Hilton Lark Pratt

A dark-breasted fighting cock & A pale-breasted fighting cock facing

Henry Garland (fl.1854-1900) Watching over baby signed 'H. GARLAND.' (lower left) Oil on canvas Painting Size - 14 x 18 in Framed Size - 20 x 24 in Provenance The Collection of Char...

English School, 19th century A startled Arabian horse Oil on canvas Painting Size - 12 x 16 in Framed Size - 14 x 18 in Provenance With The Parker Gallery, London; The Collection o...

Frank Paton (1856-1909) Both parent and guardian signed and dated 'F. Paton. 1882.' lower left Oil on canvas Painting Size - 25 x 30 in Framed Size - 30 x 35 in Provenance With The ...

William Woodhouse (1857-1939) A collie in a landscape signed 'W. WOODHOUSE' (lower left) Oil on canvas Painting Size - 20 x 24 in Framed Size - 26 x ...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts...

This lovely colourful British 19th century genre oil painting is by Victorian artist William Henry Midwood. Painted circa 1870 it is a charming Victorian interior genre scene of a farmer and his daughter and their collie dog. The artist has perfectly captured the interaction between the three characters and the colouring and brushwork is superb. A lovely example of British Victorian genre painting...

This Beautiful Victorian oil painting is attributed to Scottish master Sir George Reid. Painted circa 1870, the detail in the young girl's facial features and hair are just stunning,...