20th Century Animal Paintings

Impressive early American modernist farm landscape with a chicken painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 11 by...

"Friends" by Agnes McIntyre Croxford is a testament to the artist's ability to capture the delicate balance of harmony and curiosity in the animal kingdom. This painting presents two...

Amazing surrealist painting by Italian artist Nuccio Fontanella (1936-2005). Ink and watercolor on cold pressed illustration board. Image measures 13 x 18 inches; 20 x 25 inches framed...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horses Prepared to Perform and Circus Truck, Circus Series, 1991 Oil on canvas Signed an...

"Sunlight and Shadows" is a beautifully composed pastoral landscape with cattle by a stream. An American Impressionist, Voelcker utilized broken brushstrokes and a warm and cool colo...

signed oil on canvas laid on board, unframed board: 11 x 9 inches provenance: private collection, France condition: very good and sound condition

Specializing in equine art Arenys Galdon has had his works exhibited in Barcelona, Madrid, Lisbon, Paris, and other major cities. He has also earned medals for top placings in the 19...

The Sheep Dog French, mid 20th century signed oil painting on canvas, framed framed: 21 x 31 inches canvas: 20 x 30 inches provenance: private collection, France condition: overall...

Evening sun. 1954, oil on cardboard, 33x61 cm

Robert Azensky Fine Art is proud to offer this vintage figurative abstract of a Woman, Dog & Spring Flowers with Petroglyphs by Martha’s Vineyard artist Cindy Kane Absolutely stunning vintage large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...

Very impressive mid century polo field modernist landscape. Oil on canvas. No signature found. Framed.

Rina Sutzkever Calderon (Russian/Israeli, b. 1945), Fly Away Oil on canvas, signed at lower left, presented in a gilt frame with linen liner. Frame dimensions 56 x 46 in. Rina Sut...

Douglas Van Howd. American ( b.1935 ). Zebra Mare And Foal. Oil On Board. Signed Lower Right. Image size 10.6 inches x 13.6 inches ( 27cm x 34.5cm ). Frame size 19.3 inches x 22 in...

Deep pastel colors enliven this painting of a polar bear in the ice by listed California artist Helen Ray Harris (d.2001). Signed lower left corner "H. Harris". Unframed. Image, 16"H x 20"W. Helen Ray Harris, 20th Century, was born in England. She received her initial art training in her native England and immigrated to the United States at age 19. Prior to her arrival in the U.S., and shortly afterwards, she worked repairing and restoring antique furniture...

Meadow Landscape signed by Y. Blanchon, French 1950's Impressionist artist oil on artist paper, unframed painting: 16.5 x 13 inches provenance: from a large private collection of th...

Having a father in the Air Force Burgees traveled and lived in many different cities throughout his life such as England, Germany, and Cyprus. And at age 19 he joined the Royal Airfo...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 9.5 inches condition: very good provenance: from a large private coll...

Transporting oil painting on canvas of an elephant dressed in festive attire in a parade with figures and children.Signed Charles Baskerville 1966 and presented in an older Italian ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 5.5 inches condition: very good provenance: from a large private collection ...

Signed to the lower right. Presented in a contemporary styled frame with a cotton slip. On board.

M.F. Husain - Untitled Edition - 92/150 39.5 x 27.5 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for var...

Work on canvas Dimensions with frame141.5 x 82 x 3.5 cm This impressive work of art presents an expressive and captivating portrait, where the artist's rich details and bold techniq...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 20 inche...

A Cat's Eyes - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Boldly colored close up of a ...

American school abstract painting. Watercolor on paper, circa 1960. Unsigned. Image size, 12"L x 9"H.

Work on canvas Golden wooden frame 55 x 66 x 5 cm

John Aumonier (English school, early 20th century), "River Near LLanelltyd North Wales", signed oil painting on canvas: 16 x 19.5 inches framed: 19 x 26 inches condition: very good ...

A super example of Harry Fidler's impressionist studies with characteristic use of heavy impasto. The flamboyant sculpting of the paint surface cannot be fully conveyed in a 2D image...

signed oil on canvas, unframed board: 9 x 11 inches inscribed verso provenance: private collection, France condition: very good and sound condition

"Aberfeldy" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 x 20 inches fra...

Freeman Baldridge's impressionistic depiction of the impact of a wave on land, with a swirl of colorful flowers and bird overhead. Oil on canvasboard...

Large portrait painting with group of six otterhounds in a lush garden landscape by Constance Coleman, 1979 Oil on canvas Signed & dated lower right Canvas dimensions: 34" x 46" Fr...

Charming impressionistic painting with allegorical theme of pale horse coming to shore by Cash Arthur Bond (American, 1876 - 1952), circa 1900. Signed "C.A. Bond" lower left corner. ...

The Highland Family by Madeline Selfe (British 1910-2005) signed oil on canvas, framed framed: 24 x 27 inches canvas: 19.75 x 23.5 inches provenance: private collection, -UK The pai...

Pekingese: "Mimi" by Dorothy Alexandra Johnson (1902-1988) signed lower left watercolour and gouache on artists heavy paper 5.5 x 7.5 inches Delightful painting by the highly rega...

Work on canvas Illegible monogram

This work of art features a fascinating tangle of dynamic lines and geometric patterns. The intertwined shapes, marked by contrasting colors, create a captivating visual effect. Whit...

"Grey Horses" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) oil painting on board, unframed painting: 16 x 13 inches A fine "mid century" oil painting by the listed Frenc...

A charming coastal scene depicting a farmer and two shire horses overlooking the sea. The artist captures the composition in a soft palette and loose brushstrokes, evoking a sense of...

Arabian Horse by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 10 x 13 inches Colors: Green colors, brown, grey, white, blue and...

Evocative and dramatic acrylic painting of abstracted Koi fish titled "Symbiosis" that's a masterful blend of motion and objects. Circa 1980. Unframed, by Chaquille (American, 20th c...

Studying in London and specializing in horse paintings and dealing with watercolors and oils. She has exhibited in London, Tokyo, and Melbourne. She has experience riding as an amate...

Provenance: Madison Gallery (Madison Connecticut) bears their label verso. Hunting and fishing cabin themed artwork in a hyper realist or photo realist style. James Carter (Born 194...

Oil on canvas representing a hunting. Signed bottom right E. Pechaubes. Eugène Pechaubes (1890-1967). French school XXth century. He mainly painted horses and horce racing. Within...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Charming mid century country landscape with cottage with thatched roof and chickens foraging. Signed "H. H." and dated "1955." Condition: good; some edge and corner wear consistent w...

English School, circa 1950's The Travellers Caravan oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition - ther...

This abstract study of a duck ready for plucking is rendered in bold strokes of grey, blue, and orange. The artwork's energetic brushwork and fragmented shapes create a sense of moti...

Dancing Birds by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 29 x 20 inches Colors: Grey colors, blue, pink, pi...

Fish for Supper by Édouard Righetti (1924-2001) Signed lower front oil painting on canvas, beautifully painted with thick impasto oil and bold colors. very good condition size: 2...

Clarence Holbrook Carter (American, 1904-2000) Over and Above: Kangaroo, c. 1960s Acrylic on paper, mounted on matte board Signed lower right 14 x 5 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

A French oil on canvas painting of Holiday preparations, toys and other delights of Christmas. The painting is signed bottom left (as yet undeciphered). A very charming painting of a beautiful doll...

Antique American school abstract expressionist action painting. Oil on paper, circa 1960. Unsigned. Image size, 15"L x 11"H.

Provence by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 32 x 26 inches very good condition provenance: from the artists estate, France Josine ...

Original gouache illustration on board. English circa 1970. Unframed. Unsigned.

Large contemporary oil on board of a bewhiskered cat kitten signed Gillian to the bottom left and presented in a silver metal frame. An explosion of colour and fun. The bewhiskered ...

Brightly colored and crisply detailed painting of a group of mallard ducks resting on stones on a calm lake, their dappled reflections beautifully rendered on the electric blue water...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 18 x 14 inches unframed, 22 x 18 inches framed, signed and dated lower right, inscribed “Mother and Son by Herman Maril ‘31” and “property Edward B. Rowan Falls Church VA” verso Literature: i) Dows, Olin, Herman Maril, The American Magazine of Art, Vol. 28, No. 7 (July 1935), p. 407 (illustrated with the title “Mare and Colt...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 10 inches ; 1980 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly contact us. ...

Artist/ School: Early 20th Century Scottish School Title: A black grouse in a tree Medium: oil painting on board, framed, signed Painting: 18 x 14 i...