20th Century Animal Paintings

Pekingese Family of Dogs is an original artwork realized in 1939 by Filiberto Vitaliano Rossi. Original oil on canvas. Hand-signed and dated on the lower right corner. Good conditions, except for some micro-holes on the canvas, very thin. Beautiful artwork representing several Pekingese dogs...

Arabian Horse in Landscape British School, late 20th century oil on canvas, framed canvas: 25.5 x 37 inches framed: 31 x 41 inches the painting is in overall very good and sound cond...

T. Cassel, oil on canvas. Two working dogs resting in a landscape. Well presented in an attractive gilt-effect frame. Signed lower right. On board.

The Highland Family by Madeline Selfe (British 1910-2005) signed oil on canvas, framed framed: 24 x 27 inches canvas: 19.75 x 23.5 inches provenance: private collection, -UK The pai...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Reveau Bassett (1897 - 1981) Dallas Artist Image Size: Varied Sizes: See description Frame Size: 16 x 16.25 Medium: Oil "Ducks in a Row" Individual imag...

Artist/ School: French School, indistinctly signed lower right, circa 1970's Title: Giant Butterfly/ Moth Medium: oil painting, on board. Size: frame: 24.25 x 29.25 inches...

André Brasilier French I b. 1929 Automne d'or Signed “André Brasilier” (lower right) Oil on canvas In Automne d'or, celebrated French artist André Brasilier exquisitely conveys th...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

24 x 36 inches Oil on gallery wrapped canvas unframed An elegant classic! A Manor scene featuring humans' allies in fox hunting: a horse and three hound dogs. The piece is masterfu...

Hunting Dogs Pointers French oil painting on canvas 19Th by F.E. Martinez. MARTINEZ was an French artist working around 1900. The artist's works have been offered for sale at public...

Fabulous antique original Tibetan school painting. Painting is either oil and or gouache. It measures 32 inches wide by 17 inches high. The frame is 33 1/2“ x 18 1/2“.

This gorgeous British Edwardian dog portrait oil painting is by noted animal artist Robert Morley. Painted circa 1910 the composition is of a black and white spaniel, sitting down, against a white wall and door way. The dog has a black face and black patches with lovely roan type speckles up its legs and body. Morley has beautifully captured the wispy softness of its fur and fluffiness on its chest. Of course the dog has those mesmerising dark brown spaniel eyes that would melt any heart. This is a simply wonderful spaniel portrait...

Gary Erbe (b. 1944) New York/New Jersey painter - Oil on canvas titled "All Creatures." The painting is in excellent condition and presents in a great frame. Signed G. Erbe lower lef...

Rare and well executed modernist wall plaque by Richard Kuehne. Paint on gesso plaque. Signed. Silver leaf incorporated frame as photographed.

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Garden with Peacock) Year: 1986 Medium: Oil on canvas Size: 81 x 104 inches Inscription: Signed, dated by the artist, ver...

3794 Equestrian oil painting set in a custom wood frame Image size 23.5x19.25"

oil on masonite with a natural birch frame glossy finish

Artist unknown Large Balinese painting on canvas depicting a tropical forest with birds. Indonesia, second half 20th century In modern frame Dimensions: 83 x 135 cm. (without frame...

Landscape. 1942. Oil on cardboard, 36.5x47.5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University a...

A girl and her dog This was possibly used as an advertisement. It is in a great illustrator style. 22 x 18. framed. 19.5 x 15.5 canvas. Lawrence Wilbur (1897 - 1960) was active/l...

Paritosh Sen - Untitled Acrylic on Canvas 36 x 30 inches, 1996 ( Framed & Delivered ) A stunning work in colors on "red ,Blue Gold in Acrylic on Board , By teh Great Indian Modern A...

Vintage modernist still life with a cat. Oil on canvas. Framed. Signed.

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Horse with Knight) Year: 1983 Medium: Oil on canvas Size: 69 x 99 inches Inscription: Signed, dated by the artist, verso ...

Gorgeous watercolor/gouache painting of a family of ducks swimming in a lake at dawn by Bill Reynolds (American, 1918-2008), 1970. The foreground is...

Antique American regionalist modern landscape oil painting. Oil on canvas, circa 1940. Signed. Displayed in a period modern frame. Image, 30"L x 25"H.

Wonderful mid-century watercolor of abstracted jellyfish by Bobbi Merrill (American, 20th Century), 1964. Signed lower left corner. Title "Jelly fish in Red Sea" and dated "4/5/64" o...

William Gislander (1890-1937) Swedish Title: Landscape With Ducks oil on canvas signed and dated William Gislander 1934 canvas dimensions 25.98...

Blue, red, and brown abstract impressionist painting by Texas artist Fred Darge. The painting depicts a cowboy wearing a blue shirt and a red hat as he sits on a brown riding horse. Signed by the artist at the bottom right corner. Unstretched and unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago...

Oil on canvas Canvas size: 20 x 34 inches Framed size: 28.25 x 42.5 inches Signed lower right

This artwork "Decorated Cat" c.1960, is an oil painting on hardboard by noted Mexican Artist Jose Maris De Servin, 1917-1983. It is signed at the upper left corner by the artist. The...

Oil on panel by Jenness Cortez signed and dated lower left beautifully framed and matted measuring 16" x 21" including the frame. This painting features two jockeys and their race ho...

Oil on canvas. Framed. Image size, 18H x 24L. No signature found. Very nicely painted.

Fiocchetto is an artwork realized by Elica Balla (Rome,1914 - 1993) Hand signed lower right. Hand signed and titled o rear. Good conditions!

3874 Japanese gouache landscape with trees and cranes Set in brass finish metal frame

This beautiful British Impressionist oil painting is by noted animal artist Arthur Spooner. Painted circa 1935 it is a superb painting of two working horses standing in the shade of ...

William Sidney Cooper British, (1854-1927) Near Herne Bay, Kent Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher Image size: 19.5 inches x 29.5 inches Size inclu...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). G...

Memento mori, memento vive: Garland with Heron and skull. Technique: tempera on canvas. Signed below: G. Borgogelli-Ottaviani, probably refers to the Italian aristocratic family, wi...

Fauvist oil on board landscape circa 1905 by British painter Robert Polhill Bevan. The piece depicts a view of farm in Sussex. The red-roofed farmhouses are nestled between lush gree...

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...

Derived from a biblical tale Balaam’s Ass is such a figurative work. Summers has taken the humble donkey from the biblical story and elevated it to a position of power in this contem...

Artist: Lowell Nesbitt (1933-1993) Title: Animal Series (Rottweiler Dog with Flowers) Year: 1986 Medium: Oil on canvas Size: 30.25 x 22 inches Inscription: Signed, dated by the artis...

An incredibly striking image of a black and yellow butterfly. Painted with great energy and style. This looks stunning against a white wall. Henri-André Martin (1918-2004) A Swallowtail butterfly Signed Oil on canvas 23½ x 23½ inches excluding frame 26½ x 26½ inches including frame Provenance: The artist's studio sale Born in Lyon in 1918, Henri-André Martin spent his youth in Saint-Étienne. Following his father into the medical profession, he spent his first years studying medicine in Lyon, but also enrolled in the École de Beaux Arts during this time. Upon returning from captivity in 1942, Martin soon became director of the otolaryngology clinic at Édouard-Herriot hospital. Painting, however, remained his true calling in life - it was, to him, an invaluable form of self-expression. Reserved and extremely modest, and frequently regarded as somewhat aloof, art was a means of articulating his anxieties and apprehensions, as well as giving a voice to his inner child. Martin had a brush in hand at all times, wherever he went, and painted countless gouaches of varying sizes. His beach paintings in particular have been compared to those of Boudin. Until the 1970s, Martin had a tendency to paint ‘on the ground’, yet in all of his paintings, there is a distinct sense of distance and removal from the subject-matter. In the years that followed, we see a development in this simplification and abstraction of the subject-matter, as seen, for example, in his images of almond trees standing alone against the stark winter sky of Provence. The palette begins to darken, his work acquires a feeling of gravity, as his paintings of Hamburg Port evidently reflect. His collection entitled ‘Trunks’, six lithographic plates, draws on visual and written material in the book, L’Olivier. His interest in the symbolism of the olive tree subsequently grew, and he turned to literature, painting and historical traditions to develop and nuance his understanding of its allegorical value. This fascination with the olive tree, and more broadly, with the nature of symbolism, came to profoundly inform his later work. What he learnt to represent was not merely the physical reality of his subjects, but their implicit interconnection with abstract ideas. As René Déroudille writes, the lithographic plates are ‘especially devoted to and embrace renewal’, revealing an artist who is in ‘full mutation’. In the 1980s, Martin’s work took a more explicit turn towards abstraction. It was during this time that he produced a series of large nudes, which he entered into the major exhibition at L’Atrium in Lyon, in 1992. In the years that followed, Martin focused on animating the shapes and forms born of his imagination, eventually accomplishing this and changing his focus once again, turning to more attractive, even decorative subjects, like Japanese...

Menashe Kadishman - Purple Sheep - Kings Gallery - Fine art - Sheep. “Purple sheep” by Menashe Kadishman Menashe Kadishman690Viewsadmin Birkat Cohanim A piece by famous Israeli artist Menashe Kadishman. The painter's trademark are hundreds of portraits of sheep, each one unique. The purple sheep with expressive sad eyes...

This early Hunt Slonem pair is each signed and dated (verso). Sold as a pair, these pieces showcase Slonem's bright, vibrant style with his iconic tropical birds. Unframed dimensio...

Portrait of an English Bagger in an extensive landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazing display of an artist, ...

Wild Boars in Winter Forest Szobota István Budapest 1911 – 1994 Sopron Hungarian Painter Signature: Signed bottom left and dated 1973 Medium: Oil on canvas Dimensions: Image size 6...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

George SMITH RSA 1870 – 1934 Canvas Size 16 x 20" (40 x 50cm) Outside Frame Size: 23 x 27" (59 x 69cm) He was born in 1870 at Midcalder, where his father had a meal mill. Probably f...

This charming oil by Charles Edwin Baldock depicts a loyal farm dog resting atop an old oak barrel. Baldock's skilful rendering of the scene, from the dog's coat to the wooden barrel...

Claude Cardon British, (1864-1937) Feeding Time in the Orchard Oil on canvas, signed & dated 1918 Image size: 19.25 inches x 29.25 inches Size including frame: 27.5 inches x 37.5 in...

"Mesa World" abstract acrylic on canvas painting of horses by artist Jean Richardson. Signed Richardson lower right recto. "Mesa World", 40 x 60, JR 917, 1987 written on back.

This striking oil painting, "Leaping Marlin" c. 1937, by renowned marine artist William Goadby Lawrence, captures the power and elegance of its subject. Signed and dated “W Goadby La...

Artist/Designer; Manufacturer: Purvis Young (American, 1943-2010) Marking(s); notes: signed, LPOO2 FEJU60 Materials: painted wood Dimensions (H, W, D): 18.5"h, 96"w (work is not framed) Additional Information: Provenance: This work is from the personal collection of Anthony Romano, one of the two guardians appointed to the artist in the later part of his life. Purvis Young (1943–2010) was a self-taught American artist from Miami’s Overtown neighborhood, known for his raw, expressive paintings on found materials that explore themes of social justice, spirituality, and everyday urban life. His work resonates with the visual urgency of Jean-Michel Basquiat, the narrative power of Thornton Dial, and the outsider spirit of Bill Traylor and Sister Gertrude Morgan...

Painted with warmth and precision, this 1907 portrait by Oscar Brown depicts a pair of Clumber Spaniels posed atop a boldly striped Witney blanket. With their dense, feathered coats ...

Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

5-3756 Oil painting on canvas of Italian boys having a feast unframed

‘Trois Amis’, large antique Orientalist oil painting by Adam Styka Polish/ French, Early 20th Century Canvas: Height 61cm, width 73cm Frame: Height 78cm, width 91cm, depth 5cm This ...