Medium Figurative Paintings

Abstract Composition French School, circa 1970's indistinctly signed and dated oil painting on board, unframed size: 21 x 25.5 inches condition: overall good and sound provenance: fr...

Original advertisement for Kuppenheimer Clothing, featuring a jockey on a race horse and a well-dressed gentleman in a suit This illustration for Kuppenheimer Clothes appeared in various advertisements and promotional materials in 1926 and 1927, such as the cover of a race-themed Kuppenheimer advertising booklet, as well as the interior page of the Kuppenheimer Spring & Summer 1926 brochure, where the associated caption states: “This double-breasted, with slender hips and broad Curvette shoulders, will be quite the thing with stylish young fellows this spring – especially in the new shades of Ambertone and Silvertone.” A wood-engraving of the image was completed by Jacob Sander for use in newspapers in 1926. Engravings like this were often created to eliminate the difficulties associated with half-tone production on the poor quality newspaper stock. The present work showcases the artist’s ability to capture an idealized vision of male beauty. The rich colors and textures of the fabrics applied with Leyendecker’s signature painterly technique further enhance the appeal of the clothing the picture advertises. In the early spring of 1926, in preparation for upcoming Kuppenheimer advertising projects, J.C. Leyendecker visited the Aqueduct Racetrack horse racing facility in Queens, New York. He was directed to the legendary trainer ‘Dick’ (Herbert John Thompson), who was training the horse named Bubbling Over, who would become the model or the horse pictured...

ARTIST: Osmund Caine (1914-2004) British TITLE: “Paris Street Scene With Numerous Dispersed Figures” SIGNED: lower right MEDIUM: oil on board SIZE: 81cm x 69cm inc frame CONDITION: very good DETAIL: Artist in oil, watercolour and stained glass and teacher, born Manchester, full name George Osmund Caine. Studied at Birmingham College of Art, 1930–7, and in Italy, 1938. Served in the Military Police during World War II. Gained an honours degree in medieval and modern history and studied singing at Guildhall School once he had begun teaching, singing lieder and choral works on the radio and in concerts. He taught, 1945-76, including principal lectureship in graphic design at Twickenham College of Technology. Caine was a forceful, unconventional teacher who developed a successful, broad-based vocational course embracing illustration, exhibition and graphic design, typography and photography. In 1966 he made two films: The Ruskin Country, and, with his wife Mary, The Glastonbury Giants. Her associated book, The Glastonbury Zodiac: key to the mysteries of Britain, appeared in 1978. Took part in numerous mixed exhibitions, including NEAC, RBSA and RA, and had many solo shows in Britain and France, later ones including Duncan Campbell Fine Art, 1986, Galerie Salammbo, Paris, 1987, and retrospective at Orleans House Gallery, Twickenham, 1998. English hill figures, British castles, monumental effigies, Kew Gardens and France were notable themes in his work. Caine completed 15 stained glass windows in Britain and abroad, including St Gabriel’s Church, Cricklewood, and St Cuthbert’s Church, Copnor. In the mid-1980s Caine gained a Durham...

Mikael Olson's (US based) "Hikers in Winter" (2025) is an original, handmade oil painting, which depicts a group of hikers in a heavily forested area, looking out at a small body of ...

Oil painting, 2019. Certificate of authenticity by the author. In creating this piece, I ventured into the realm of the enigmatic, where realism dances with surrealism. The oil medi...

Elin Siân Blake. Welsh ( b.1981). First Light. Oil On Canvas. Signed Lower Left. Image size 23.4 inches x 17.3 inches ( 59.5cm x 44cm ). Frame size 28.5 inches x 22.4 inches ( 72.5cm x 57cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The painting is presented and supplied in a sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The painting is signed lower left. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library books, originally producing very detailed photo-realistic images. Her artistic style developed considerably over the years, becoming more expressive. Blake’s main emphasis is always her love of images from the Welsh countryside and industry. As she explores the heritage of the Welsh valleys, she paints a social commentary on everyday Welsh working life. Her work captures the essence of Welsh tradition whilst simultaneously challenging societal norms. Bold and evocative, Blake's art invites the viewer to take a critical look at the complexities and nuances of Welsh heritage. By melding her artistic vision with a profound cultural understanding, she presents a thought-provoking examination of the past, present, and future of Wales. © Big Sky Fine Art This is a stunning and very tender image of a mother and baby, sitting by a window in the first light of a new day. It is all the more intimate because it is in fact a self-portrait of the artist shortly after the birth of her own daughter. The baby is wrapped in a soft cream blanket and is being held to her mother’s breast, feeding or sleeping after feeding. The mother, dazzingly beautiful, is captured in the dappled light of the new dawn. The background is sparse, making the image almost timeless. The young woman is sitting on a modest wooden chair and on the wall behind her is a hand-carved traditional Welsh love spoon...

La Camacunta Eduardo Arranz-Bravo, Spanish (1941) Date: 1966 Oil on Canvas, signed Size: 29.5 x 24.5 in. (74.93 x 62.23 cm) Frame Size: 30.5 x 25.5 inches

Horse Drawn Plough with Two Horses, Ploughman and his Dog. Signed, Oil on Canvas, housed in a gilt frame, by British Landscape Artist, James Wright. Art ...

Artist: José María Tuser Vázquez (1919-1986) Title: Bullfighting Scene Technique: Oil on board Dimensions: 25.6 x 21.3 inches Period: 20th century Art Movement: Figurative Expression...

Artist/ School: French School, signed and dated 2008 Title: The Tightrope Walker Medium: oil painting on canvas Size: painting: 25.5 x 32 inches Provenance: private collec...

Vladimir was born in the city of Khabarovsk, on December 19, 1957. When he was two years old, his mother abandoned his father, took her son and moved to Sverdlovsk (formerly, Yekater...

After Fernand Leger “Two Figures, Naked on Red Bottom” Oil on canvas Signed "Ryan" 18" W x 24" H 23.75" W x 27.75" H

Tina Garrett's (US based) "Magique Noir" is an original, handmade oil painting that depicts a model with a painted face. This is a secondary market work with one previous owner.

A fine impressionist view of a New Jersey Beach, possibly Atlantic City, at the turn of the 20th century by American artist William Gilbert Gaul (1855–191...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Marcel COSSON (1878-1956) Vue du Casino de Juan les Pins, les régates Oil on panel Size : 46 x 61 cm Signed lower left Painting in perfect condition Beautiful carved and gilded fram...

Work on canvas

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

The Meditator 80 x 80 cm Acrylic on canvas Frame is included Framed the painting measures 90 x 90 cm The artist Mitzy Renooy in this painting shows what she likes to paint most. A child living in his own world, dancing on his own way. Mitzy Renooy, artist and mother of four daughters, has exhibited twice before at Galerie Bonnard...

This evocative early 18th-century oil painting depicts Christ in the tomb partially wrapped in a white linen shroud. It’s probably of Spanish origin. Images of Christ’s listless cor...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and settin...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Continental painter (19th century) - Sailing boat on the lake. 46 x 77 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good conditi...

Sunflowers is a beautiful oil painting realized by Vrbova Miloslava Prof. Zinkovy (1909-1991).  Oil on panel, 80 x 60 cm. hand signed lower margin. Good conditions

Jean BURKHALTER (1895-1982) Saint Clare of Assisi, 1944 Gouache and white chalk cardboard glued on panel ; mis au carreau Dated "1944" and located “Saint-Etienne” on an old label on ...

Heading Up Trail William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Canvas Board Signed Lower Left 26 x 30 inches 35.25 x 30.75 inches with frame William Henry Dethl...

Lindsey Kustusch’s (US based) "The Ocean's Lions" is an original, handmade oil painting that depicts a group of striped Lionfish in an underwater setting. Artist Statement: I am a...

French school of the second half of the 19th century, follower of Oudry Blue macaw perched on a branch Oil on canvas 73 x 60 cm

Flowers, Roses, red,pink MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Rus...

This artwork titled "Yosemite" 1952, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.25 x 28.25 inches. Framed in original wooden gold with grey patina frame, with fabric liner. It is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

Bright, colorful Fauvist figurative painting of a woman with vase of flowers in a vibrant interior space, by an unknown Bay Area artist (American, 20th...

Contemporary Abstract Expressionist acrylic and oil on canvas by Italian artist Albino Palamara. Signed to the reverse. Title: Espoir de la Rencontre. A strikingly colourful and en...

Signed, titled and dated 1921 figures in interior oil on canvas by Modernist painter Marcel Francois Leprin. This wonderful piece depicts a ball at the Moulin Rouge, a cabaret in Par...

Clarence Holbrook Carter (American, 1904-2000) The Mayor, 1979 Acrylic and collage on scintilla Signed lower right 30 x 22 inches A surrealist mid-century figural abstract painting....

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf, while the redhead girl, her eyes sparkling with excitement, reaches out to touch the adorable creature. The artist's attention to detail is impeccable, with each brushstroke conveying a sense of life and movement to the painting. Nevertheless, the beauty of this painting lies not only in its technical prowess but also in the emotions it evokes. Visual research gets us to authorship of Walter Goodall (1830 - 1889) an British painter. But since the painting is not signed apparently – it is hard to state for sure. Antique oil painting on canvas with stamp for 'Brodie & Middleton, 79 Long Acre...

The painting, titled "Two Halves and One Soul", is part of Natalya Mougenot's series dedicated to exploring the theme of women and the unique, supportive connections they share. Th...

Sever Frentiu (Săcuieni 1931 - Bucharest 1997) - Male portrait. 65.5 x 39.5 cm without frame, 76.5 x 50.5 cm with frame. Mixed media on paper, in a wooden frame. - Work signed low...

In this enchanting painting by Adolf Gudfast (Gotthard) Werner, entitled "The Broken Dream", a young shepherd rests melancholically beside his faithful dog, facing a broken vase from...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

By the river. Canvas, cardboard, oil, 55.5x70.5 cm

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped inscribed verso Image : 11.75 x 9.25 inches Overall Painting: 25.5 x 19.75 inches ...

Signed "C. VENARD" at lower right Overall dimensions, including the frame, are 33 3/4 x 18 1/4 inches

flowers ,violet, violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya Kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for the Rus...

Figurative abstract style black, white, and blue acrylic painting of the Greek Goddess, Nike, "Winged Victory of Samothrace" with an antique wood f...

Irene Rice Pereira Composition with Figure, 1951 Inscribed, signed and dated Salford/Pereira 2/51 (lr); inscribed I Rice Pereira/2669 Great Clowes St/Sa...

Discover the timeless elegance of "Still Life with Asparagus and Strawberries," a vintage Oil Antique Still Life Painting by an unknown art...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Lucien Potronat (1905–1981) “Le Trayas, Côte d’Azur”, circa 1950 Oil on canvas Signed lower right Original French frame This radiant oil painting by French artist Lucien Potronat ...

Figurative Abstract French School, signed oil painting on board framed: 21.25 x 30.75 inches canvas: 20.5 x 30 inches The painting is in overall good condition, bar an age related pa...

Continental school Oil on canvas Depicting the annunciation of the shepherds 18th/19th century No visible signature Realigned/restored 26.5 x 30.5

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Ocean Road – Australia is an original oil on canvas realized by the italian artist Adriano Bernetti da Vila.

Oil on canvas by Suzanne Blanche KAEHRLING, representing two girls on the beach. The painting comes with its frame. Suzanne Blanche KAEHRLING, painter from Alsace, lived and worked ...

Hubert Bellis 1831 - Brussels - 1902 Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: signed lower right Medium: oil on panel Dimensions: image size 43,50 x 23 cm...

Portrait of a Woman in a White Dress - Pastel on Paper Delicate drawing of a woman in a white dress by Palo Alto artist Marilyn Thompson (American, 1927-2015). Acquired with a colle...

Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...

Up for sale here is a really impressive early 1900's oil painting by William Clarke Rice, Jr. (1875 - 1928). A great nocturnal view housed in a period giltwood frame. Image size, 2...

Presenting an original oil by French artist Paul Charlemagne, “Femme du Cirque”, an original oil on canvas, signed, c.1930, with an image dimension of 30 x 24 inches.

Striking and colorful mid century Fauvist portrait of a man by Sydney Helfman (American, 1926-2010). The expressive and vibrant color palette, a signatu...

Medium: Oil on Canvas Signature: Signed Lower Right J. C. Leyendecker’s illustrations and advertisements fueled a collective visual memory for the early 20th century American public. Over the course of his career, Leyendecker created 322 covers for The Saturday Evening Post, as well as numerous other magazines, including Collier’s and Ladies’ Home Journal. The only illustrator to eclipse his fame was Norman Rockwell and Rockwell was quick to credit Leyendecker as his mentor and inspiration. This previously unknown work was recently discovered at a small country auction in South Carolina. It is likely an early work by Leyendecker, dating to circa 1900. The sinuous reddish orange flames emitted by the slain dragon recall the steam and vapors found in his later work, including an advertisement for Ivory Soap and a Thanksgiving cover for The Saturday Evening Post. The chiseled features and elegant expressions of the two knights and Christ are similar to those of his many successful advertising campaigns and illustrations. The inclusion of columns and the decorative border also are seen in works ranging from the 1901 Thanksgiving edition cover of Success magazine...