Joseph Dierickx

Children playing in the park, oil on canvas signed Joseph Dierickx dated 1903

1903

Lovely portrait of a young Boy standing on an armchair. Oil on canvas signed Felix BRYK. Swedish School, circa 1900-1910 Portraitist and ethnologist of the early twentieth century. ...

Our painting represents a military scene — an event during the war between European settlers and Native Americans. Oil on canvas, signed and dated at the bottom right : Imogene Robinson Morrel- PARIS 1874 American School XIXth century Imogene Robinson was born in Attleboro, Massachusetts, at the beginning of the 19th century. She studied art at the age of 16 in Newark New Jersey, then in New York City. In 1856, Robinson went to Europe for the first time. She studied under Adolf Schroeder and Wilhelm Camphausen in Düsseldorf, Germany. Then, Europe called to her again. She went with a friend, Elizabeth Gardner. In July 1864, they arrived in Paris and made a living copying great works from the Louvre and Luxemburg museums for American patrons. The two artists were in close contact with the colony of American artists in Paris, but they likewise befriended French painters Meissonnier and Bouguereau. In 1869, Imogene Robinson married Colonel Abraham Morrell. In 1871, Gardner moved into her last place, 73 rue des Petits Champs and became neighbors with Bouguereau. Several years later, in 1895, she married him. As long as we can follow her official path to the Salons of 1868 and 1869, her entrée as the first woman at the Academy Jullian in 1873, we observe that Robinson Morrell did not participate in the Parisian art demonstrations. She studied portraiture and landscapes under François–Louis Français (1814-1879), and took certain courses taught by Thomas Couture (1815-1879), the last historical painter of the second half of the 19th century. Couture received many students, most notably Americans including Hunt and Longfellow. It was during this period that Imogene Robinson Morrell began her great historical compositions and painted our version of the First battle between the puritans...

Portrait of a young woman holding a rose. Oil on canvas signed Grandin and dated 1888. French School XIXth Century Dimensions: 80 x 21.5 cm ( 31.496 x 8.268 inches) Dimensions wi...

The Pearl Lady, most probably Elisabeth of Bohem, Princess Palatine. Oil on board signed Honthorst, dated 1644 Within a beautiful tortoise shell With a certificate by René Millet ( Well Known French Expert in Paris) The young unknown portrait shows the talent of the artist. We will appreciate the quality of glazed face, the light in the beads and the psychological analysis of the model. We almost read the character of the model. This type of face is found throughout the valley of the Rhin, Switzerland, the Netherlands. Our beauty is flirtatious and love beautiful pearls, symbol of fidelity. And so the large barocco pearl, the earrings, the necklace, the adornment in her hair; all attest of the prosperity. Gerrit Van Honthorst was born in 1590 and died 1656. His career is divided into two very different parts. In the first part of his life he is The “Night Master”, "Cavaragesque" painter, that the Italian nicknamed GUERARDO OF THE NOTTE. This period mainly Roman, which will influence LA TOUR and REMBRAND overshadowed the rest of his work. Indeed, it has been forgotten today; but when GUERARDO DE LA NOTTE returned to Utrecht, he became a fashionable portrait's painter. Radical changes without knowing the real reasons although it is often forgotten that a painter like everyone needs to survive ... Especially since the death of Van Dyck has opened the road to our artist who will rush into exploiting it. He is called to the court of Charles I, in London, where he will paint the king and the nobles of the court. In 1637, he moved to The Hague and become Van Dyck's official successor for the Netherlands and all Europe. Gerrit van Honthorst’s night paintings caused such a sensation in Rome that he was known as Gherardo delle Notti...

The Circus, The Party Is Here! Oil on board signed bottom left Patrick Franc and dated 1962 Dimensions: 50 x 65 cm ( 19.685 x 25.591 inches) Dimensions with frame: 56 x 71 x 1 c...

Beautiful painting depicting a gallantry scene, an officer and a young lady sitting on a pool table inside a Tavern. Signed lower right Rigot and dated 1874. Austrian or German Sc...

Alexandre Cabanel (1823–1889) was a prominent French academic painter known for his mastery of Neoclassical and Academic art. Born on September 28, 1823, in Montpellier, France, Caba...

Léon François Comerre 1850-1916 French L'odalisque à l'éventail (The Odalisque with the Fan) Signed "Léon Comerre" (upper left) Oil on canvas Combinin...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Girl with Teddy bear / Tender innocence This is one of my favorite artworks painted from nature. Painting are on stretched canvas come ready to hang. This is the “hidden frame”...

Academic, nautical style figurative oil painting of a handsome sailor against an ocean landscape "Sailor with Rope" painted by Mark Beard as Bruce Sargeant (pseudonym in homage to th...

Academic style figurative painting of four male motorcycle riders by Mark Beard aka "Bruce Sargeant" "Men and Motorcycles", painted in the early 2000's for Abercrombie and Fitch's flagship store in Milan, Italy 83 x 88.75 inches unframed, 88.5 x 94.25 inches with a simple black painted wood frame Signed "Bruce Sargeant", upper right Good condition based on scale, size, and age (see condition notes below) This figurative painting of four young men on a motorcycle joyride was made by Mark Beard under his fictitious artistic persona, Bruce Sargeant. Painted in a modern Academic style, the handsome athletic men...