Chandra Bhattacharya

Face of a Man, figurative, Charcoal Drawing by the hugely lauded Indian Artist

2007

Debabrata Basu - Being one with Nature I - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper Style : Debabrata derives his style and theme by introspecting within himself. T...

Chandra Bhattacharya - Untitled - 12 x 10 inches (unframed size) Charcoal, Watercolor & Tea Stain on Canvas. ( FRAMED ALL IN DELIVERED PRICE ) Style : In the last three to four years, he has engaged with the concept of an indelible signature left by the ooze of the urban theatre. Human beings, who have always occupied Chandra, who have mostly been figures of silent resilience on his canvas, now...

Chandra Bhattacharya - Untitled - 12 x 10 inches (unframed size) Charcoal, Watercolor & Tea Stain on Canvas. ( FRAMED ALL IN DELIVERED PRICE ) Style : In the last three to four years, he has engaged with the concept of an indelible signature left by the ooze of the urban theatre. Human beings, who have always occupied Chandra, who have mostly been figures of silent resilience on his canvas, now...

Bratin Khan - Enlightened - 30 x 24 inches (unframed size) Charcoal and Pastel on Canvas , 2012 ( Framed & Ready to Hang ) Style : Marked for the refined handling of line work and p...

This layered paper and drawing collage titled "House Studies Series II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...