: 2024 Medium: Oil on Wood Unframed Dimensions: 12" x 10" Framed Dimensions: 18.5" x 16.5" Signature: Signed Verso Edition:...

America Martin "Blue Monkey" Oil & Acrylic on Canvas 24 x 18 in. ; 25.5 x 19.5 in. Framed ______________ Exploring the identity of both her namesake and c...

In the fish tank is al modern artwork realized in the 1970s-. Mixed colored oil and enamel on cardboard. Monogrammed CB on the lower margin

The Favorite Pet Portrait of a Victorian English Child with her Dog English artist, mid 19th century oil on canvas, unframed canvas: 28.5 x 20 inches Provenance: private collection,...

Artist: Slonem, Hunt Title: Lavender Date: 2021 Medium: Oil on wood Unframed Dimensions: 11.5" x 8.5" Framed Dimensions: 15" x 12" Signature: Signed verso Edition: Unique Hu...

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

Oil on panel

5-3756 Oil painting on canvas of Italian boys having a feast unframed

Two horses, caught at sunrise. A morning, a quiet moment, grazing together. Abstractive, sensitive, subtle - all the beautiful qualities of horses in a pastoral setting. The natural ...

Artist: Unknown, Chinese Title: Tiger Year: Late XIXth - Early XXth Century Medium: Painting on Silk, Signed u.l. Size: 38 x 32 inches Frame: 41 x 35 inches

33.5x27, sight size 28x22 Lionel Kalish born 1931 New York, NY A painter and childrens book illustrator. Education: 1951 Cooper Union of the Advancement of Science and Art, New York, NY Selected Solo Exhibitions: 1978 Forum Gallery, New York, NY 1980 Galerie Brusberg, Hannover, Germany 1981 ACA Galleries, New York, NY 1982 Galerie Stubler, Frankfurt Germany 1984 Galerie Brusberg, Berlin, Germany 1990 Sid Detuch Gallery, New York, NY 1994 Lewis Newman Galleries, Beverly Hills, CA Galerie Brusberg, Berlin, Germany 1996 The Horwitch Newman Gallery, “Italy: The Poetry of Landscape,” Scottsdale, AZ Gremillion & Co. Fine Arts, “Italy: The Timeless Landscape,” Houston, TX 1997 Hoorn-Hashby Gallery, “Color and Light: The Italian Façade...

Hunt Slonem "Wise Owl" Black Outline Bird Painting on White A single owl gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *P...

Artist: Michael Knigin, American (1942 - 2011) Title: Guilded Native Year: 1988 Medium: Acrylic on Canvas, signed and dated in pencil Size: 84 x 45 inches

"Winnie" is a 16x12 original oil painting by Vermont-based artist Ray Simonini featuring a standing brown and white cow portrait with an abstract yellow and gray background. The sty...

In a time of profound environmental change, Kevin Sloan’s images depict rare beauty intertwined with puzzlement. Part art, part artifice, his painstaking vignettes of animals posed i...

Anne Sargent Walker's "Getting Warmer" is an oil and acrylic painting with a halo of soft greens on a yellow green background with snippets of orange, suggesting foliage, surrounding...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

The Wizard (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style owl with moth and decorativ...

This untitled work by Jesús Villalpando (aka Feng) is colorful in its composition with it's thickly applied paint and rapid brushstrokes. The work is effortless, if not completely i...

Artist: Slonem, Hunt Title: Green Peace Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed verso Edition: Unique ...

GERALD ROSE (BRITISH, 1935 – 2023) SHEEP IN WINTER Acrylic on board Signed and dated ‘Gerald Rose 69’ (lower right) 29.1/2 x 19.1/4 in. (75 x 49 cm.)

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Oluw...

"Hunting Dogs" is a 26 x 21.5 inches, oil on canvas landscape of two dogs on the trail by the river. The canvas is signed "G Boucher" in the lower left. G. Boucher is a listed artis...

Markers & acrylic on paper Shipped well protected.

Portrait of a Pekingese dog, oil painting on canvas by A. Schrotter 20th c. History of the Pekingese do breed : The Pekingese (also known as the Lion Dog, Peking Lion Dog, Pelchie Dog, or Peke) is an ancient breed of toy dog, originating in China. They are called Lion Dogs due to their resemblance to Chinese guardian lions (the Shih Tzu is also known as a Lion Dog in Chinese).The breed was favored by royalty of the Chinese Imperial court as both a lap dog...

“Alpaca” (2024) by Zura is a striking acrylic on canvas measuring 66 x 42 inches (168 x 107 cm). Continuing his exploration of the interplay between human and animal forms, Zura pres...

Robin Hextrum's (US based) "Iguana-moth" is a colorful oil painting that depicts a mythical iguana/moth. Artist Statement: This painting is from part of my "Magical Realism" series...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

17th Century Dutch Maestro Title: Still life with bird, carp & lobster Medium: Oil on canvas Dimensions: without frame 116 x 97 cm - with frame 153 x 133,5 cm Antique frame "a casset...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Boy. 2014. Oil on canvas 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creati...

JERRY BERNECHE Untitled (Cats & Dogs No. 6) Colored pencil, gouache, and pastel on paper 30 x 22 inches

Parrot, Snake, Lizard and Ducks, 17th Century Genoese School Fine Large 17th Century Italian Old Master from the Genoese School of a parrot, ducks a lizard and snake, oil on canva...

In this oil painting, a portrait of a Basset Hound stands before us, its gaze directed straight at us. Embedded within this gaze is a silent question, as if the dog wishes to convey ...

The oil painting size is 13"x9.75". Classic work of Sarkis Diranian, with very smooth and artistic brush strokes. It is signed in the lower right corner. ...

oil on panel

ASHLEE SELBURG Champagne Cat Ink and pencil on paper 20 x 16 inches

This is an unframed original painting on paper. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in the myst...

Oil on canvas Canvas size: 12.5 x 10.5 inches Framed size: 17.25 x 15.25 inches Signed lower left Provenance: Private collection Belgium

Majio’s decade in Japanese culture sensitized her to animistic belief that everything has a beingness which augmented her yearly retreats to New Mexico where the animal life and weat...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Patrick Oates' work explores the intersection of landscape, identity, and family history. His experimental paintings delve into queer identity, trauma, and the unknown, weaving a com...

Paul Bartlett has created a eye catching collage with colours of orange, blue and green to capture nature. Collage on board Framed Signed Frame w 51.6cm x h 37.3cm Image w 37cm x h ...

5 Drawings included Markers & acrylic on paper Shipped well protected, unframed

study of a seated clumber spaniel, oil on canvas, signed and dated 1929 lower left. Housed in a new gilt frame. Paintings of these beautiful dogs are...

Bold Zebra colorful portrait on canvas :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Y...

Markers & acrylic on paper Shipped well protected, unframed

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...