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After Sir Edwin Henry Landseer - Early 20th Century Oil, King Charles Spaniels

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A striking contemporary work in oil by Paul W. Ozere. Signed to the upper corner. Presented in a white painted wooden frame. On canvas on stretchers.

This charming oil by Charles Edwin Baldock depicts a loyal farm dog resting atop an old oak barrel. Baldock's skilful rendering of the scene, from the dog's coat to the wooden barrel...

An intriguing oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Poultry scene in oil. Well presented in a gilt-effect frame with swept rails and elaborate floral and acanthus moldings. Signed in the lower right. On panel.

5212 Italian Modernist Cubic colorful painting Framd Signed on verso Patrick Poletti

"The Victor (A Triumphant Cockerel Crowing Over His Victory...)" After Melchior de Hondecoeter (Flemish, 1636-1695) Oil on canvas Unsigned 40 1/2 x 34 1/4 (frame) inches This much copied painting is a masterfully executed portrait of a strutting and triumphant rooster painted...

This striking acrylic painting by Moldovan-Spanish artist Natasha Lelenco features a surreal anthropomorphic portrait constructed from lush green leaves and blooming yellow daisies, blending botanical precision with symbolic intensity. The central figure’s face, composed entirely of flowers, is both haunting and tender, while a pink tongue and tiny plastic toy soldier create a poignant contrast that challenges the viewer’s perception of innocence, violence, and the natural world. Set against a softly gradated sky-blue background, the painting invites reflection on ecological fragility and the absurdity of human conflict. Part of the acclaimed “Fetishes” series, this work is inspired by Giuseppe Arcimboldo’s botanical portraits, reinterpreted with contemporary urgency. Lelenco’s painting critiques war and environmental destruction through a visual language that is as poetic as it is unsettling. The toy soldier, perched delicately on a green leaf-arm, acts as a miniature symbol of violence embedded in play, questioning the narratives we inherit and enact. The piece was originally commissioned for Imaxinaria, Mostra Internacional de Ilustración Contemporánea in Galicia (Spain) and remains one of the most iconic works of the series. Medium: Acrylic on board Dimensions: [Insert exact dimensions] Year: 2022 Framing: Painted edges, ready to hang, no frame needed Signed by the artist Keywords: Acrylic botanical portrait, Anti-war painting, Contemporary Arcimboldo style...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...