Eugene Pechaubes

The Hunting with Hounds Oil On Canvas by Eugene Pechaubes circa 1935

1935

“The ploughed horses break” Oil on canvas signed Michael Therkildsen, dated 1887. Monogrammed bottom right M TH and dated 1887. Danish school Exhibited at the universal exhibition ...

A "genre" painting representing a mother supervising her two small daughters at the Park. Oil on canvas signed bottom right Joseph Dierickx and dated 1903. Dierickx Joseph (1865-19...

Lovely portrait of a young Boy standing on an armchair. Oil on canvas signed Felix BRYK. Swedish School, circa 1900-1910 Portraitist and ethnologist of the early twentieth century. ...

Our painting represents a military scene — an event during the war between European settlers and Native Americans. Oil on canvas, signed and dated at the bottom right : Imogene Robinson Morrel- PARIS 1874 American School XIXth century Imogene Robinson was born in Attleboro, Massachusetts, at the beginning of the 19th century. She studied art at the age of 16 in Newark New Jersey, then in New York City. In 1856, Robinson went to Europe for the first time. She studied under Adolf Schroeder and Wilhelm Camphausen in Düsseldorf, Germany. Then, Europe called to her again. She went with a friend, Elizabeth Gardner. In July 1864, they arrived in Paris and made a living copying great works from the Louvre and Luxemburg museums for American patrons. The two artists were in close contact with the colony of American artists in Paris, but they likewise befriended French painters Meissonnier and Bouguereau. In 1869, Imogene Robinson married Colonel Abraham Morrell. In 1871, Gardner moved into her last place, 73 rue des Petits Champs and became neighbors with Bouguereau. Several years later, in 1895, she married him. As long as we can follow her official path to the Salons of 1868 and 1869, her entrée as the first woman at the Academy Jullian in 1873, we observe that Robinson Morrell did not participate in the Parisian art demonstrations. She studied portraiture and landscapes under François–Louis Français (1814-1879), and took certain courses taught by Thomas Couture (1815-1879), the last historical painter of the second half of the 19th century. Couture received many students, most notably Americans including Hunt and Longfellow. It was during this period that Imogene Robinson Morrell began her great historical compositions and painted our version of the First battle between the puritans...

Beautiful painting depicting a gallantry scene, an officer and a young lady sitting on a pool table inside a Tavern. Signed lower right Rigot and dated 1874. Austrian or German Sc...

Oil on canvas depicting a scene of Fishermen by a lake, Dutch landscape. Signed on the lower left corner of Pieter Cornelis Dommersen. Painter of Dutch seas and landscapes, in Lond...

19th Century Dutch

The rapid pace of the ride over a country landscape and the relationship between the rider and horse are felt in this oil on canvas painting by Chris Brizzard...

A magnificent oil painting of grand proportions by the great British academic artist William Strutt RBA FZS of lions, elephants and zebras at a watering hole. William Strutt RBA FZS...

William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...

Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...

The painting is signed and dated 1894 Description: Eugene Alexis Girardet (1853-1907) was a prominent Swiss painter known for his remarkable attention to detail and his ability to capture vivid and dynamic scenes. Born in Paris, France, Girardet came from a family of artists and received early artistic training from his father, Paul Girardet, and his uncle, Jules Girardet, both respected engravers. He later studied at the prestigious École des Beaux-Arts in Paris, where he honed his skills and developed a deep appreciation for historical and orientalist subjects. He was interred at the Père-Lachaise Cemetery. In addition to several museums in France, his works may be seen at the Dahesh Museum of Art and the National Museum of Fine Arts of Algiers, as well as at museums in Switzerland and New York City. Girardet’s artwork often depicted historical and exotic scenes, particularly focusing on Middle Eastern and North African themes. His meticulous attention to detail and his ability to convey a sense of movement and drama made his works highly sought after. One of his most renowned paintings, “The Charge,” exemplifies his exceptional talent and his ability to create a captivating and immersive experience for viewers. In “The Charge,” Girardet presents an army of Arab camel...