People Animal Paintings

Henrietta Caledon Over the Rainbowl Framed Original Oil Painting Oil on Canvas Board Canvas Size: H 46cm x W 61cm Signed by the artist (Please note that in situ images are purely an indication of how a piece may look). Over the Rainbow was painted during the lockdown. Each animal and flower represent different things, the eggs and tadpoles show new life, the four-leaf clover is for luck, the bee produces the elixir of life in the honeycomb, the owl is wise, the rabbit symbolizes fertility and family. The frog navigates between the physical, emotional, and spiritual planes. Extractivism is a movement started by Zumloh where you only paint happy things. The rainbow became a symbol for the NHS. The sides of the canvas are painted. Henrietta Caledon was born in London in 1964. Studied art and history of art for O’level and A’level at West Heath School and then Queensgate School. Trained at Xium International design service company in 1982/83. Started interior decorating business Henrietta Designs in 1984 and have carried out many projects around the world for thirty five years, working a lot with design and colour. 2016-2019, Trained with Nick Bashall at Rossetti Studios and the sketch club at Dilke Street. 2018 exhibited three paintings in group exhibition at The Hurlingham Club, London. 2019 solo exhibition at Kiki McDonough...

Debra Benditz Texas Artist Image Size: 48 x 36 Medium: Oil "Riding at Dawn" Cowgirl We will only ship in the Continental United State for posted shipping price. Debra Benditz Texas Artist Statement My oil paintings are a vibrant expression of the feminine and the can-do spirit of the Wild American West as embodied by my paternal grandmother and great-grandmother, both award-winning horsewomen. I use saturated colors, often found in nature, to interpret burgeoning growth, beauty and the human form especially of Jennie Pawson and Aeola Huston Mitchell, my cowgirl ancestors. I know these feisty women from stories I heard my father tell and from old photographs showing the time Jennie met Theodore Roosevelt, and another from 1901, when she was named a champion of the Cheyenne, Wyoming Frontier Days. As a child I spent hours on the floor of my grandfather’s music room as Enrico Caruso serenaded me from the Victrola. I gazed in awe at the tall bookcases, art-covered walls and my grandfather’s art nouveau postcard...

Acrylic on canvas Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. He started his artistic career in working for a company engaged in th...

Concert. 2016. Oil on canvas, 60x90 cm Dagnia Cherevichnik (1974) Born in 1974 in Riga. Professional education: 1986-1993 – J. Rozentals Riga Art Secondary School; 1995 - 2001- LMA ...

A dynamic and fun filled early 20th (c.1940) village scene, showing a group of men in a hay cart, being pulled by a handsome horse with elaborate harness. The horse is moving along t...

Oil paint on canvas Hand-signed by the artist on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in tempo...

Edward Brice Stanley Montefiore, (1855 -1918). A London painter and illustrator of landscapes, often with working horses. Exhibited at the Royal Academy, Royal Institute and Manchest...

ANDRZEJ FOGTT (born in 1950) He graduated from the PWSSP in Poznań in 1974 where he studied in the studios of prof. Z.Kępiński and M. Abakanowicz. Initially, his art was considered t...

Sunil Das - Untitled - 9.25 x 7.25 inches (unframed size) Drawing Ink & Lithograph on Paper Inclusive of shipment in ready to hang form. It is not easy to figure out the mask-like f...

Sunil Das - Horse - 8 x 5 inches (unframed size) Ink on Paper ( Unframed & Delivered ) Sunil Das was one of India's most important postmodernist painters and rose to prominence thro...

"Fancy Valery" is an impressive artwork from the artist's Fancy Collection that captivates the viewer with its use of blue as the main theme. However, what stands out in this piece i...

This is an original Oil on Canvas painting by Charlene Mosley. A cirtificate of authenticity will follow delivery. Charlene Mosley’s current work discusses the importance of the ba...

This painting was created lightheartedly, accompanied by mysterious music that filled the air as I worked. On the canvas, you’ll see one of my favorite subjects—horses—set against th...

Original painting depicting a Cat looking towards light.

"Unexpected cruise" is a painting by the French artist Maestro Danielle Le Bricquir. Through her art, she has a very sharp and unique style of br...

Oil on wood panel

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...

Three doggies in the sea. Alla prima oil painting with few final tuches when dry.Beautiful weather with a big shining sun. And I'm standing there taking it all in.The many spectacula...

Alicia Rothman received her MFA in printmaking and drawing from Indiana University, Bloomington and graduated from Music & Art High School in NYC. Rothman has taught drawing at NYU S...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

acrylic and graphite on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting...

Air Battle in the German Way (imagined and designed during Sars-COV-2 lockdown in Spring 2020) Mixed media on canvas (oil, tempera, paint)- 50 cm x 70 cm "The canvas derives from...

Nothing in nature exists in isolation. Everything is interconnected and interdependent. Bruno Surdo explores this theory in this large scale painting entitled simply "Nature's Web of Dependency". One small part of this web are humans And while nature can survive without humans, we must ask ourselves, can we humans survive without nature?? This painting is unframed. Please contact the gallery for framing options. Bruno Surdo Nature's Web of Dependency oil on canvas 64h x 66.50w in 162.56h x 168.91w cm BRS082 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

Tadas Zaicikas work is fun and joyful, his use of acrylics, charcoal, oil pastels and spray paint give his pieces real energy, reminiscent of Jean-Miche...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil painting on the finest quality unprimed Belgium linen canvas. Title, year, medium and size: Crodino Aperitivo, 2023, oil, acrylic, oil stick, charcoal, pencil and spray paint on linen canvas, 220 x 180 cm (After John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728) **FREE SHIPPING** Due to its large size, this painting will be shipped rolled to minimize shipping costs. The painting is shipped rolled up without stretcher bars. This method is especially safe for large works. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. The painting is by Dutch contemporary artist and art teacher Rubins J...

Oil painting on canvas by Elena Mardashova, 100x40 cm., realized in 2020. Excellent condition.

Karl Stuhlmuller (German, 1859-1930), "Market Scene", Oil on Panel, 19th century, signed lower right, and marked to verso. Image: 13.5" H x 22" W; frame: 27.25" H x 35.5" W. Provenan...

The Parrot is an original artwork realized in the 1930s by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Signed to the lower right. Presented in a contemporary styled frame with a cotton slip. On board.

Oil paint on canvas Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths already traveled a...

Horsemens, paper/mixed media, 2007, 36x53 cm

Carlos Federico Reyes Templo San Roque (Temple of San Roque), 1997 Oil on paper Unframed dimensions: 42 x 28.50 inches Framed dimensions: 48 x 34.62 inches This one-of-a-kind modern...

5212 Italian Modernist Cubic colorful painting Framd Signed on verso Patrick Poletti

Artist: Susumu Kamijo Title: Untitled Size: 17 × 14 in 43.2 × 35.6 cm Medium: Oil stick and pastel pencil on paper Edition: Original Year: 2017 Notes: Great Condition. Framed:...

Sheep in a VW Split Screen Camper Van visiting Johann the goat in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 inc...

Rustic Farmyard Scene signed by Édouard Righetti (1924-2001) mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 21.5 x 29 inches ar...

"A Girl and Her Dog" A summer day in the South Bay in SO CAL and a girl and her dog pause for a moment. Fine artist Carole Garland seems attracted by the special bond that develops b...

Original Lhasa Apso gouache, probably Belgian, done as a design for a series of matchboxes.

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

Horses with Farmer & Plough in Ireland Countryside by Contemporary Irish Artist Art measures 28 x 21 inches Frame measures 33 x 26 inches Gregory ...

BULLFIGHT IN MOTION Size: 43.5 x 51 cm (including frame) Oil on Canvas An emotive and dynamic mid-century modernist composition that captures the dramatic spectacle of a bullfight s...

Naturalistic realist painting by modern Dutch artist Poen de Wijs. The work features a woman playing the flute in front of a woman with her hair pulled up set against an abstract bac...

Subrata Biswas - Untitled - 11.5 x 8.25 Inches ( unframed size ) Dry Pastel & Tea Liquor on Paper. ( Unframed All in Delivered Price ) Style : The motive of a child in its most basi...

Scottish artist, David McEwen's oil painting, "Last Chukka" of a Polo groom with polo horse in Wellington, FL in the US depicts the life of Palm Beach Polo Season. McEwen is renown ...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 24 x 36 Frame Size: 28 x 40 Medium: Oil 2005 "Noon Arrival" Thirsty and Tired Biography Edward Lee Reichert (1919-2011) Edward Reichert, architect, designer and artist, is a native Texan who has combined regional, national and international study and practice of the visual art and architecture since 1936. He is a versatile artist and designer, skilled in creating quality landscapes, portraits, architectural, western, religious and varied work in all media. After 36 years of architectural practice based in Houston in which he was involved in the design of more than 400 regional and international projects, he now devotes full time to painting. Best known of his art works are his designs of stained and faceted art glass which include 100 panels designed for the First United Methodist Church of Houston. In 1983, he wrote and jointly published with the Church, Windows Sharing God’s Caring, an art book with photographs by his wife Elizabeth, illustrating and describing these panels and the historic sanctuary windows. While attending The University of Texas in Austin he served as art editor of the university publication Architecture, Engineering and Industry (1938-41). After receiving his Bachelor of Architecture Degree and the Alpha Rho Chi Architectural Medal in 1941, he was awarded scholarships for continued studies a M.I.T., Harvard, and Yale. As a Naval Reserve Officer during World II, he authored and illustrated Naval Intelligence publications. He became a Registered Architect in Texas in 1947, AIA member since 1951 and NCARB certified since 1974. He has worked and studied in England, Europe and Canada. Invitational study and travel with Master Painter, Lajos...

These wonderful koi, I saw in a dream. To japan Fukushima and Ukraine Chernobyl. radiation has always been a fast evolutionary fuel, new species have been born through mutations. Pla...

"Osiris" is a fun and beautiful oil painting by Michele Mikesell. Her animal-human figure has a flawless and beautiful face combined with abstract elements and her signature pristine...

Oil painting on canvas Unique work Hand-signed lower left by the artist

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

The panels were designed ad decorations for 18th century french drugstores, and can be compared to those designed by the same Peyrotte (who was painter and furnitures designer for th...

In 1993, a window of opportunity opened as a result of several different situations that were occurring. I was participating in an Artist-in-Residence program in Yellowstone Nationa...

'Swallow' by Ignacio Trelis is a dreamlike painting with the portrait of a woman and a swallow bird. Ethereal in its wuaility with such fine detail. The piece is oil on silver leaf p...

oil and gold leaf on wood panel

Modern colorful abstract painting by Texas artist Don Snell. The work features two central nude female figures standing next to an animal in a tropical lands...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

oil and gold leaf on wood panel

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the crea...