Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

William Henry Crome
Landscape with Cottages and Sheep - British Victorian 1850's art oil painting

Circa 1850

About the Item

This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts a wooded landscape with a shepherd driving sheep along a lane past cottages. A town can be seen in the background. It is a sunny day and sunlight picks out the shepherd and his sheep as they pause to converse with another figure. The sunlight also lights up the nearby cottage giving it a lovely glow and one can see there is great detail in the trees. A beautiful old painting by a British Old Master. Provenance. Christies, South Kensington, 5/6/1997 - Lot 70. Condition. Oil on panel. Image size 36 inches by 26 inches and in good condition. Housed in a gallery frame, framed size is 44 inches by 34 inches and in excellent condition. William Henry Crome was born in Norwich on 22nd October 1806. He was the 3rd son of John Crome, one of the founders of the Norwich school. William Henry was very unfortunate in losing his father at the early age of fifteen. Whilst John Berney, his older brother, had sheltered under his father’s wing, William had to make his own way, and this he commenced to do with good effect. Father John Crome died in 1821. William would have assisted his father in the studio at the age of 15 and was probably becoming quite competent. John Berney probably carried on the tuition and many of William’s early works were moonlights and one can decidedly see the influence of his elder brother. In 1826 William Henry was sufficiently competent to exhibit a painting entitled A View at Costessey, Norfolk, at the British institution. The acceptance of the exhibit must have spurred him on. William Married Mary Ann Steel, it is not known how many children they had but at least one son, Vivian painted. At the Age of 24 William was beginning to look towards one of the Old Masters – Claude Lorraine, for influence. This influence can be identified in many of his Scottish scenes painted around 1830. William travelled to the continent, his visit is recorded by an inscription on a painting, it reads: Near Aix La Chappelle, Brussels 1854. There are other paintings signed and dated 1866. William Henry Crome died in 1873.
  • Creator:
    William Henry Crome (1806 - 1873, British)
  • Creation Year:
    Circa 1850
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 44 in (111.76 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU853113061452
More From This SellerView All
  • Portrait of Two Horses in a Landscape - British 19thC equine art oil painting
    By George Cole
    Located in London, GB
    This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...
    Category

    1840s Victorian Animal Paintings

    Materials

    Oil

  • Cattle Watering in a Landscape - British 19th century art Victorian oil painting
    By Samuel Bough
    Located in London, GB
    This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...
    Category

    1850s Victorian Landscape Paintings

    Materials

    Oil

  • Derwent Water Lake District Landscape - British Victorian art oil painting
    By William Davies
    Located in London, GB
    This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1898 and the location is Derwent water at Borrowdale, in Cumberland in the Lake ...
    Category

    Late 19th Century Victorian Landscape Paintings

    Materials

    Oil

  • Gate Crag Borrowdale Landscape - British 19thC art Lake District oil painting
    By William Davies
    Located in London, GB
    This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1898 and the location is Gate Crag Borrowdale, in Cumberland in the Lake Distric...
    Category

    Late 19th Century Victorian Landscape Paintings

    Materials

    Oil

  • Cattle Grazing in a Wooded Landscape - British Victorian art oil painting
    By Thomas Baker of Leamington
    Located in London, GB
    This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...
    Category

    1850s Victorian Animal Paintings

    Materials

    Oil

  • Working Horses in Scottish Landscape - Scottish 1920s art Impressionist painting
    By George Smith
    Located in London, GB
    This lovely Impressionist Colourist oil painting is a fine example of the work of noted Scottish landscape and animal artist George Smith. He was particularly known for his paintings...
    Category

    1920s Impressionist Animal Paintings

    Materials

    Oil

You May Also Like
  • "Highland Cattle & Sheep”, with shepherd, Scottish landscape, oil on canvas
    By William Watson
    Located in Nutfield, Surrey
    This is an original, unique oil painting by the artist William Watson Jnr., a Liverpool (Birkenhead) painter of animals and landscapes. He was the t...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • "A River Landscape with Wild Horses", Victorian original, oil on canvas
    By John Frederick Herring Jr
    Located in Nutfield, Surrey
    This is an original unique oil painting by the artist. Born into an artistic family in Doncaster, England during 1820. Best known for his equine art, of the same character as those of the elder Herring, including "The Home Farm," "The Homestead," "The Farm-Yard," etc.John F. Herring, Jr. was born in Doncaster, South Yorkshire c.1820, to the well-known 19th-century artist John Frederick Herring, Sr. (1795-1865), who at the time, was considered one of England's great Sporting and Equestrian artists, patronized by the English aristocracy. The father's mastery of the brush, and popularity with the nobility, served his son, Herring, Jr., well. Early on, John, Jr. was exposed to fine painting and wealthy patrons. Recent reference books state that Herring, Sr.'s first child was named "John Frederick Herring, Jr." and was born on June 21, 1815. John Herring, Jr. developed a love for painting, a passion also shared by his brothers Charles and Benjamin. Three of the four brothers became artists, painting in the same style as their father, often collaborating on a single painting. In the years after 1836, Herring, Sr., feeling threatened by the teenage John Herring, Jr.'s ability and growing popularity, began incorporating the tag "SR" at the end of his signature. John Herring, Jr. continued painting in the tradition of his father, the sporting and animal pictures...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Canvas, Oil

  • Sheep on a Hillside, original oil on canvas, sheep in a highland landscape, 1915
    By Robert Watson
    Located in Nutfield, Surrey
    This beautiful oil-on-canvas painting of sheep on a hillside, dated 1915 is by the British Victorian artist Robert Watson. Robert William Watson was born in Brighton, Sussex in 1855. He was the son of the highland landscape artist William Watson (1809-1871). In 1880, he married Alice Ashcroft and they moved to Aughton, Lancashire, England. They had three daughters, Gertrude, Beatrice and Florence. Watson came from a family of painters who excelled in Cattle and Highland landscape paintings. He exhibited a number of his works across the UK including Liverpool and Glasgow. Queen Victoria was an avid collector of Scottish works of art which made Watson's Highland scenes incredibly popular in the late 19th Century. Robert Watson’s works can be found in collections at the Williamson Art Gallery, Astley Hall...
    Category

    Early 20th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • English Portrait of a Jack Russell Terrier dog in a landscape, 'Flusie'
    By William Albert Clark
    Located in Woodbury, CT
    English Portrait of a Jack Russell Terrier dog in a landscape, 'Flusie' William Albert Clark was an English animal portrait painter. He was the son of the famous Victorian animal painter, Albert Clark. He lived and worked in London, where he painted horses, cattle and very rarely dog portraits. Just like the other members of his family who were painters William's paintings were in great demand, like they are now. This piece is a very very rare dog...
    Category

    1940s Victorian Animal Paintings

    Materials

    Oil, Canvas

  • Antique 19th century English, Cart Horses in a farmyard landscape with cottage.
    By John Frederick Herring Jr
    Located in Woodbury, CT
    John Frederick Herring Junior, Antique 19th century English, Cart Horses in a farmyard landscape with cottage. John Frederick Herring Jnr. was a painter of sporting and animal subjects in oil and watercolor. His style was very similar to that of his father, John Frederick Herring Snr...
    Category

    1860s Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th century English portrait of a dog with her Puppies
    Located in Woodbury, CT
    H.Jackson. 19th century English landscape with sheep English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence of the work of the Belgium painter Cornelius van Leemputten...
    Category

    1890s Victorian Animal Paintings

    Materials

    Oil, Panel

Recently Viewed

View All