C Print Figurative Paintings

Calvin Lai's (US based) "Remover of Obstacles" is an original, handmade oil painting that depicts a still life of a black elephant statue and a metal Lord Ganesha statue...

Substantial California oil painting of a Navajo horseman in the New Mexico mountains. Stylistically similar to Constantine Cherkas Navajo Rider painti...

Pair of two vintage portraits of Native American figures, one older and one younger, in profile with braids and headdresses by Victor S. ...

Carmel Mission, 1870 - Landscape Oil Painting One of California's Mission settlements lies on the Central Coast in Carmel, depicted in this landscape oil painting. The Spanish architecture...

Sunny seascape of seagulls over ocean waves breaking on the coast by Joe Hazel Conrad (American, 20th century). Presented in a wood frame. Signed ...

Calvin Lai's (US based) "Predator and Prey" is an original, handmade oil painting that depicts a still life of bear shaped honey containers advancing t...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Portrait of a woman with green eyes that are highlighted by the light green background by Monterey California-area artist Patricia Gillfillan (American, 192...

Charming landscape of a house along a lake with a flock of geese in the foreground by K. Smith (American, 20th Century). Signed and dated "K. Smith '83" lower right. Displayed in a r...

Gorgeous early 19th Century Native American figurative landscape of women at well in Tucson, Arizona by William Constable Adams (American, 1846 - 1931),...

Dreamy figurative seascape of two ladies on the beach wading in shallow waters, depicted in a beautiful tonal palette of soft cyan and lavender hues, by Alan David Cours (American, b. 1950). The subtle reflections of the women in the water add a touch of detail to the almost abstracted blend of colors that makes up the water and sky, and tiny sails dot the horizon line to imply space. Cours' background as an abstract artist is apparent in this scene, which is grounded in reality only by use of the most important details. The artist allows the mood of the colors to come to the forefront, and any unnecessary details, like the faces of the women or delineation of successive waves in the water, to fall away. Signed "A. Cours" in the lower right corner. Unframed. Image size: 24"H x 30"W. Cours, Alan David (American, b. 1950) was born in Ohio in 1950. He remained there until 1972, when he graduated from Kenyon College with Highest Honors in art. In 1974, Cours moved to New York to accept a grant from the Whitney Museum of American Art. He subsequently obtained an M.F.A. in painting from Hunter College in New York. Originally trained as an abstract artist, Cours became interested in American Impressionism after viewing the work of A. Gisson. He became an informal apprenticeship with Gisson which lasted over ten years. Today, Cours’ style bears evidence of Gisson’s influence but has a delicate touch which is uniquely suited to his vision of our world. He is deeply interested in exploring the power of color to evoke light and mood. His subjects are landscapes, beach scenes, florals, architectural scenes, nudes, and still life. The work of A. David Cours has been exhibited throughout most of the United States. He has become a very successful artist and his work is in both large and small collections in the United States and abroad. “A. David Cours is an exceptionally gifted artist. He has studied with me informally for over ten years. He is far and away the leading proponent of the “Gisson” school of American Impressionism. I most enthusiastically recommend his work” -Anders Gisson

Wonderful western figurative landscape watercolor depicting highly detailed figures at working in front of a blacksmith shop, set in a small town landscape with beautiful dappled light in the foreground, by exemplary contemporary watercolor artist Patricia Hansen (American, 20th Century), c.2000. Signed lower right corner "P.P. Hansen". Presented in oak frame under glass with off-white mat. Image size: 23"H x 31"W. Formerly of the San Francisco Bay Area and Saratoga Springs, New York, watercolorist, Patricia Hansen currently lives and maintains her studio at the mouth of Little Cottonwood Canyon in Sandy, Utah. She was born in Chicago, Illinois and received her bachelor degree in art from Brigham Young University. After graduation, Patricia continued to study both drawing and watercolor painting from noted artists Jade Fon...