Carole Garland

Tidepooling

2021

Contemporary Realism

Depicts Carole Garland reveling in a hot summer day at the Venice Beach. Colorful beach umbrellas shield the timid from the burning sun while sunbathers bask in the searing heat. Yellow and blue ribbons floating on the wind celebrate Venice’s chaos and its whimsy. To focus the figure of a preteen who stands sentinel, Garland fades out the foreground sunbather on right and obfuscates the crouching man on left. The artist leads us to the groups of mysterious standing and sitting figures in the shadows and beyond. Garland’s collection of figurative work speaks to a contemporary sensibility in her approach to painting, while expressing a curiosity about the human form and an irrepressible concern for the human spirit. Carole Garland graduated from Knox College, Galesburg, Ill., studied at the Chicago Art Institute and the University of the Americas in Mexico City. She has worked privately with artists Keith Finch and Ron Pekar, taken numerous workshops and was mentored by David Gallup...

"Summer's End" -- As summer still simmers, the signs of it coming to an end are apparent. Children are going back to school and cooler nights approach. In the meantime, sunbathers fi...

On a recent trip to the Tuamotu Islands (our Honeymoon, incidentally) we signed up for an eco-tour to snorkel with Black-Tip Reef Sharks in the Rangiroa Lagoon. While swimming with ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...