Wood Panel Landscape Paintings

Calvin Lai's "Susie Hotel" is an original, handmade oil painting on wood panel that depicts a city scene at night, with bright lights from the buildings reflecting off of the wet sid...

➡️ Landscape Gorge river scene oil painting⬅️ ⏩It is signed Boréal⏪ ⭐Medium:⭐ Oil on wood panel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐16.5x22cm / 6.5x...

Carl Johansson (1863–1944) Sweden Northern Swedish Landscape, c. 1920 signed lower right Carl Johansson oil on panel unframed 28.5 × 43.5 cm (11.2 × 17.1 in) framed 38.5 × 54 cm (1...

This painting depicts an impressionistic scene of Monet's home Lily Pond in Giverny, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions capt...

Galleons at Sea Sir Frank Brangwyn (1867 - 1956) Oil on mahogany panel Signed and titled on the reverse Picture Size: 16 x 24" (41 x 61cm) Framed Size: 23 x 31" (58 x 78cm) A fanta...

Shipping on Rough Seas by Jacob Adriaensz Bellevois (1621-1675, Dutch), unsigned oil painting on wood panel, framed panel: 23.25 x 32.75 inches framed: 29 x 38 inches. condition: s...

➡️ River town landscape⬅️ ⏩It is signed J Borin⏪ ⭐Medium:⭐ Oil on wood / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐31x43cm / 12.2x16.9 inch with fr...

French School, late 17th Century Mediterranean Harbour with Lighthouse and Shipping oil on panel, circular composition unframed 20 cm (7.9 in) framed 33.5 × 33.5 cm (13.2 × 13.2 in...

This charming landscape from 1933 depicts a farmstead on Fårö, the island situated north of Gotland in the Baltic Sea. In the foreground stands a characteristic stone barn with a tha...

Bancel La Farge, American, 1865–1938 Moonlit River Landscape American Tonalist School Oil on wooden panel, circa 1910 Signed lower right Presented in a period giltwood frame This de...

This captivating summer day beach scene is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich beach scene executed in the 21st Centur...

➡️ Landscape countryside forest⬅️ ⏩It is signed H Aucier⏪ ⭐Medium:⭐ Oil on wood panel / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐33x41cm /13x16.1 i...

Signed lower right, 'Stetson' for Charles Walter Stetson (American, 1858-1911) and dated 1886. Born in Rhode Island, Charles Stetson opened his first studio in 1878 in Providence an...

Dimensions with frame: 22 x 29,5 x 3,5 cm Signed "N. Diaz" in the lower left corner. A richly atmospheric 19th century Romantic landscape painting depicting an intimate woodland clearing animated by delicate figures and fluttering white doves. The composition unfolds beneath a dense canopy of trees, where dramatic brushwork and layered impasto create a sense of movement, mystery, and depth. At the center of the scene, small elegantly dressed figures appear gathered near the water’s edge, possibly engaged in a poetic or symbolic moment. The surrounding birds in flight add dynamism and luminosity, their pale forms contrasting beautifully against the deep greens, earthy browns, and golden highlights of the forest. The artist employs expressive, almost impressionistic brushstrokes, giving the foliage a vibrant, textural quality. Light filters through the trees, illuminating portions of the composition while leaving other areas in shadow, enhancing the romantic and slightly theatrical mood. Both mysterious and lyrical, this work evokes themes of nature, contemplation, and transcendence. It would make a compelling addition to a refined interior, particularly for collectors drawn to moody landscapes and narrative European painting of the 19th century. A compelling and atmospheric antique oil painting that beautifully captures the poetry of nature and the elegance of human presence within it. 19th century landscape painting, Romantic forest painting, antique woodland scene, European Romantic art, antique oil on canvas, atmospheric landscape artwork, forest clearing painting, figures in landscape, doves in painting, impressionistic brushwork, Continental school painting...

Adele Webster’s contemporary landscape paintings explore atmosphere, light, and the emotional presence of open space. Working with layered acrylic washes on wood panel, Webster creat...

11/02/2023, 18.03h is a unique oil on wooden board painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 37 cm (8.7 × 14.6 in).  The artwork is signed, sold unf...

This special large drawing on wood board (ready to hang) created by Shizico in early autumn where her Cat and the garden take centre stage. The pictorial language in this series pays...

Rooster and Hens in the Barnyard William Baptiste Baird (U.S./France 1847-1917) Oil on panel Signed lower right "W. Baird" 12 1/4 x 9 inches A stunning example of William Baptiste...

A whimsical oil painting depicting a Cafe scene with figures in Venice during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in ...

Spring breeze is a painting by contemporary Taiwanese artist Chen Yi Ching. This contemporary painting evokes a delicate blossom, in which a multitude of cherry flowers unfurl in a s...

Adele Webster’s contemporary landscape paintings explore atmosphere, light, and the emotional presence of open space. Working with layered acrylic washes on wood panel, Webster creat...

Francis Mabel Hollams (British, 1877–1963) Three Portraits of “Scrap,” a Wire-Haired Terrier Oil on wood panel, monogrammed lower left “FMH” Circa 1940–1950 A delightful and charac...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

"Harmony" (2024) by Stephanie Hartshorn is an original handmade oil painting on wood panel that depicts a serene midwestern plain in early afternoon. Artist Statement As a nod to m...

Sunset at Grand Teton National Park - Plein Aire Landscape in Oil on Board Vibrant plein aire landscape by Thomas Bradshaw (American, b. 1972). This landscape was complete on site, ...

Carl Johansson's painting from 1927, most likely depicting a view from Nordingrå, encapsulates the serene beauty of the northern Swedish landscape. Born in Härnösand, Johansson drew ...

Frank Dekkers Landscape 18 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

Moonlit Dahlia is a large gold-leaf painting created by Shizico Yi in early autumn, when dahlias reach their fullest bloom and the first turning leaves colour the garden. Painted on ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

About this work: Painted when Weeks was just twenty-four years old, this is a remarkably atmospheric work from the formative years of one of America’s greatest traveling artists. Loo...

Dimensions with frame: 37 x 52,5 x 3 cm. Signed "R. Fuchs" in the lower right corner. Sunset over Garda Lake with Mountains and Moon Italy A serene and atmospheric landscape captur...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

This piece is a pertinent example of Belgian artist Henri Joseph Pauwels ' sought-after works, depicting a view of a table set for tea in the garden by the shore on a serene summer a...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

➡️ Landscape countryside forest⬅️ ⏩It is signed H Aucier⏪ ⭐Medium:⭐ Oil on wood panel / isorel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐33x41cm /13x16.1 i...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thr...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

A bright and airy Post-Impressionist oil landscape showing a view of a serene island vista. Two fishermen use the clear coastal waters as they look out over distant boats. Unsigned a...

Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...

This special Set offer includes two original oil and silver leaf on canvas -White Butterfly -Moonlit Blue Cat White Butterfly is one of Shizico Yi's latest projects, inspired by Japa...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Medium - Acrylic on Wood Year - 2023 Style - Contemporary Subject - Abstract Dimensions - 24 H x 24 W x 1.5 D in Condition - New, Ready to Hang Warm December is an original abs...

Here for your consideration is a brilliant sunset over a bucolic county landscape painting. The artist is the very well known Dutch victorian artist, Joseph Thors. Signed verso by th...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the way trees grate...

Dimensions with frame: 24,7 x 30,5 x 2 cm. Signed "Valter" in the lower right corner. A vibrant Impressionist scene capturing the energy of a bustling village market set before a su...

This piece titled "West Ritner hill" is an original artwork by Miriam Singer and is made of pencil, marker, and acrylic on paper. The artist spends her free time biking around the ci...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thr...

A superb example of a Barbizon inspired landscape painted by George Boyle, "the Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute ...

Frank Dekkers Landscape 22 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

➡️ Landscape Gorge river scene oil painting⬅️ ⏩It is signed Boréal⏪ ⭐Medium:⭐ Oil on wood panel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐16.5x22cm / 6.5x...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Presence" (2024) depicts an American midwestern plains scene, focused on the skyscape above, with a farm and mou...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...

Frank Dekkers Landscape 16 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

oil and wax on canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work c...

Minimal, Vertical abstracted landscape painting of a fuschia pink field with evergreen and red trees under a pale blue sky "Color Field 500", painted by Tracy Helgeson in 2021 36 x ...