Portrait of a Baby and Dog - British Victorian Genre animal art oil painting

Circa 1870

This Beautiful Victorian oil painting is attributed to Scottish master Sir George Reid. Painted circa 1870, the detail in the young girl's facial features and hair are just stunning,...

This superb British Victorian portrait oil painting is by much noted and exhibited female artist Maud Porter. Painted circa 1890 it is a seated portrait of a young woman and her terr...

This lovely colourful British 19th century genre oil painting is by Victorian artist William Henry Midwood. Painted circa 1870 it is a charming Victorian interior genre scene of a farmer and his daughter and their collie dog. The artist has perfectly captured the interaction between the three characters and the colouring and brushwork is superb. A lovely example of British Victorian genre painting...

This stunning 17th century Old Master portrait oil painting is attributed to Godfrey Kneller. Painted circa 1680 it is a superb full length portrait of a blonde haired boy holding a struggling bird. He is bare foot and dressed in a white shirt with gold shawl around him. In the background is a blue drape. There is lovely detail and brushwork in his facial features and vibrant colouring. This a superb 17th century Old Master oil painting housed in a lovely frame. Provenance. Two ascribed labels verso Christie's stamp verso. . Condition. Oil on canvas in good condition, 36 inches by 28 inches approx. Frame. Housed in an ornate frame, 43 inches by 35 inches approx. Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter. Kneller studied in Leiden, but became a pupil of Ferdinand Bol and Rembrandt Harmenszoon van Rijn in Amsterdam. He then travelled with his brother John Zacharias Kneller, who was an ornamental painter, to Rome and Venice in the early 1670s, painting historical subjects and portraits in the studio of Carlo Maratti, and later moved to Hamburg. The brothers came to England in 1676, and won the patronage of the Duke of Monmouth. He was introduced to, and painted a portrait of, Charles II. In England, Kneller concentrated almost entirely on portraiture. In the spirit of enterprise, he founded a studio which churned out portraits on an almost industrial scale, relying on a brief sketch of the face with details added to a formulaic model, aided by the fashion for gentlemen to wear full wigs. His portraits set a pattern that was followed until William Hogarth and Joshua Reynolds. Nevertheless, he established himself as a leading portrait artist in England. When Sir Peter Lely died in 1680, Kneller was appointed Principal Painter in Ordinary to the Crown by Charles II. For about 20 years (c.1682-1702) he lived at No. 16-17 The Great Piazza, Covent Garden. In the 1690s, Kneller painted the Hampton Court Beauties depicting the most glamorous ladies-in-waiting of the Royal Court for which he received his knighthood from William III. He produced a series of "Kit-cat" portraits of 48 leading politicians and men of letters, members of the Kit-Cat Club. Created a baronet by King George I on 24 May 1715, he was also head of the Kneller Academy of Painting and Drawing 1711–1716 in Great Queen Street, London, which counted such artists as Thomas Gibson amongst its founding directors. His paintings were praised by Whig members including John Dryden, Joseph Addison, Richard Steele, and Alexander Pope. On the landing in Horsham Museum hang works of art from the Museum's extensive painting collection, featuring a large 18th-century portrait of Charles Eversfield and his wife, of Denne Park House. In the painting Eversfield is giving his wife some violets which signifies fidelity, love and honesty. It is likely that the picture was cut down at some time as it was unusual to stop just below the knee. It may have been painted by more than one person: someone who specialised in clothing, another in drapes, and so on, with perhaps Kneller painting the heads, for it was the portraits that gave the sitters their identity, everything else is rather formulaic. He married a widow, Susanna Grave, on 23 January 1704 at St Bride...

This superb British 19th century equine oil painting is by noted horse lover, George Gascoyne. Painted in 1889, this French born chestnut horse is Phoenix. While he was essentially a...

This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. H...

A wonderful 19th century portrait of two Bull dogs in a barnyard. Artist Bio: Herring was born on 12 September 1795 in Blackfriars, London, the eldest of nine children of Benjamin Herring...

Early 20th Century English portrait of an English Jack Russell, Called Fritz. John Emms was born at Blofield, Norfolk, the son of the artist Henry William Emms. An interest in art took him to London and for some time he worked as Frederick, Lord Leighton...

Early 20th-century portrait in oils of shire or Clydesdale horses in a landscape. Edwin began his artistic career by studying at the Royal Academy of Art where he went on to win a Silver medal for his work at the age of 24. From this point on, his work continued to get recognized and many of his pieces were entered into exhibitions. In total, Edwin Frederick Holt...

Amazing late Victorian English mahogany bedroom screen set with six horse/polo pony portraits. George Paice was an English painter of horse,...

Henry Calvert was an animal painter, particularly of the sporting variety and best known for his depictions of horses, hunting scenes and equestrian hunting portraits...

A black pointer in a woodland landscape by John Frederick Herring Senior, circa 1830. Oil on canvas in a giltwood frame. Provenance: Arthur Ackerman and Son Frost and Reed Blains, Bruton Place, London John Frederick Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses. In 1814, at the age of 18, he moved to Doncaster in the north of England, and by 1815, had married Ann Harris. His sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring...