20th Century Animal Paintings

Alfred Wheeler British, (1852-1932) Cicero Oil on board, signed & dated 1905 Image size: 9.25 inches x 9.75 inches Size including frame: 14.75 inches x 15.25 inches A wonderful horse head portrait...

Wild Horses by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18.5 x 24 inches Colors: Green colors, gold, blue, yellow, lime an...

Trout Painting by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 22 x 18 inches Colors: Red colors, brown, grey...

The Close of Day Scottish Highland Loch at sunset with cattle watering British School, early 20th century signed initials lower left corner oil on board, unframed board: 7 x 10 inche...

by Paul-Louis Bolot (French 1918-2003) signed & dated original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ e...

Artist/ School: Signed by Eric Roberts and inscribed verso Title: titled verso Medium: oil on canvas on board, framed Framed: 22 x 29 inches Painting: 15 x 22 inches Provenance: ...

Frank Dadd RI British, (1851-1929) Time for Supper Oil on canvas, signed & dated 1925 Image size: 19.75 inches x 15.75 inches Size including frame: 27 inches x 23 inches A well-exe...

5078 Oversized oil on canvas of a girl walking a dog

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

Antique American impressionist winter landscape oil painting. Oil on canvas. No signature found. Framed. Image size, 30L x 24H.

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966); additionally titled verso 'Consort' and dated 1954 with inscription, 'by the one and only buk, made for Ruth'....

The Close of the Day by Spencer Coleman, British b. 1952 signed oil on canvas, unframed canvas: 20 x 30 inches condition: very good provenance: private...

Rural Mountain Scene with Sheep in Ireland by Post War Modern Irish Artist, David Overend. Art measures 16 x 12 inches Frame measures 25 x 21 inches ...

Stunning large scale abstract expressionist horse's head/eye, circa 1990. Unsigned. Unframed. Size: 60"H x 60"W x 1.5.

Signature: Signed lower left and on the reverse Provenance: Shannon's Auctions D. Wigmore Fine Art Krushaar Galleries Christie's East October 3, 2000 Hand Carved Period Frame fr...

Vintage American School cat portrait painting. Cubist / Precisionist style Oil on canvas. Unsigned. Framed. Image size, 29.25 by 23.25H.

Wright BARKER 1864 - 1941 Canvas Size: 24 x 30" (61 x 76cm) Outside Frame Size: 31 x 37" (79 x 94cm) Oil on Canvas Free Shipping Exhibited : 1885 - 1935 He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

Numbered 18/20 Work on paper Red wooden frame with glass pane 44 x 59 x 1,5 cm

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Rodeo. Bareback Bronco, 1966. Gouache On Paper. Signed & Dated Lower Right. Image size 21.3 inches x 29.1 inches ( 54cm x 74...

A painting by Jessie Arms Botke. "The White Peacock" is a wildlife impressionist painting, oil on canvas in a palette of whites, blues, and browns by...

Artist: Johnson Title: Secretariat Year: 1975 Medium: Oil on Canvas, signed Size: 66.5 x 50 in. (168.91 x 127 cm) Frame Size: 71.5 x 55.5 inches

The Highland Family by Madeline Selfe (British 1910-2005) signed oil on canvas, framed framed: 24 x 27 inches canvas: 19.75 x 23.5 inches provenance: private collection, -UK The pai...

Sarah Norris, 20th-century oil on board. Study of Three Dairy Cows. Signed and dated (1984) to the lower right. Presented in a painted wooden frame.

Painted by Anton Hansen (Danish, 1891-1960) circa 1935 and stamped, verso, with certification of authenticity. Provenance: Airforce Captain A.P. Botved, a personal friend of the arti...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. dated 1944 Size: painting: 1...

Horse Riders by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15.5 x 19 inches stamped verso provenance: artists estate, France condition: very good...

'Swans In Lakes' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good con...

Artist: Ian Hornak (1944-2002) Title: Nocturne I: White Peacock, Black Cockatoo Year: 1990 Medium: Acrylic on Panel, with Artist Painted Frame Size: 58 x...

French Mid 20th Century oil on canvas Fauvist painting of birds in flight by Hyppolite Roger. The painting is signed bottom left and also to the back o...

"Cows at Rest in Front of the Barn" Michael Therkildsen (Danish, 1850 - 1925) Oil on canvas 9 x 14 3/4 (15 3/4 x 21 1/4 frame) inches Signed lower left The son of farmer Hans Micha...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

Waiting for the Master English School, first half 20th century oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection, England ...

William Sidney Cooper British, (1854-1927) At Marshside, Kent Oil on canvas, signed & dated 1920, inscribed in pencil verso Image size: 15.5 inches x 23.5 inches Size including fram...

5-3756 Oil painting on canvas of Italian boys having a feast unframed

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

A painting by Alexander Calder. "Mickey Mouse" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oran...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

This lovely British Edwardian Impressionist landscape oil painting is by noted Slade School artist Bertram Priestman. Painted in 1901 the location is the River Wharfe a river in York...

“There is that Far-off Tall Dog Singing to a Hole in Bank” (Frill Dog series). A colorful contemporary dog painting of Foxhounds dogs singing to a fox in a hole with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog. Nancy van Meter...

Robert Fontana Topical Landscape with four parrots Oil on canvas

Mid Century oil on canvas view of the Moorish arch in the Plaza de Zocodover in Toledo, Spain by Louis Léo Hourdille. The painting is signed and titled to the back of the canvas. Ho...

This artwork "Young Girl with Her Cat" c.1990 is an oil painting on panel by noted American artist Gunnar Donald Anderson, b.1927 It is signed at the lower right corner by the artist. The panel size is 20 x 16 inches, framed size is 24 x 20 inches. Framed in a wooden gold frame, with fabric liner. It is in excellent condition. About the artist: A painter and illustrator, Gunnar Anderson...

Antique American dog portrait oil painting. Oil on board. Signed. Framed. Measuring 8 by 10 inches overall and 6.5 by 9 painting alone.

Marie Dieterle Artwork Size: 24 x 32" (61 x 81cm) Artwork Size with Frame: 32 x 40" (81 x 101cm) French 19/20th Century Dieterle established herself as...

Portrait of an English Bagger in an extensive landscape. Very Pretty English Otter, in an extensive landscape, painted circa 1970. The painting is an amazing display of an artist, ...

Mid-century gouache painting of long horned steer in warm tones of browns and greens by French artist Roger Desmare, 1952. Signed lower left. Original artwork on paper displayed o...

Roger Lersy, French (1920 - 2004) Oil on canvas Signed, R. Lersy, dated 1961 lower right Measuring 35 X 31 Matted and framed. sight 26 X 21.5 Roger Lersy was born in Paris, France 1920, in the rough neighborhood surrounding Place Pigalle. His youth was marked by extreme poverty. Lersy studied art and music at the École des Arts Apppliqués. He was a painter, lithographer and musician-composer He belongs to the École de Paris and was a member in the movement of the Young Painting. By 1946, when he first exhibited in Paris, Lersy became one of the founders of the School of Paris’ New Graphic School. Lersy received the Prix des Amateurs d’Art in 1953, the Shell Prize in 1954 and the Grand Prize of the City of Marseilles in 1953. Lersy could be defined as a Baroque expressionist. For Bernard Dorival, Roger Lersy is along with Gabriel Dauchot, Jean Commère and Raymond Guerrier among "the most noted champions of this expressionism which is part of the continuation of Bernard Buffet's miserabilism". Famous works: New Year's Eve , Aubusson tapestry of the Manufacture des Gobelins , Permanent Mission of France to the United Nations , One Dag Hammarskjöld Plaza , New York . Venice , bridges , watercolor, 1963 (theme of the Roger Lersy exhibition, Chicago). The poppy , original lithograph, Imprimerie Bellini, 1978, collection of the Cabinet des estampes , BNF . Still life at the pedestal table , oil on canvas, Jonzac town hall. Lohengrin , oil on canvas, Versailles Administrative Court of Appeal. Portrait of the painter Tony Agostini , drawing. Series Eiffel Tower. Stained glass: Saint-Laurent Church, Longlaville ( Meurthe-et-Moselle ), 29 stained glass windows. Musical works: Stained glasses for clarinet , saxophone, cello and percussion , creation in the church of Longlaville, 1972. Three pieces for two waves Martenot : 1. Scum of dream, 2. Scare and jubilation. Malicious connivance, sheet music Editions A. Leduc, Paris, 1979. Work for trumpet and piano , published by Éditions G. Billaudot, Paris, 1984. Five pieces for piano , scores published by G. Billaudot, Paris, 1989. Five preludes for piano and alto saxophone , scores at Éditions Combre, premiere at Flâneries musicales de Reims , 1993. In memory of Chagall , piece for flute and percussion , recording of Duo Hyksos (Henri Tournier, flute and Michel Gastaud, percussion) in 1995. Preface in black and yellow for horn and piano , score at Éditions Combre, Arc-en-ciel collection, 2000. Soundtracks: Diatomées Note 4 , 19 , film by Jean Painlevé...

The Favourite Pet, portrait of young lady with Alsatian dog. French Schoo, signed indistinctly, dated 1940 oil on canvas, framed framed: 23 x 29 inches c...

William Gislander (1890-1937) Swedish Title: Landscape With Ducks oil on canvas signed and dated William Gislander 1934 canvas dimensions 25.98...

Snow, Forest, Winter, White, Horse. Dog, Sledge, Fir, Russia, Cold Pirra Gallery Label Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dne...

A lovely luminescent oil of geese in the snow. Timothy Easton (born 1943) Trio on the crest Signed and titled and dated 1999 to the reverse Oil on canv...

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

Orange Kittens watercolour painting on artist paper painting: 9.5 x 12.5 inches provenance: private collection condition: very good and sound condition

Oil on canvas of one of the lions from The Terrace of the Lions, Delos, Greece. Canvas measures 30 x 25; frame dimensions are 38 3/8 x 33 3/8 x 1 5/8. Artist's initials and date, lower right. Weight is 14 3/4 pounds. The Terrace of the Lions was dedicated to Apollo by the people of Naxos shortly before 600 BCE. It is originally thought to have had nine to twelve squatting, snarling marble guardian lions along the Sacred Way; today, one is inserted over the main gate...

Freeman Baldridge's impressionistic depiction of the impact of a wave on land, with a swirl of colorful flowers and bird overhead. Oil on canvasboard...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Artist unknown Large Balinese painting on canvas depicting a tropical forest with birds. Indonesia, second half 20th century In modern frame Dimensions: 83 x 135 cm. (without frame...