Ink Figurative Paintings

This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ. The origins of this collection are unknown but it’s likely that t...

"The Hunt" Figurative Painting 13" x 20.5" inch by Ahmed Saber Medium: acrylic, ink & colored pencil on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor in ...

In this piece, I have poured my fascination with the passage of time into every brushstroke. Using the interplay of acrylics and inks, I melded classical beauty with an ethereal over...

Title: Mid-20th Century Post-Impressionist Ink and Wash Cityscape with Palm Tree by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Ink and watercolour on unframed p...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

"Blue Cowboy" is an original American Western Realist serigraph, depicting a cowboy mid-jump on his horse, done in an entirely blue color palette. Artist ...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal/ink on artists paper, double sided Size: 9 (height) x 6.75 (width) Stamped Verso Con...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an authenticity unlike any other: layered, textural, controversial, open to imagination, colorful, personal, and inspiring. Coruzzi’s work encapsulates not only urban environments, but the inhabitants as well. Irony is laced between figures drawn with an energetic architectural hand. His work is colorful, funny, and biting through resolutely rendered vignettes of people and places. Fabio Coruzzi used acrylic paint, oil pastel, gel ink, and graphite to create this one-of-a-kind original artwork on canvas. It is signed by the artist on the front and back. This colorful 24-inch high by 30-inch wide painting is stretched, wired, and ready to hang. The top of the artwork is a continuation of the front and the sides are painted white. It does not require framing. Free local Los Angeles delivery. Affordable U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Fabio Coruzzi was born in Foggia, Italy in 1975, and now resides in Southern California, USA. Remarking on his work in conjunction with his perspective on urban environments, Fabio states: "I wish that each painting I make should be like a poem of the place where I've been. I wish to become a poet of our time, like somebody would tell: "I've been there", but telling that my way, telling the audience that, no matter where we are, in a boulevard or in a restaurant, each single place is like an empty box that needs to be filled with the intense energy of our existence. Each place leaves a mark, like a scar, inside us. I wish that scar becomes poetry." Winner of the 2021 ENEGANART Prize, Coruzzi's work has been widely collected and exhibited internationally, with great acclaim for his faithfully candid approach to city life and human idiosyncrasy: "It’s a melting pot of different gestures, different perspectives. Mixed media mold together these different perspectives, creating the urban environment. Contemporary culture is made of controversy: modernity includes ugliness, imperfection, and contamination, anything that creates texture." REPRESENTATION Artspace Warehouse, Los Angeles, CA, USA EXHIBITIONS 2023 Solo show, Fabio Coruzzi: Statements, Artspace Warehouse, Los Angeles, CA 2022 “Breakthrough Artists of the Affordable Art Scene”, Artspace Warehouse, Los Angeles, CA 2021 Palazzo Strozzi, Firenze, Italy Artspace Warehouse, Los Angeles, CA 2020 LA Art Show – Los Angeles, CA 2019 Artspace Warehouse – Los Angeles 2017 AAF New York, NY 2016 Topography of Life – Artspace Warehouse – Los Angeles New York Affordable Art Fair – New York 2015 New York Affordable Art Fair – New York 2015 Pop Art Shakeup – Artspace Warehouse – Los Angeles 2014 Why War? – The Freud Museum – London Affordable Art Fair Hampstead – London Papergirl Belfast - PS2 House - Belfast Affordable Art Fair Battersea, London – Bicha Gallery London Art Fair – Bicha Gallery 2013 AAF Singapore – Bicha Gallery Sound Sight Exhibition – Shaw Gallery, Trinity School – London Affordable Art Fair Battersea – Bicha Gallery Cityscapes – Medici Gallery – London Affordable Art Fair Stockholm – represented by Bicha Gallery Not A Drop – 4749 Tanner Street Gallery – London Going Underground - Shoreditch Town Hall Basement – London AAF Hampstead - Bicha Gallery 21st Biennale of Humour and Satire – Gabrovo Museum - Bulgaria People in Motion – Artspace Warehouse – Los Angeles AAF New York - Bicha Gallery AAF Hong Kong - Bicha Gallery Commonplaces – The Hackney Cut – London AAF Brussels - Bicha Gallery London Art Fair – Bicha Gallery 2012 Art For All – Medici Gallery – London Affordable Art Fair – Singapore – Bicha Gallery ELP group show – Galleria Ostrakon – Milan Affordable Art Fair – London – Bicha Gallery Affordable Art Fair – Stockholm – Bicha Gallery Printhaton – Foreman’s Smokehouse Gallery – London Affordable Art Fair – New York – Bicha Gallery Alimentum s.p.a. – Fondazione Banca Del Monte di Foggia – Italy Waiting for the Sun – solo exhibition – Bicha Gallery – London 2011 Qijiang International Print Festival – Chongqing – China Affordable Art Fair – Bicha Gallery – Battersea – London Human rights? – Opera Campana dei Caduti – Rovereto - Italy Fishwick Papers – The Smokehouse Gallery – London MAGNET OPEN ART PROJECT – Concord, New Hampshire – USA RARITIES – Hastings/Brighton 13 ELP Annual Exhibition – Triangle Gallery – London Show Me The Monet – Royal College of Art – produced by BBC Dreams – The Freud Museum – London LightBite 2011 – Nottingham – UK Type/Script – Chapel Gallery – Ormskirk 2010 Artisti Mitteleuropei 2010 – Casa della Cultura – Calitri(AV) – Italy Wishing – ArteOra Spazio Arte Contemporanea – Foggia – Italy The Public Are Not Invited – The Nottingham Workshop - UK ELP Box Set 2010 Launch – 242 Gallery – London 6×4 Postcard Exhibition – Yorkshire ArtSpace – Sheffield Link – ArteOra Gallery – group show curated by Maria Vinella – Foggia – Italy Penang International Printmaking Exhibition – Penang State Museum – Malaysia Freud Experience – solo exhibition – Freud Café Gallery – London A Suite of Lighted Rooms – Pushkin House Centre for Russian Culture- London Acqua Bene Comune – Foggia – Italy Twelve – Space Gallery – London Print for Peace 2010 – Arte AC Tecnologico Institute – Monterrey – Mexico Prize Winner – “Copertine al Tratto” 2010 – Subway Edizioni – Milan – Italy C’era una volta Pasolini – group show – Galleria Terre Rare – Bologna – Italy F.A.C.T.S.– Center for the Study in Political Graphics – Los Angeles – USA London Fashion Week – MariaFrancesca Pepe collection – Somerset House – London 2009 The Grand Plasto-Baader-Books – Kaleid Gallery – London Alexandria MiniPrint Biennal – Bibliotheca Alexandrina Conference Center – Egypt Segni 20×20 – Micro Macro Gallery – Turin One Night Only – group show – Shoreditch Town Hall – London Quijiang International Print Festival 2009 – Quijian – China Eco Art Project ’09 – Rome IMPACT Centerpiece 09 – SpikePrint Studio – Bristol Pasquale Siniscalco Gallery – Milan Estetica 09 – Church of S.S. Annunziata – Calitri (AV) – Italy Premio Spazi Evasi ’09 – Francavilla al Mare (CH) Unplug – Solo show – EstremaDura Café Gallery – Verbania – Italy Eleven – ELP Group show – Banside Gallery – London Ex Libris – Group show – Meliusz Center – Debrecen – Hungary 2nd Guanlan International Print Biennial – Guanlan Museum – Shenzen – China Biennial of Humour and Satire in the Arts – Museum of Humour and Satire – Gabrovo – Bulgaria Sorry If I’m Not in Line – Factory-Art Contemporanea – Trieste Ex Libris Mini Print Biennal – Sint Niklaas Dienst Museum – Belgium CDO’s and Double Clubs – August Art Space – London Adreanlina 09 – Former Jewish Fish Market – Rome Wonderland – Brothers Grimm Museum – Kessel – Germany Vigna degli Artisti 09 2008 Light One Night – Group Show – ArteOra Gallery – Foggia – Italy Temptation – Group show – Cupola Gallery – Sheffield Urban Jungle – Group show – London City Hall Orange Calls Italy- Shortlisted for the final group show – PolarExpo Space – Bergamo ArteIngenua Second Act – ArteIngenua prize 08 – Guido Iemmi Art Studio – Milan – Italy Concorso Fumetto Giovani 2008 Jury Prize – illustration – Museum of Modern Art – Foggia – Italy Second Impressions – Romford Art Institute – Essex E17 Art Trail – Kelmscott School – walthamstow – London Sustainability – Latajaka Gallery – Warsaw – Poland Wonderland–Deutsches Maerchen und Wesersagen Museum – Bad Oeynhausen – Germany Lessedra International Mini Print – Lessedra Contemporary Art Gallery – Sofia – Bulgaria Evento MUSAE 08 – Museo Urbano Sperimentale Arte Emegente – Tourism Palace – Jesolo (VE) Decarbonart – Greater London City Hall – London – curated by Katja Rosenberg Art Fusion – Live painting performance – The Hub – Aldgate East...

Kyoto VII Landscape – Silver Pavilion is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink, Japanese pigments and gold leaves on Japanese ca...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Title: Mid-20th Century French Ink Drawing of Trees and Stream With Cottage by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Ink and pencil on unframed paper Size:...

An allegory of loyalty, with the subject's dog pictured seated, holding his master's chisel in his mouth; fidelity personified. Italian School, 18th century Ink wash in gray and bl...

The Birth French Rococo School, mid 18th century sepia ink on paper over board, framed behind glass. framed: 13 x 11 inches painting : 8 x 6 inches Provenance: private collection, B...

Beautiful Art Deco illustration by unknown artist. Ink and gouache on faux wood grain illustration board. Image field measuring 14 x 18 inches on a 17 x 21 inch illustration panel...

Christ on the Cross attributed to Jan Luyken (Dutch, 1649–1712) inscribed 1674 upper corner pencil drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches ...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

America Martin "Woman with Leaves & Blossom" Ink & Pencil on Paper 43.5" x 83.5" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspi...

Pursuing dreams beyond borders is a journey fraught with complexities and challenges, yet it also offers profound opportunities for growth and transformation. "Finding Solace in Fore...

In this painting, I embraced the tactile depth of relief printing with the fluidity of acrylics and oils. Its figurative nature captures the human essence amidst a symbolic and futur...

Sylvia van Opstall Up She Goes 120 x 170 cm Framing is possible The artist Sylvia van Opstall comes from all kinds of "worlds that deal with design and classical painting," the des...

Citation : Si l'oeil ne contemple pas, l'oeil ne verra pas Animal - Closeup portrait of a cat Technique: oil, acrylic, and ink on old book pages on wooden fram...

Two Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 40.5 H in. x 55.5 in. W Mounted on acid-free board: 41 H x 56 in. W Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

Barbara Shermund (1899-1978). The Soda Fountain, ca. 1950s. Watercolor and ink on paper, 9 x 12 inches; 13 x 16 inches framed. Signed lower right. Exc...

This rather fascinating arrangement of early 17th century miniatures depicts thirty scenes from the life of Christ. The origins of this collection are unknown but it’s likely that t...

This work is full of gentleness and inspired by the observation of nature. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal rom...

'Ochre Emergence' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11 1/2 x 8 1/2 inches and it is professionally framed in a museum quality white ash har...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - The Afternoon By The Old Mill Medium: gouache/watercolour/ ink/ pencil on thin board, ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 11 x 10 inches Superbly decorative 1960's French portrait painting. Ideal for man...

In the paintings of this series , images of antique figures and statues are used to talk about the eternal in modern language , as well as to present antiquity in a modern way .The w...

In this painting, I embraced the tactile depth of relief printing with the fluidity of acrylics and oils. Its figurative nature captures the human essence amidst a symbolic and futur...

In this piece, I've harmoniously blended acrylics, spray paint, and ink to evoke the timeless dance of intimate connection. The vintage vibes and fine art elements coalesce, crafting...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 13 x 9.5 inches Overall Painting: 25.5 x 19.75 inches Superbly decorative 1960's ...

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Marz Jr. is a focused freelance artist and illustrator, creating original and limited edition works in paint and ink. He also works in animation on various digital media platforms. H...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Beautiful Abstract expressionist figure signed Kline. Charcoal on paper measuring 10 x 13 inches. Sheet is glued down to foam board backing. Total measurement 13 x 16 inches.

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

Title: French Mid-Century Drawing of Mont-Saint-Michel with Medieval Ramparts by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed paper S...

Rainy Day by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed signed J.V paper: 10 x 6.25 inches double sided very good condition provenance...

5179 Antique figural garden scene

Maples is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, India ink, gold leaf on panel mounted on Japanese paper, diameter is 22.7 cm (8....

Yellow Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 52.5 H in. x 37.8 in. W M...

Bettina Mauel, an internationally collected artist, effortlessly channels vitality and sensuality through her awe-inspiring collection of abstract and figurative paintings. With an u...

Marz Jr. is a focused freelance artist and illustrator, creating original and limited edition works in paint and ink. He also works in animation on various digital media platforms. H...

Medium: Watercolor and Pen and Ink on Paper Dimensions: 13.75" x 8.88" Signature: Signed Upper Right Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

This is the country of people who seek lovelessness in love, and lovelessness in this country. Strangeness and fear on one, melancholy and worthlessness on the other…. But what will ...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

Barbara Shermund (1899-1978). Tavern on the Green. Watercolor and ink on paper, 9 3/8 x 12 inches. Unsigned. Excellent condition. Provenance: Ethel ...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Struggle teaches you a lot of things, and I am happy that I witnessed a roller coaster ride. The journey has improved me as a person and made me more mature. Life is like a roller co...

Monet’s Dahlias is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and Indian ink on Japanese paper mounted on panel, dimensions are 31.8 ×...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Acco...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper inscribed verso stamped to the reverse Image : 19.5 x 25.5 inches Superbly decorative 196...

'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...

In the paintings of this series , images of antique figures and statues are used to talk about the eternal in modern language , as well as to present antiquity in a modern way .The w...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The thematic expression of this art piece was crafted from the experience of what women especially wives and mothers had to go through to ensure that their homes were sustained. This art piece tends to inform her female audience; most especially intending wives and mothers that what keeps the home is not primarily in the acquisition of degrees and certifications but in having the requisite knowledge and consciously fulfilling their role as home builders. About Artist Oluwatobiloba Amusan...

"Marte e Venere" - 2015 Never Exhibited Exclusively on 1stdibs measures are referred to the painting.

Marc Chagall 1887-1985 Russian Couple sur le lit (Couple on bed) Signed 'Marc Chagall' (lower right) Oil and India ink on canvas Marc Chagall's exquisite work, Couple sur le lit,...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - Mallards Dropping On The Mill Stream Medium: gouache/water...

Camellia IX is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and pigments on Japanese cardboard, dimensions of the framed artw...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

🟢☀️Still Life Red Converse shoes☀️🟢 Converse Chuck Taylor All Stars as an iconic imagery from Pop Culture. ⭐Technique⭐: oils, acrylics and ink on old book pages, mounted on a woo...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Sunset to Kyo is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink, Japanese pigments and gold leaves on cardboard, dimensions are...

The Angel Dutch Old Master, 17th century wash with pencil drawing on artist paper, framed Glass covering framed: 14 x 12.5 inches board: 12.5 x 9.5 inches condition: age related crea...