Late 19th Century Animal Paintings

Fine figurative oil painting of a barefoot peasant girl with rustic clothing and cloth holding back her hair. She is standing on a rocky path with her faithful dog. The figure of th...

A wonderful example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This picturesque view has the typical Barbizon elements with a shepherdess and her flock at the edge of a forest. Beautifully presented in a good quality hardwood frame - a very atmospheric piece in ready to hang condition. George Boyle (1842-1930) A shepherdess and her flock at the edge of a forest Signed Oil on canvas 15 x 18 inches without the frame 22 x 25 inches with the frame George Boyle is perhaps the best known English painter inspired by the Barbizon School. In fact he is known as the "Catford Corot" as his paintings have such a close resemblance to the school's main exponent, Jean Baptiste Camille Corot. The "Catford" element of this nickname corresponds to the area near Greenwich...

Sunset by the River English School, late 19th century signed "T. Woods" signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Co...

This late 19th-century oil painting by Austrian artist Otto von Thoren (1828-1889) depicts three horses pulling a cart across a shallow ford. Von Thoren was a celebrated painter of l...

Theodore LEVIGNE Oil on Canvas Picture Size: 20 x 24" (51 x 61cm) Outside Frame Size: 27 x 31" (67 x 77cm) Born in 1848 and died in 1912 in Lyon, France Painter of figures, portrait...

Farmyard Friends French artist, late 19th century oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private collection, Paris condition: very good and sound condition

Margaret Collyer, (1872 - 1945). A London painter of animal scenes, whether horse portraits or dramatic highland scenes such as her "Lord of the Isles". She exhibited at the Royal Ac...

R. Watson (British, late 19th century) - Herd of Highlanders grazing. 77 x 51 cm. Old oil painting on canvas, unframed. - Work signed and dated on the left: “R. Watson”. Conditio...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. Binam, he was clea...

A beautiful signed and dated 1880 oil on canvas portrait of a terrier sitting on a chair, by Rupert Arthur Dent. Excellent quality work by this noted Victorian animal painter. Signe...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Initialed upper right, 'C.N.' (Danish, 19th Century) and dated 1898. A late nineteenth-century oil composed with a fresh palette and finely-observed detail. This elegant feline stud...

A beautiful late 19th century Victorian oil on board portrait of a terrier dog. Fine quality work, indistinctly signed lower right and presented in a gilt frame. Artist: British Sch...

Highland Cattle Watering is a landscape/cattle painting, late 19th century/early 20th Century by Scottish artist Douglas Cameron. This is an oil painti...

Fine landscape painting, oil on canvas of Snowdonia, Wales by 19th century British artist Thomas Huson, RI, RA. Rushing rapids from a lake, mountain landscape and clouded skies, and...

Early 20th Century English portrait of an English Jack Russell, Called Fritz. John Emms was born at Blofield, Norfolk, the son of the artist Henry William Emms. An interest in art took him to London and for some time he worked as Frederick, Lord Leighton...

Alfred Schönian (1856-1936) Germany Rooster With Hens and Ducks by a Pond oil on panel signed A.Schönian München panel dimensions 6.29 x 9.44 inc...

Antique Dog Painting of "Mignonne" dated 1876 Louis Eugène Bourgeois (French 1831-1878) Pastel on cardboard Signed lower left "E. Bourgeois" Inscribed upper right "Mignonne." Rever...

Henry Robinson Hall. English ( b.1857 - d.1927 ). Highland Cattle In The Margins Of A Scottish Loch. Oil On Canvas. Signed Lower Left. Image size 23.4 inches x 15.4 inches ( 59.5cm x...

This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1895 and the location, inscribed verso, is Loch Restil Glen Croe in Scotland. In...

This charming late 19th-century oil painting by Arturo Orselli (fl. 1880-1896) depicts a huntsman wearing riding gear conversing somewhat flirtatiously with two ladies. Attired in o...

Resting Dog in a landscape " the fidelity " Swedish oil painting on panel by Ida Von Schulzenheim Ida Eléonora Davida von Schulzenheim (1859–1940) was a Swedish painter. Her foremo...

A wonderful painting by British artist Sidney Pike (1846-1907). Pike is best known for his depictions of the English countryside, and he attended many time...

The Terrier and the Rabbit by ROBERT CLEMINSON (1864-1903) signed oil on canvas, framed framed: 24 x 32 inches canvas: 16 x 24 inches provenance: private collection, England conditi...

A stunning, showpiece example of William Henry Mander's painted in Rhys, North Wales. The size is unusual and perfect for a mantlepiece as a statement piece. Picture Size: 22 x 36" ...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

H.Jackson. 19th century English landscape with sheep English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence of the work of the Belgium painter Cornelius van Leemputten...

The Cavaliers Rest English School, 19th century The painting is after Sir Edwin Landseer's earlier painting which hangs in the National Trust's collection. oil painting on canvas, fr...

Antique Dog Painting "The Bulldog and the Fly" Auguste Vimar (France, 1851-1916) Gouache on paper Circa 1900 7 1/4 x 9 3/4 (13 1/2 x 16 frame) inches An amusing study of a bulldog in a stable on a horse blanket staring at a bothersome fly. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...

The Pass of Glencoe by Edwin Longstaffe (British, late 19th century) signed with monogram to the lower corner titled to label verso Oil painting on canvas, framed Framed: 24 x 18 inc...

Mary Russell Smith Feathered Tribe, 1871 Signed and dated lower left Oil on canvas 9 1/2 x 14 3/4 inches The daughter of theater scenery and landscape painter Russell Smith (1812–1...

Playful Terriers English dog artist, early 20th century Oil painting on board, framed Framed: 16 x 19.5 inches Board: 11.5 x 14.5 inches Condition: The painting is in excellent condi...

Plumot André Antwerp, Belgium 1829 – 1906 Belgian Painter Shepherds Couple with Herd in a River Landscape Signature: Signed bottom left and dated 1877 Medium: Oil on canvas Dimensions: Image size 58,50 x 104,50 cm Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium. He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style. He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten. For a short time, he worked in N. de Keyser...

Portrait of "Cablefoot" Champion Greyhound, 19th Century by George PAICE (1854-1925) to $15,000 19th century portrait of Cablefoot a champion racing greyhound, oil on canvas by Geo...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

Firmado por el artista en la parte inferior (desconozco el artista) El estado de conservación es aceptable Se presenta enmarcada la obra Medidas obra: 19 cm altura x 40 cm ancho. ...

Hare Coursing by J.C Mitchell (British sporting artist, 19th century) dated 1879 signed oil on board, framed framed: 11.5 x 14 inches board: 9.25 x 12 inches provenance: private coll...

This late 19th-century oil painting by British artist Walter Waller Caffyn (1845-1897) depicts cattle by a stream near a wood. Caffyn was a Royal Academy-exhibited painter of natural...

Conditions: In excellent overall conditions, with no repaint under UV light, original canvas and frame. Signed Lower left "Ls Reinhardt". Dimensions with the frame are approximately...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in ...

The Village Duck Pond by R. Fenson, British signed and dated 1896 oil on canvas, unframed canvas: 20 x 30 inches provenance: private collection, England condition: very good and soun...

This charming portrait of a Collie dog by Frederick French, painted circa 1896, captures the loyal and calm nature of one of the most beloved breeds. French's delicate attention to d...

This painting by William Osborne, an Irish artist from the 19th century, features a bay racehorse in a stable, captured in rich oil on canvas. The scene evokes a sense of realism and attention to detail, as Osborne was known for his vivid depictions of horses, particularly those involved in racing or in stables. The piece is signed with the artist’s initials, and still features the original frame. William Osborne is today best remembered as the father of the artist Walter Osborne. But he was a significant artist in his own right. He specialised in painting animals especially his own terriers who were often depicted in his studio. Strickland wrote ''His pictures of dogs...

Massive size, this six-foot long oil painting makes an impression! Professionally preserved, this masterful work looks as contemporary and detailed as the day it was completed in 18...

This classic English school 12 x 16 in. Oil on Canvas framed painting features a pet Spaniel and cat resting on a desk in a home study environment. The dog is seated, its body facing the right side of the painting while its head is facing the viewer at the picture plane. The Spaniel has a long haired black and white patterned coat. Its long ears are black and curly and face is mostly black with an area of white fur on its head and a strip of the white down the nose and into the chin. The stomach and legs/paws are mainly white, while his back and tail are both black, although its full body is not visible. The domestic cat is depicted sleeping to the right of the dog, both positioned on a green desk. The cat is sleeping horizontally with the composition, its head on the left and its curled up body and tail on the right. The cat has mainly grey fur with patches of white on its nose, neck and the one leg and one paw that is visible to the viewer. The edge of the green desk, closest to the picture plane, meets with the bottom edge of the work and the left edge of the green table is only partially visible as the further half is cut off by the left side of the canvas. The desk is an olive green color and takes up the foreground of the piece. On the desk next to the cat is just a small corner of a singular document that reads "Young America" and then below that a couple of flourishes/ ornamental lines and the date, "1872." Behind the document, on the desk, are five standing books and two stacked books. The books appear to be up against the back wall that is depicted in the work, next to a hung landscape painting. The largest standing book's title is "Natural History," a greenish/blue hardback book with a maroon red strip where the title and author's name is on the book's spine. A smaller book standing on the right of "Natural History" is a copy of "Robinson Crusoe," a darker green hardback with a strip of silver for title and author upon the spine. To the left of "Natural History" is an untitled book and to the left is a copy of "Arabian Nights," a tan hardback with red/orange at the title and author's name. To the left of "Arabian Nights" is another untitled book. The two books laid on the desk, on the right side of the standing books, are both tan/light brown books...

Large British Antique Oil Painting of Two Horses by Walker English, Late 19th Century Canvas: Height 54cm, width 87cm Frame: Height 71cm, width 107cm, depth 8cm This tranquil scene ...

Edward Benjamin Herberte British, (1830-1896) On the Scent Oil on canvas, signed & dated 1890, embossed makers mark to stretcher Image size: 15.5 inches x 23.5 inches Size including...

This painting by William Joseph Shayer features a horse and dog in a landscape surrounded by a serene and rustic scene, showcasing Shayer's skill in portraying figures within natural...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

La obra va firmada por el artista en la parte inferior La obra se presenta enmarcada con un marco de la época de la obra (el marco presenta algunas faltas) Medidas obra: 35 cm. alt...

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

"Passing Clouds" British School, late 19th century indistinctly signed oil painting on board, framed framed: 14 x 18 inches board: 10 x 13.5 inches Provenance: Private collection, U...

D. GRIFFIN This is a pseudonym of George Armfield. Picture Size: 14 x 18" (36 x 46cm Outside Frame Size: 21 x 25" (54 x 64cm) Signed and dated bottom left Free Shipping He was bor...

Paper Size: 24.5 x 18.3 cm Mount Size: 35.8 x 27.8 cm More details to follow

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf, while the redhead girl, her eyes sparkling with excitement, reaches out to touch the adorable creature. The artist's attention to detail is impeccable, with each brushstroke conveying a sense of life and movement to the painting. Nevertheless, the beauty of this painting lies not only in its technical prowess but also in the emotions it evokes. Visual research gets us to authorship of Walter Goodall (1830 - 1889) an British painter. But since the painting is not signed apparently – it is hard to state for sure. Antique oil painting on canvas with stamp for 'Brodie & Middleton, 79 Long Acre...

William Frank CALDERON Signed and dated 1891 oil painting. A beautifully painted painting of a racing horse with its companion pony used to keep it calm and not lonely. Picture Size:...

A terrier named Joe standing in an English country house walled garden, painted by the eminent animal painter John Emms (1844-1912) in the late 19th cent...

This beautiful and vibrant 19th century American watercolor is an hommage by Paul de Longpré to the Alps, as it features a rich variety of Alpine flowe...