Marc Chagall

Mère Et Enfant Sur L'âne Marron By Marc Chagall

1973

Raoul Dufy 1877-1953 French Chevaux de courses (Racing Horses) Signed and dated "Raoul Dufy 1929" (lower right) Watercolor and gouache on Arches paper Raoul Dufy's fascination wi...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Marc Chagall 1887-1985 Russian Couple sur le lit (Couple on bed) Signed 'Marc Chagall' (lower right) Oil and India ink on canvas Marc Chagall's exquisite work, Couple sur le lit,...

Frank Tenney Johnson 1874–1939 American The Lawless Frontier Signed, lower left: F Tenney Johnson A.N.A 1930 Oil on canvas Frank Tenney Johnson’s The Lawless Frontier exemplifies...

EMILIO GRAU SALA Spanish, 1911 - 1975 COURSES signed "Grau Sala" (lower left) signed, dated and titled "GRAU SALA / 1967 / “Courses”" (on the reverse) oil on canvas 23-5/8 x 29 inche...

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly With Minstrel. Oil On Canvas. Signed Lower Right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 inches x 35.8 inches ( 78cm x 91cm ). Available for sale; this original oil painting is by the Nottingham artist Harry Freckleton and dates from the 1960s. The painting is presented and supplied in its’ original wooden frame (which is shown in these photographs). The frame, canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The original cotton covered slip has been replaced. This vintage painting is now in very good condition, defying its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. The acclaimed artist Harry Freckleton was born in Nottingham in 1890 and lived there for most of his life. He studied at the Nottingham School of Arts, as it was then known, from 1904 to 1912 under Wilson Foster and was much influenced by the local painter Arthur Spooner. He worked as a lithograph artist, and then served in the army during World War 1. He then worked as an artist for New Zealand Cine Studios and went on to run his own photographic business from 1924-65. Freckleton married the artist Vera Freckleton and they spent most of their married life living in at Whitegates in The Park, Nottingham. Most of Freckleton’s art is painted in oils, and he specialised in still life, landscape and figurative work, especially childhood scenes. His best works have a strong human interest, with an individual technique showing quality and fine execution. He was a member of the Nottingham Society of Artists, exhibiting there and becoming an esteemed Associate. As a successful artist Freckleton exhibited work seven times at the Royal Academy, as well as the Royal Society of Portrait Painters and the Royal Society of British Artists. His work continues to be sought-after and is today represented in permanent collections in Nottingham, Blackpool, Huddersfield and elsewhere. © Big Sky Fine Art This beautiful oil on canvas painting by Harry Freckleton shows a scene in an English farmyard. Besides an old green painted barn and a tall haystack, we see Minnie, a young girl sitting astride Minstrel, her brown pony. She is wearing a riding hat, white blouse and red trousers, and looks down at her left side towards a second figure, in a blue top and tan trousers, who is possibly adjusting her stirrups. A third figure, another girl, in grey blouse...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK, 1961 signed "Grau Sala" (lower right) signed again, titled & dated "GRAU SALA / PADDOK / 1961" (on the reverse) oil on canvas 21-3/8 x ...

Betsy Podlach (American, born 1964) "A Touch of Intimacy" 2023 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. A Touch of Intimacy" is an evocative pai...