Medium Figurative Paintings

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

Original acrylic paint on canvas of a large bird at rest by the Russian/American artist, Nahum Tschacbasov. Signed lower right and dated 1980. Artist inventory label upper right on ...

Medium: Oil on Canvas Signature: Signed lower right: JC Leyendecker Living Mannequin sold at the U.S. War Bond at the United States Treasury-Saturday E...

Head Crying in the Wood, 2017 Acrylic on canvas 27.55 H x 27.55 W in. 70 H x 70 W cm The artwork represents a crying head of a man in the wood. The fear paralyzes the facial expression of the man and several droops come out of his eyes. The face expression...

SALE ONE WEEK ONLY Steve Huston worked construction to support himself through college. That experience seems to have heightened his aesthetic interest i...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

The French City by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound condition

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) Under the Viaduct 22 x 30 inches Oil on canvas. c. 1930s Signed lower left ...

Oil painting on cardbord Original art by Grigori Ivanov. Founder of art style "Svetizm" healing paintings with light and color. Ready to hang. Sh...

The Ballerinas by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner oil painting on board, framed framed: 23.5 x 29.5 inches board: 21.5 x 28 inche...

Ancient monuments is an original painting realized by Vinzenz Fischer (1729-1810) in the late 18th century. Mixed colored oil painting on canvas. This beautiful artwork represents ...

Nirvana, 2018 Oil on canvas (Signed on reverse) 27 9/16 H x 19 11/16 W in. 70 H x 50 W cm In his paintings, Radu Rodideal speaks about the concept of lo...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

In this piece, the artist depicts his subject in a whimsical and impressionistic way, capturing the Cafés of the busy streets from the 20th Century with much life. In the distance we...

"Silent Bonds" is a touching depiction of human connection. Six graceful hands, illustrated in gentle monochrome tones on a textured white canvas, are entwined by a single red thread...

Ludwig Hermann German, (1812-1881) Winter on the Quay Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This highly detailed...

PAULINA MAKSJAN (born in 1982) She studied at the Academy of Fine Arts in Gdańsk under the guidance of prof. Maciej Świeszewski at the Faculty of Painting and prof. Maria Targońska a...

ROBERT KENNETH WHITE – "RED DOOR" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless Display ARCHITECTURAL REALISM BY ROBERT KENNETH WHITE In "Red Door," Robert Kenneth White masterfully captures the interplay of sunlight, shadow, and classical architecture, transforming a simple doorway into an evocative study of structure and light. The crimson entry partially concealed in shadow invites viewers to imagine the hidden stories behind its historic façade. Known for his painterly precision and atmospheric realism, White elevates everyday scenes with exceptional technical skill and a keen eye for mood. The composition’s detailed architectural carvings and dramatic lighting showcase his ability to blend photorealism with timeless elegance. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for architectural, figurative, and landscape works ✓ Captures rich texture, historic detail, and compelling light effects ✓ Ideal for collectors of realism, architectural studies, or European-inspired compositions ✓ Ready for framing or display ARTWORK DETAILS: ▸ Title: "Red Door" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Artwork Size: 30.125 x 22 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American realist known for his atmospheric landscapes, coastal vistas, and architectural studies that merge technical mastery with painterly warmth. Working primarily in oil, White draws inspiration from classical architecture, European cityscapes, and the quiet beauty of everyday structures. His compositions often explore the interaction of light and form, reminiscent of artists like Edward Hopper, John Register...

Alfred Edward Emslie A beautiful example of Arthur Emslie's work combining his renown ability for portraiture and genre. The soft tones of the background and dress contrasted with the highlights in the face and the large, vibrant bouquet of roses creates a piece perfect for any situation. It is a painting showing class, technique and subtlety. Provenance: Bonhams Canvas Size: 22 x 18" (56 x 46cm) Outside Frame Size: 32 x 28" (81 x 71cm) 1848-1918 Alfred Edward Emslie was an English genre and portrait painter and photographer. He was the son of the engraver, John Emslie...

Signed by Artist in Lower Right The Saturday Evening Post, April 14, 1928, cover illustration Literature: Arthur Leighton Guptill, Norman Rockwell, Illustrator, New York, 1970, p....

French school of 19th century Academy study - Naked man Oil on canvas 81 x 56,8 cm Inscribed "Julien" on the backside Without signature

Red Thumbprint - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

Original cover for The Saturday Evening Post magazine, published May 14, 1932 Joseph Christian Leyendecker’s Circus Bareback Rider (1932) is a standout example of his work for The S...

Rafael Duran Benet (1931-2015) - Sit woman - Pastel Drawing measurements 62x42 cm. Frame measurements 82x62 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Waves Size: 20" x 27.5" x 0.8'' inch...

This artwork titled "Afternoon Reflextions" 2002, is an oil painting on canvas by noted American artist C.M. Cooper, b.1952. It is signed and dated at the lower right corner by the a...

The Drummer French School, late 19th century Post-Impressionist School oil on canvas, framed framed: 28 x 22.5 inches canvas: 24 x 18 inches provenance: private collection, France co...

Artist/ School: French School, 20th century Title: Mythological Scene with Figures in Classical Landscape Medium: oil painting on board, unframed Size: board: 19.75 x 27 inches ...

Oil Painting on board realized by Miloslava Vrbova (1909-1991) in the mid-20th century. Good condition, framed.

Modern nude study of woman seated in chair by American painter, Patricia Gren Hayes (b. 1932). Red haired women with side view of same woman with asymmetrical composition circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

"Depuis le col de Brouis" - Provence, Alpes Maritimes, France “From the pass of Brouis” - Provence, Alpes Maritimes, France Oil on canvas signed ​lower right, 54 x 73 ​x 2,5 cm, titl...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck w...

Man in Blue French School, circa 2000 oil painting on canvas, framed canvas: 60cm x 50cm framed: 76cm x 66cm Superb decorative French portrait of a young man, painted in blue. Wonde...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1981 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1983 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

A stunning depiction of a lone figure walking down a path. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With joyful colors, this p...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Original acrylic with wash artwork of children on heavy card stock by the Italian born artist, Domenic Guerrera. Signed lower right. Signed verso, Roma (Rome, Italy). Condition is ve...

Steven H. Rehfeld (American, born 1954) "Pompeii" 2009 Oil Paint, Paper, Pencil, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. This striking 30" x ...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative artist Calvin Lai paints a provocative...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Christiane Bouret is a painter that works with oil paint to create figurative artworks and portraits, and the present painting is an excellent example of her work. In the image, we s...

Portrait of a Seated Woman Oil on canvas, c. 1930 Unsigned Provenance: estate of the Artist by Descent to the Heirs Signed in oil with the artist’s initials “PH...

Lively Paris street. 1973. Oil on canvas. 54 x 73cm Hiro Yamagata was born near Kyoto, Japan, went to Paris to study art, and considers himself an American artist. In his Los Angeles studio, Yamagata paints minutely detailed scenes of Paris streets, cafes and parks. He captures the essence of the naif style by presenting life in simple terms, and the world in the happiest light. His creative synthesis of photorealist and neo-folk techniques has won countless admirers and collectors. Yamagata's vision is unequivocally cheerful and his imagery is endlessly inventive. He works from a palette of over 100 shades of acrylic paints, and renders in exacting detail with brushes with as small as two hairs. Serigraphs of some of Yamagata's most popular paintings...

Oil on cradled board. Signed and dated on back. Part of an ongoing series of man vs beast by the artist

Reclining Nude Model in Acrylic on Paper Colorful painting of a woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A woman is reclining on a lounge chair, with her head resting against one hand. Behind her, there is a potted plant. Some of the shadows in this piece are shown in reds and oranges, creating a warm feel to the composition. Unsigned, but was acquired with a collection of the artist's work. Paper size: 22.5"H x 28.38"W Katherine Kallick...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olu...

Calvin Lai's (US based) "Trust" is an original, handmade oil painting that depicts two acrobats with the female figure balancing on the male figure. Artist Bio: Calvin Lai's art i...

Destroy the Gender is a provocative acrylic painting and collage realized by the Italian artist Anna Maria Caboni. The collage depicts a statuary male nude covered by orange underwe...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

Artist/ School: French School, 20th century Title: Figure in boat under a bridge on the river. Beautiful sludgy colors used of teal, greens and browns painted with almost thick bloc...

Working in the Fields by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 21 x 26 inches very good condition provenance: from the a...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Seated Nude Woman Bay Area Figurative School Abstract Expressionist Seated wearing a hat by Santa Cruz and San Francisco artist Heather Speck (American,...

Dan McCaw's "Textures" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich tex...

Beautiful 19th century oil on canvas. Probably European but not sure. I do not see a signature. Housed in lovely burl wood frame which measures 30 1/4 inches wide by 22 1/2 high. Pai...

Tulips French School, circa 1950's signed oil painting on canvas, unframed canvas: 27.5 x 20 inches provenance: private collection, France condition: very good and sound condition